For the 20th anniversary of spy picture D.E.B.S., Drew Burnett Gregory looks at how the film’s subversive take on rom-com and espionage thriller tropes were misunderstood upon release yet endure for the queer community today.

For the 30th anniversary of Exotica, filmmaker Atom Egoyan speaks with Mitchell Beaupre about collective grief, rituals that harm and heal, notes that would have ruined the movie, and the struggle to remain a distinctive voice.

As Constantine turns twenty and arrives on 4K Blu-ray, director Francis Lawrence talks to Matt Goldberg about the film’s cult status, casting Tilda Swinton and Peter Stormare as an angel and a devil, and how his world-building means there’s a Hell-version of Disneyland.

For the 70th anniversary of The Wages of Fear’s US release, Robert Daniels buckles up and takes us on a journey through the white-knuckle thrills and queer-coded complexities that keep the film relevant today.

From legendary gunslingers and iconic rock stars to caped crusaders and catty private eyes, we look back at some of the Letterboxd community’s favorite Val Kilmer films.

As Mickey 17 takes audiences into Bong Joon Ho’s singular world once again, we dive into the Letterboxd community’s ranking of the director’s entire filmography from best to worst.

From dirty detectives and deadbeat dads to craven crime lords and canny con artists, we look back at some of the Letterboxd community’s favorite Gene Hackman performances.

In an annual tradition, we round off awards season by crowning our Most Picture. Ella Kemp hears from the Letterboxd members logging Dune: Part Two up to 200 times, as well as director Denis Villeneuve and the sound and visual effects teams of this year’s most rewatched Best Picture nominee.