Zoe leonard

Zoe Leonard

A survey show at the Whitney Museum of American Art asserts ideas about the collapse of time in spaces natural and constructed.

Zoe Leonard. Analogue. 1998-2009. 10 chromogenic prints and 2 gelatin silver prints. Each 11 × 11" (27.9 × 27.9 cm). Analogue was made possible through the Artist's Residency program at the Wexner Center for the Arts at The Ohio State University. Acquired through the generosity of the Contemporary Arts Council of The Museum of Modern Art, the Fund for the Twenty-First Century, The Modern Women's Fund, and Carol Appel. 511.2013.55-66.x1-x2. © 2025 Zoe Leonard. Installation. Photography

Karen Rosenberg looks at photographer Zoe Leonard's series "Analogues" at the Museum of Modern Art, which tracks used clothing and outdated electronics from the Lower East Side to the developing world.

Zoe Leonard. Analogue. 1998-2009. 39 chromogenic prints and 15 gelatin silver prints. Each 11 × 11" (27.9 × 27.9 cm). Analogue was made possible through the Artist's Residency program at the Wexner Center for the Arts at The Ohio State University. Acquired through the generosity of the Contemporary Arts Council of The Museum of Modern Art, the Fund for the Twenty-First Century, The Modern Women's Fund, and Carol Appel. 511.2013.1-54.x1-x2. © 2025 Zoe Leonard. Installation. Photography

Zoe Leonard. Analogue. 1998-2009. 15 chromogenic prints and 5 gelatin silver prints. Each 11 × 11" (27.9 × 27.9 cm). Analogue was made possible through the Artist's Residency program at the Wexner Center for the Arts at The Ohio State University. Acquired through the generosity of the Contemporary Arts Council of The Museum of Modern Art, the Fund for the Twenty-First Century, The Modern Women's Fund, and Carol Appel. 511.2013.67-86.x1-x2. © 2025 Zoe Leonard. Installation. Photography

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff. June 27, 2015–August 30, 2015. IN2333.5. Photograph by John Wronn.

Zoe Leonard. Analogue. 1998-2009. 4 chromogenic prints and 8 gelatin silver prints. Each 11 × 11" (27.9 × 27.9 cm). Analogue was made possible through the Artist's Residency program at the Wexner Center for the Arts at The Ohio State University. Acquired through the generosity of the Contemporary Arts Council of The Museum of Modern Art, the Fund for the Twenty-First Century, The Modern Women's Fund, and Carol Appel. 511.2013.189-200.x1-x2. © 2025 Zoe Leonard. Installation. Photography

Zoe Leonard: Analogue

Zoe Leonard, Mouth open, teeth showing (detail), 2000 162 dolls, overall dimensions 12.84 x 11.89 m Installation view Paula Cooper Gallery, New York

Zoe Leonard (American, b. 1961). <i>Analogue</i> detail. 1998–2007. Forty-six chromogenic color prints and two gelatin silver prints, each 11 x 11″ (27.9 x 27.9 cm). © 2015 Zoe Leonard

A nuanced selection of the artist’s work makes up a powerful survey at the Whitney.

Zoe Leonard

Hauser & Wirth was founded in 1992 in Zurich by Iwan Wirth, Manuela Wirth and Ursula Hauser, who were joined in 2000 by Partner and President Marc Payot

Zoe Leonard. Analogue. 1998-2009. 12 chromogenic prints and 4 gelatin silver prints. Each 11 × 11" (27.9 × 27.9 cm). Analogue was made possible through the Artist's Residency program at the Wexner Center for the Arts at The Ohio State University. Acquired through the generosity of the Contemporary Arts Council of The Museum of Modern Art, the Fund for the Twenty-First Century, The Modern Women's Fund, and Carol Appel. 511.2013.161-176.x1-x2. © 2025 Zoe Leonard. Installation. Photography

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In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being identified by MoMA staff. June 27, 2015–August 30, 2015. IN2333.16. Photograph by John Wronn.

San Francisco Museum of Modern Art