forose’s review published on Letterboxd:
Every single frame is a work of art. Great usage of landscape and nature, which were used to show how Omar and the rest of the refugees felt isolated and stuck in the middle of nowhere. Nabil’s “appearance” in the cabin was the saddest yet most comforting scene, along with the conversation with Omar’s mom when she was singing on the payphone, all the way from Turkey. However, why was the instrumental replaced at the end???