I’ve opened commissions again! 15 slots available! (x)

you can also refer to my ko-fi gallery and see if my art style suits your preference before commissioning me 😊

also like last time: here’s my NO-CAN-DO list

• mecha
• animals
• intricate, detailed backgrounds
• explicit **NSFW

**artistic nudity, non-explicit gore, suggestive content is okay, but depends on my comfort

if your request contain any of this elements, please DM me first on ko-fi before proceeding with your request.

thank you very much!! 😊🙇

pocket-deer-boy:

pocket-deer-boy:

Everyone wanted to be thicc but nobody wanted to be fat. Everyone wanted the dad bod but nobody wanted to be fat. Everyone wants fat mommy milkers but nobody wants mommy to be fat. Everyone wants to be a bear but not like, an actual fat bear. You get what i’m saying

Everyone wants the mistique of fatness or use the language of fatness to denote hotness without actually being fat or acknowledging that fat people or fatness can just be hot.

(via mythical-mushrooms13)

fluff-only:

This is the cutest thing ever 😂 i love these two dorks

makimacult:

appreciation post for all the tiny hikaru panels

makimacult:

“i memorised jun yodaka’s wikipedia page so i can name all his coaches!” tsukasa is soo normal about that man

makimacult:

are there absolutes?

(spoilers up to c51)

medalist spells out the parallels between the main four—the inori/tsukasa parallels as skaters who came into the figure skating world later than their peers, the hikaru/jun parallels as the defining geniuses of their generation; and the later chapters have even crossed into drawing parallels between inori/jun and hikaru/tsukasa wrt what figure skating means to them. the four of them have been designed as complementary characters, so it’s easy to look at how tsukasa and jun foil each other too:

• they’re both adult coaches now who had turbulent adolescences where skating was their main goal. jun had his talent recognised early, while tsukasa had to struggle for a long time, but neither of them found coaches that could truly help them… tsukasa did find a coach when he was 20, but jun spent his whole career drifting from one club to another. (coaches weren’t willing to take a chance on tsukasa, and jun’s skills intimidated his coaches & isolated him.)
• jun is supported by the sonidoris, tsukasa by the kago family. they’re two people who really do need skating in their lives & so settle into non-traditional arrangements just so they can have access to a rink and skate in peace. (i know jun doesn’t rely on shinichiro financially, but it’s undeniable how much shinichiro helped him find a place for himself after he retired professionally)

• the girls they mentor reflect their own worldview… hikaru believes sacrifices are proportional to your success; tsukasa had to keep sacrificing his own dreams when he was younger and doesn’t want inori to go through that. hitomi says that tsukasa is quite pessimistic about himself. he’s realistic about his own level of his skill, and works hard to raise his own threshold while looking for ways for inori to fulfill her dreams. if tsukasa is the realist who looks for ways to cover every angle to fulfill inori’s dreams, then jun is the childish idealist.

• he asks if tsukasa has just funneled his own skating ambitions into inori - meanwhile, jun himself is reenacting his own career trajectory through hikaru. while tsukasa forms new connections to serve inori’s goals (even going so far as to reach out to other coaches), jun only coaches hikaru in secret, and maintains strict standards for coaching her.

• jun believes there are absolutes. there are some things you can’t overcome by any manner of hard work, planning or luck. let’s leave aside the question of whether absolutes really do exist… that isn’t the real question medalist is asking anyways. to jun’s mind (& also hikaru’s) things can definitely be certain… but that belief doesn’t bring them happiness. instead, it isolates them. medalist interrogates what manner of sacrifice is worth it for your goal - what one must give up to become a medalist. hikaru has followed jun’s ideals all this time -

• - but in c51, it’s the connection she made with inori that allows her to truly come into her own, veer away from jun’s plan, and show the world hikaru’s own figure skating, and not just jun’s reflection. the one who sacrifices most will always win; but your connections are also your strength.
• i dont consider jun to be an antagonist (although you could be fooled by how ominous his panels can be) - he’s simply a diametrically opposite perspective from tsukasa’s. you can’t call him wrong though. hopefully we’ll get to see what spawned jun’s worldview in the first place.

anuweonade:

miku and Chiikawa what more is there to life fr

dulcay:

In honor of Tomodachi Life 2 getting announced here’s a painting of the iconic hotel

corrodedparadox:

corrodedparadox:

ALT

Tona

My muse btw

(via bunjywunjy)

adachimoe:

fragrance re-runs

if you’re capable of importing products with alcohol (they arent supposed to be shipped via air cause of the alcohol), the p4/p5 fragrances are being re-run on primaniacs website. they announced p3 was coming “soon” too.

i own adachi, yukiko, yu, aigis, and kotone’s… adachi smells fruity (because he’s a fruit), yukiko smells like fuckin’ soap, yu smells like The Most Generic Man ever, aigis’s notes are fruity but she smells uhh fresh? (idk how else to describe this), and kotone is another fruit. (imo, kotone’s smells the best of these 5.)

notably, there are reviews on primaniac’s webpage, and one of adachi’s reviews is an essay about how the scent progression from top to lasting mimics his character development in persona 4: he starts out as this kinda friendly guy due to the berry / citrus smell (top notes), then the smell changes to something more subdued due to the jasmine (middle notes), and the lasting notes are heavy yet fade quickly, like adachi is lost in the fog and leaves only an insignificant scent behind. yet the lasting scents also have warmth to them, symbolizing his memories of his time with the dojima family. and after the scent dissipates, it’s like him accepting that he fucked up and starting over.

fuckyeahchinesefashion:

OP: the stall owner I often order spicy 炸串zhachuan(skewers) from whipped out an impromptu Inner Mongolian grassland dance

(via thisisapaige)