rintaro was such a wonderful choice of director for this film. because it's so condensed it becomes almost surrealist as it jumps from one dream sequence to another, but also has great fight sequences that feel very bloody and personal
as far as adaptations go this film is a distillation of a certain tendency of CLAMP's work. it's an occultist melange, it's horny as a mf, it's interested in then contemporary japanese society, it sees tokyo as a living creature made of overlapping traditions, it has interesting women, it's SUPER weird about women, it's gay, but often only in toxic affections
as an extremely condensed work that tries to maintain the premise of the original the plot ends up truncated (though, they cut LIBERALLY) and most of the cast gets only a few lines and scenes, which is understandable, but makes a lot of sequences fall flat