He/him/his, xe/xem/xyr, it/its. 20’s.

I like old shooter games, old computers (like “big mainframes” old), amusement rides, trains, planes, rockets, Splatoon, Zelda, and a whole mess of sci fi and adjacent fandoms.

I used to be @jet-bradley. This blog is still not intended to be comprehensible or anything

Occasionally I draw, or post music recommendations

I follow from @wheres-all-the-data

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i am silverbolt now

i want there to be real stupid in-universe transformers discourse like "war-frames can't play ranked first person shooters because they have built in aimbot"

my obligatory "theyre aliens and thus have different views on romance" headcanon is that cybertronians are usually polyamorous and have open relationships, rather than expecting monogamy

Nice picture of your dinner. From zooming in on the reflection on the wings of an errant bottlefly I was able to deduce that you were naked when you cooked this. & I can see your giant ugly nipples in the reflection

lovely character. i need him to finally break down sobbing clutching his chest like it'll stop the pain crumpling to the floor begging God to either help him or let him die

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i want there to be real stupid in-universe transformers discourse like "war-frames can't play ranked first person shooters because they have built in aimbot"

there are government-sponsored twinks on my timeline

til that the "Cara Mia Addio" in Portal 2 (better known as the "Turret Opera"), when translated, is a full on love song in which Glados refers to Chell as "beautiful" and "dear" throughout, with Ellen Mclain saying in an interview afterwards that the song is meant to essentially be taken as "I'm going to miss you, goodbye, my beloved"

I like to think then that Cara Mia Addio was a song created by Glados in a foreign language that Chell wouldn't understand so that way she could tell her how much she meant/means to her without being too direct because she's scared of attachment

In conclusion, happy pride month to whatever the fuck they had going on

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