The Red Woman

This article is about the Game of Thrones episode. For the character often referred to as the Red Woman, see Melisandre.

"The Red Woman"
Game of Thrones episode
280px The Red Woman, Melisandre, reveals her true form following her loss of faith.
Episode no.	Season 6 Episode 1
Directed by	Jeremy Podeswa
Written by	David Benioff D. B. Weiss
Featured music	Ramin Djawadi
Cinematography by	Gregory Middleton
Editing by	Crispin Green
Original air date	April 24, 2016 (2016-04-24)
Running time	50 minutes
Guest actors
Owen Teale as Alliser Thorne Ben Crompton as Eddison Tollett Alexander Siddig as Doran Martell DeObia Oparei as Areo Hotah Faye Marsay as the Waif Daniel Portman as Podrick Payne Keisha Castle-Hughes as Obara Sand Rosabell Laurenti Sellers as Tyene Sand Jessica Henwick as Nymeria Sand Hannah Waddingham as Septa Unella Toby Sebastian as Trystane Martell Brenock O'Connor as Olly Hafþór Júlíus Björnsson as Gregor Clegane Charlotte Hope as Myranda Joe Naufahu as Khal Moro Chuku Modu as Ahko Staz Nair as Qhono Rubi Ali as a Khal Moro's wife Fola Evans-Akingbola as a Khal Moro's wife Gerald Lepkowski as a red priest Richard Rycroft as Maester Wolkan Diogo Sales as a Dothraki bloodrider Junade Khan as a Dothraki bloodrider Sara Dylan as a handmaiden Brian Fortune as Othell Yarwyck Michael Condron as Bowen Marsh

"The Red Woman" is the first episode of the sixth season of HBO's fantasy television series Game of Thrones, and the 51st overall. The episode was written by series co-creators David Benioff and D. B. Weiss, and directed by Jeremy Podeswa. It aired on April 24, 2016. It was the first episode followed by After the Thrones, HBO's after-show hosted by Andy Greenwald and Chris Ryan.

At Castle Black, the body of Jon Snow (Kit Harington) is discovered by Ser Davos (Liam Cunningham), and loyal members of the Night's Watch protect his lifeless body. Meanwhile Melisandre (Carice van Houten) has begun to lose her faith in the Lord of Light. Near Winterfell, Sansa Stark (Sophie Turner) and Theon Greyjoy (Alfie Allen) escape, but are caught by Bolton forces and saved by Brienne of Tarth (Gwendoline Christie). In Dorne, Ellaria Sand (Indira Varma) murders Prince Doran Martell (Alexander Siddig), and Jaime Lannister (Nikolaj Coster-Waldau) returns to King's Landing with the body of his dead daughter. In the Dothraki Sea, Daenerys Targaryen (Emilia Clarke) is taken by the khalasar of Khal Moro (Joe Naufahu).

"The Red Woman" was positively received by critics who found the episode to be a satisfactory launching point for the season, and praising the scenes involving Sansa and Brienne, as well as the closing reveal with Melisandre, although the Dorne storyline was criticized once again for feeling too abrupt and deviating greatly from the books. The episode title is an allusion to the epithet used to describe the Red Priestess Melisandre. In the United States, the episode premiere achieved a viewership of 7.94 million in its initial broadcast, and a same-day total including the streaming services HBO Go and HBO Now of 10.7 million viewers, a record for the series.

Plot

In the North

At Winterfell, Ramsay (Iwan Rheon) mourns the death of Myranda (Charlotte Hope), but commands that her corpse be fed to the hounds rather than buried. Roose (Michael McElhatton) warns him that, despite their victory over Stannis Baratheon, they could be facing the wrath of the Lannisters in the future, and as such, they must secure the loyalty of the North's other nobles. Roose blames Ramsay for losing Sansa (Sophie Turner), who, as a child of Eddard Stark, could have been used as a figure-head for the North. As such, Roose threatens to disinherit Ramsay and implies that he will make his unborn son his heir if he cannot retrieve her.

Meanwhile, Sansa and Theon (Alfie Allen) flee through the nearby forests. Upon being cornered by a squad of Bolton soldiers, they are rescued by Brienne (Gwendoline Christie) and Podrick (Daniel Portman), who attack and kill the soldiers. Theon kills one of the soldiers, saving Pod's life. Brienne again offers to pledge her loyalty to Sansa, who accepts.

In Dorne

Doran Martell (Alexander Siddig) receives news of Myrcella's death and is distraught, but he and Areo Hotah (DeObia Oparei) are immediately murdered by Ellaria (Indira Varma) and Tyene (Rosabell Laurenti Sellers), while the palace guards look on without intervening. Ellaria states that his people have become dissatisfied with Doran's inaction against the Lannisters. As Doran dies, he pleads for his son's life, but Ellaria vows that weak men will never rule Dorne again.

In King's Landing

Jaime Lannister (Nikolaj Coster-Waldau) arrives in King's Landing bearing Myrcella's body, and returns to his sister Cersei (Lena Headey). Cersei recounts the prophecy which Maggy the Frog told her as a child, when she was told all her children would die before her and she would be left with nothing. Jaime promises revenge against all who have wronged the Lannisters, heightening the importance of him and Cersei staying close.

Across the city, Margaery (Natalie Dormer), who is still held captive by the Faith Militant, converses with the High Sparrow (Jonathan Pryce), but he refuses to give her information about her brother Loras.

In his ship still docked in the harbor, Doran's son Trystane Martell (Toby Sebastian) is painting stones for Myrcella's funeral. Obara (Keisha Castle-Hughes) and Nymeria (Jessica Henwick), two of the Sand Snakes, board his ship and enter his cabin, stating their intent to kill him. Despite proclaiming that he does not want to fight his family, he attempts to defend himself from Nymeria but is stabbed through the back of the head by Obara, killing him instantly.

In Meereen

Tyrion (Peter Dinklage) and Varys (Conleth Hill) walk through the streets, which are largely empty because of Daenerys's absence and fear of the Sons of the Harpy. Tyrion observes that Daenerys's enemies are growing, including former slaves and former masters. Varys promises that his spies will find the leader of the Sons of the Harpy. The two discover that someone has set fire to all of Meereen's ships in the harbor, and Tyrion realises that Daenerys's forces will be unable to sail to Westeros.

In the Dothraki Sea

Daario (Michiel Huisman) and Jorah (Iain Glen) continue to trace Daenerys's (Emilia Clarke) location. Jorah takes a moment to observe his worsening greyscale, but he continues to keep it a secret. They discover her ring in the middle of thousands of hoof-prints, deducing that she has been taken by the Dothraki.

Many miles onward, Daenerys is presented to Khal Moro (Joe Naufahu), who has taken her prisoner. Moro initially wishes to rape her, but treats her with respect after Daenerys explains that she was Khal Drogo's wife. Daenerys asks Moro to escort her back to Meereen, but he refuses to let her leave, as widows of Khals must live out their lives in Vaes Dothrak, the Dothraki's sacred village, as a part of the Dosh Khaleen.

In Braavos

Arya Stark (Maisie Williams), now blinded, is sent to beg on the streets. The Waif (Faye Marsay) suddenly appears and forces Arya to duel her using a wooden staff. Arya fails because of her blindness, and the Waif promises that she will return the following day.

At the Wall

Following the murder of Jon Snow (Kit Harington), his dire-wolf Ghost begins to howl as the sun rises above Castle Black, attracting the attention of Davos (Liam Cunningham), Edd (Ben Crompton), and a few other loyalists. They release Ghost from his nearby pen and take Jon's body into a store-room, whereupon Melisandre (Carice Van Houten) briefly visits and is troubled, as she had experienced a vision in the flames where Jon was fighting at Winterfell. The loyalists become fearful and lock themselves in from the mutineers, with the exception of Edd, who sneaks out of Castle Black to get assistance from the Wildlings against the mutineers.

Ser Alliser (Owen Teale) convenes the other black brothers and takes responsibility for Jon's murder. Several black brothers accuse Thorne and the other officers of treason, but Thorne wins them over by citing Jon's actions and stating that Jon would have destroyed the Night's Watch by letting in the wildlings. Alliser and the other mutineers then surround the store-room and promise Davos and Jon's friends amnesty if they surrender, but threaten to attack if they don't open the door by nightfall.

Elsewhere, Melisandre, who has been sullen following Stannis's defeat and Jon's death, goes to sleep in her bedroom. As she undresses, she removes her ruby necklace to reveal a physical body many years older than she appears to be.

Production

Writing

"The Red Woman" was written by the series' creators David Benioff and D. B. Weiss. Some elements in the episode are based on the forthcoming sixth novel in the A Song of Ice and Fire series, The Winds of Winter, which author George R. R. Martin had hoped to have completed before the sixth season began airing. It also contains elements from the chapters "The Sacrifice" and "The Blind Girl" from A Dance with Dragons.

Casting

With this episode, Jonathan Pryce (High Sparrow) is promoted to series regular. The episode has the introduction of new recurring cast member Joe Naufahu, who plays Khal Moro.

Filming

Carice van Houten portrays the titular character of the episode, the Red Woman Melisandre.

"The Red Woman" was directed by Jeremy Podeswa. Podeswa previously directed the fifth season episodes "Kill the Boy" and "Unbowed, Unbent, Unbroken", the latter of which received a Primetime Emmy Award nomination for Outstanding Directing for a Drama Series. The budget for the sixth season increased compared to the previous seasons as each episode had an average cost of over $10 million, totaling approximately $100 million for the full season, setting a new high for the series.

For the closing reveal involving Melisandre, the director of the episode stated that a similar technique to the body double of Cersei Lannister in "Mother's Mercy" was used, with Carice van Houten wearing prosthetic makeup for the face that was then transposed onto the real body of an old woman. Podeswa stated, "The idea is there's an indefinite indeterminate quality that she could be ancient. We were limited by choosing to use a real person rather than a complete [computer generated] creation. Because what does a 400-year-old person look like? We don't know. So if you try to create that, then you're creating something that looks beyond our known reality. Here you feel like she's very old without putting a number on it."

Reception

Ratings

"The Red Woman" was viewed by 7.94 million American households on its first viewing, which is slightly lower than number of viewers for the fifth season premiere, 8.00 million, marking the first time in the show's history a season premiere received less ratings than the premiere and finale of the season that came before it. HBO notes that two replays later in the night and early figures from HBO Go and HBO Now push the total to 10.7 million viewers, a same-day record for the show. The episode also acquired a 4.0 rating in the 18–49 demographic, making it the highest rated show on cable television of the night. In the United Kingdom, the episode was watched by 2.19 million viewers according to overnight ratings (2.289 million viewers over 7 days), a record for the pay channel Sky Atlantic. Similarly it broke the Australian record as the most watched show on pay TV, with 721,000 viewers in the overnight figures and 1.1 million in the final tally.

Critical reception

Reviews for "The Red Woman" were very positive. The episode was praised for its humor, Brienne's reunion with Sansa and Theon, and the revelation regarding Melisandre's true age. Rotten Tomatoes assembled 53 reviews and calculated an approval percentage of 92% with an average rating of 7.6/10, and the consensus reading: "A solid season opener, The Red Woman balanced its ongoing mysteries with a bit of humor and featured Sansa's touching reunion with Brienne of Tarth."

In isolation from the rest of the episode, many critics were baffled by the drastic changes to the Dorne storyline. For io9, Charlie Jane Anders called it "the absolute worst" part of the episode, and criticized the Dorne storyline in general for giving Doran Martell "a grand total of ten minutes' screentime" before suddenly killing him off, given that he is alive in the novels and his major subplot from the books - that he was simply feigning a desire for peace while planning to betray the Lannisters - was not introduced at all before his departure. HitFix also disliked the Dorne scenes and summarized, "I'll settle for not needing to audibly groan every time the story returns to Dorne, frankly." Vulture wrote an op-ed piece specifically criticizing the Dorne storyline in seasons five and six, culminating in the changes in the season six premiere, which it felt to be bizarre and illogical - purely relying on shock value when the characters' actions don't make sense upon closer analysis. Vulture was also critical of how it was altering the female characters in Dorne, saying that they were changed from the novels to be "the kind of violent, scantily clad women that emerge when creators want to pay lip service to feminism, but don't have the time or inclination to create actual three-dimensional female characters."

External links

• "The Red Woman" at HBO.com
• "The Red Woman" at IMDb

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