Synopsis
Markopoulos called Lysis “a study in stream-of-consciousness poetry of a lost, wandering, homosexual soul” and felt that the film foreshadowed The Illiac Passion.
Markopoulos called Lysis “a study in stream-of-consciousness poetry of a lost, wandering, homosexual soul” and felt that the film foreshadowed The Illiac Passion.
Du sang, de la volupté et de la mort, part II: Lysis
I float
through the burgundy
while my soul
unburdens that
for which my mind
can testify
du sang, de la volupté et de la mort
arrow’s bow has no archer,
icarus still soars above the ground
we are forever lost,
would you not be gentle in your examination,
your divine consideration;
a grasp for sense where there is none
sense is a cross-armed glance,
and silent nod between us
both shackled,
this intimate marriage of sensation, of response,
an exchange of jargon from one orifice to the next
all my thoughts are colorless; markopoulos at his most divine.
open pit
closed doors
i have been wandering around
for the longest time now
my soul so full
i seem to have gotten lost
through shifting colors
wind walking right through me
consuming my whole
endured by each movement
careful expression
yet stunning
light sees through me
what gentle enlightenment
meeting me without even asking
confirming
final galactic oneness
tied by the universal pink sky
transcending beautifully
all in one place
ethereal passages seeked
rather than The End
The Beginning of Mortality
leading to spiritual guidance
this shall not be a tragedy
effective transformation
— mythic cycles of release —
Gotta tell u summ about this markopolous guy, he sure got huge ballz to fourkay expose himself in his on film although intentional. Perfect example of the ancient saying ; " Bro called the feds on himself 😭".
Flesh bruised by moonlight, fingers pressed against the rib cage as if searching for something caged inside.
What is it that rattles in the bones?
A name whispered through a fogged mirror, a reflection half-formed and slipping away. But no street leads home. No shadow fits the skin. The soul staggers—barefoot, lost, exiled within its own body.
Desire twists like a knife in the gut, sharp with hunger, dull with longing. Lips part but do not speak. There is no language for this—this fracture, this drift, this weight of being and not being, of slipping between the cracks of existence where even the wind forgets to whisper back.
He moves through the ruins of himself, collecting echoes. A hand once…
this hit like REM sleep, no🧢also, Markopoulos isa foot guy
There's a really neat effect here where an actor 'jumps' up in front of the camera in order to walk away from it, back toward us. He really just pops up in front of the lens in a sort of medium close-up of his back, shoulders and head. Somehow very funny, baffling and impressive all at once.
Pinpricks of culture, sheltered against the outside world. The lace, the porcelain; delicate, domestic and feminine hides from the industry, the sludge, which looms phallic above the massive world outside. Nature echoes both, trees also tower, the patterns of embroidery found also in the woods. The film, an aged print, itself culture pinpricked by time and missing the music track, echoes these elements too; all of them bound to and suffering through time.
The second reel, which introduces humanity and sexuality, is more immediate in its way, but harder also to parse. Gender, Grecian myth and queerdom, also foot stuff. Perhaps it speaks for itself?
The proto-Parajanov focus on artistic texture and the tender eroticism made this my favorite of the trilogy. Great soundtrack, too. Hope there’s a non-faded print out there…