Textile arts of Bangladesh

The history of the textile arts of Bangladesh dates back to the 1st century AD. According to the archaeological excavations, Bangladesh was once famous for its artistic textile production throughout the world. Over the years, several types of textiles evolved in the country, mostly by the indigenous handloom manufacturers.

History

File:Handkerchiefs.jpg

white muslin with white cotton and pink silk embroidery,Kolkata,mid 19th century,after Arts of India 1550-1900,Victoria and Albert Museum,1990

The fine, transparent mulmul known as muslin in Europe manufactured by the weavers of Bengal was established as a commercial product almost 2000 years ago .Gangetic muslin is referred to by Greek and Roman writers .It’s known from their writing that it was the most favored among the luxury goods imported from India .these were known by beautiful poetic names in Rome such as – nebula which means mist, vapor or cloud, and venti textiles, woven winds .Similar names are still used in Dhaka .

The most important commodities were fine cotton and later, silk. The East India Company, already well established in Goa began to cast covetous glances at Bengal in the early 16th century .In 1536 they set up trading posts at Satgaon and Chittagong. In the mid – 17th century the East India company of London was permitted by the Mughal government to establish a few factories (trading posts) in Bengal.

The handloom textile industry employs a large section of the population. About 60 to 65 percent of the demand for textiles in Bangladesh is supplied by the handloom industry.

Types

• Tanti: From ancient times only persons from the Tanti caste worked on the loom .Weavers generally came into this profession from the Hindu Tanti or Kayastha castes.
• Cotton: Watts and brown mention that the cotton fabric of Bengal was manufactured in the regions of Burdwan, Birbhum, bankura, serampore, Nadia, Bogra, Pabna, Dhaka, Faridpur, Chittagong, etc. The muslin of Dhaka was renowned.
• Silk: There are three kind of silk found in the Indian subcontinent, these are tassar silk, muga silk and eri silk.
• Mixed Fabrics: As Islam forbids the use of pure silk garbs in religious ceremonies the artistic use of many mixed fibers was observed in the subcontinent. Mulberry silk and cotton mixes are called garbhasuti or asmani.
• Muslin: Durgadas Lahiri has mentioned in Bharatbarsher Itihas that in 1462 BC most mummies of Egypt were covered in muslins. In this context George Birdwood writes, ’filmy Muslin "comely as curtain of Solomon ," is even older than the code of Manu. The meaning of the word muslin is not clearly known .
• Jamdani: Diversely ornamented muslin is called jamdani. The muslins that are loom – figured are called jamdani .It is the original loom.

File:Weaving on the jamdani loom.jpg

photograph Md. Zahirul Islam Bhuiyan

• Sari, Lungi and other garments: In rural Bangladesh the word sari and kapor mean the same thing .The sari has always been made in the same form .The word dhoti is derived from dhowa ("washing"). The word gamchha is derived from ga mocha (wiping the body). At present the lungi is the most popular wear for men.

photograph Shahid Hussain Shamim

• Tangail: Tangail was celebrated for its looms from ancient times. The weavers of Bajitpur would manufacture a variety of high quality embroidered sari.The Tangail sari became a legend.These were produced under patronage of local zamindars. With the aim of organizing the weavers' caste and preserving the tradition of the Tangail sari, a central artisan's cooperative society was established at the end of the 1930s.

File:Border of Tangail sari,from the 1970s.jpg

collection Rabeya Khathun