linwelinwrites

Linwëlin Writes

Writing resources, thoughts, and other words from a fanfic enthusiast

Pinned Post

Navigating this blog

Since there’s so much awesome content on this site to stop reblogging stuff, I’m going to keep this post pinned and updated with the actual content I want this blog to be about: free resources for writers.

You can search my blog using the search box above, too! You’ll find:

  • Resources I’ve compiled and/or put together myself, under #linwelin’s resources.
  • Posts about my own writing under #linwelin writes.
  • Resources I’ve found and reblogged under #writing resources.
  • Tips on specific subjects under #writing tips.
  • General advice on the craft of writing under #writing advice.

But just in case you’d rather read it like this, here are links to the resources I’ve posted myself:

  • Word finders and tools for writers. Dictionaries, thesaurus, word finders, slang, and phrases. Also, some handy info on how to add custom search engines to your Chrome browser to save a lot of time. It’s a game-changer, trust me.
  • Naming resources. All sorts of sites to find the perfect name for your characters. Real world, fantasy names, all the types of filters and browsing options you could want: origin, initial, rarity, meaning, association, theme, etc.

Other places you can find me:

Acquiescence of Inevitability

Click here to read it on AO3!
Rating: Explicit +18 (Minors do not interact)
Fandom: Harry Potter
Ship: Dramione | Draco x Hermione
Status: Finished - one-shot
Word count: 13749 (~1 hour of reading)
Tags: Alternate Universe - No War, very little plot, smut tags in AO3

Summary:

Keep reading

acreaturecalledgreed

the concept and idea of “you can always start trying to be a better person” is extremely important to me both in media and irl and i continue to be deeply deeply disturbed by the trend on this site pushing that these ideas in media are bad writing or even morally reprehensible

because theyd rather someone stay terrible or just straight up die than become a better person 

from a compassionate point of view it’s deeply distressing
and from a pragmatic point of view it’s outright frustrating

it’s fucked up. 

falliblefabrial

What is the most important step a man can take?

The next.

babblingfishes

I think part of the pushback about this is the idea that, to “redeem” bad people, their victims must first forgive them for unforgivable acts.

This is false. No one is obligated to forgive you. You can learn from your mistakes and become the best, kindest person on earth, and the people you’ve hurt still won’t forgive you, and you’ll have to accept that. And that doesn’t mean you aren’t allowed to grow. Because we aren’t just “pure” or “sinful”, we’re complex.

Harmony: Prelude

Click here to read it on AO3!
Rating: Teen || PG-13
Fandom: Harry Potter
Ship: Harmony || Harry/Hermione
Status: open-ended to possible future additions
Word count: collection of self-contained drabbles (100 words exactly each)
Tags: Domestic fluff, humour, best friends to lovers
Summary:

Small slices of Harry and Hermione’s lives together in the same universe as the longfic I’m working on.

Keep reading

writingwithfolklore

The Chosen One Trope Doesn't Have to be Boring

We recently discussed favourite and least favourite tropes on the WWF discord, and The Chosen One trope came up right away for least favourite. We talked about how it tends to take away a character's agency and personality... But it doesn't have to. Here's how to use the Chosen One trope without falling into those common pitfalls:


1. Don’t rely on it for characterization

What other characters think and feel about your protagonist is only a small percentage of who they are. Chosen Ones tend to lean heavily on this factor, but then don’t have additional characterization that would earn them the respect and love of those around them.

Being chosen for a destiny should be something that comes after they’ve already lived a life and created a unique personality, and while it may change them in a certain way (maybe it goes to their head, or they get crushed under the weight of the responsibility), that change is still an indication of who they were in their “before” life.


2. Don’t take away their agency

Even if they are forced to go on this quest, that doesn’t mean that they have no agency. Conflicts that arise while the protagonist is on their quest should rely on them as individuals and their strengths outside of being a chosen one. They should also prey on their weaknesses. This forces the protagonist to make decisions based on who they are, and will thus still hold consequences for them and those that they love.

To achieve these first two points, it will be helpful if you...


3. Give them an actual Motivation

There tends to be two kinds of chosen ones. The reluctant ones, who try to run away or avoid their destiny (Katniss Everdeen at no point ever wants to be the Mockingjay) And the heroes who take their chosen one status in stride (like Moana).

But it’s important to consider why your character would fall into either category. If they are reluctant to fulfill their destiny, what about it scares them? Or threatens them? Or maybe they feel inadequate or insecure about their new status? There should be an internal and external reason why they don’t want to do this.

If they are super jazzed to go, why? Yes, there’s the draw of being special—but try to come up with a deeper and more personal reason why someone would be happy about having a quest forcibly placed onto them. For Moana, it gave her a chance to fulfill her dream of travelling the ocean (internal), and she felt responsible for saving her island (external).


4. Subvert it

The chosen one is a pretty common trope, so consider ways you can subvert it to make it unique to your writing. Some subversions I’ve seen in the past is the “chosen one was a lie” (such as in the first Lego Movie), the destiny they’re chosen for is evil, they die and someone else finishes their quest, the Chosen One is actually not the Chosen One, there are multiple chosen ones (could Frodo have ever completed his quest without Sam?) Are there any other subversions you can think of?


What’s your favourite and least favourite trope?

void-botanist

Some other resources that might be worth checking out (not strictly about faeries but related):

The Corpus of Electronic Texts, or CELT, a collection of Irish cultural materials. This includes English translations of Irish myths.

Mary Jones - similar to CELT, and a resource we used for translations in the Irish mythology class I took in undergrad.

An Encyclopedia of Fairies by Katherine Mary Briggs, a British folklorist.

The Folklore of Cornwall by Ronald M. James. Unfortunately this book is harder to access and is often only in university libraries, but if you're interested in piskies it's a potentially very helpful read.

Traditions and Hearthside Stories of West Cornwall by William Bottrell.

becausegoodheroesdeservekidneys

British Goblins by Wirt Sikes is THE encyclopedia of Welsh faerie mythology

Memories, Not Dreams

Click here to read it on AO3!
Rating: Teen || PG-13
Fandom: Harry Potter
Ship: Harmony | Harry x Hermione
Status: One-shot - finished
Word count: 506 (~3 minutes of reading)
Tags: Canon Divergence, War Fic, Kissing, Horcrux Hunt
Summary:

She was an unstoppable force of nature that fought every injustice she encountered, an endless well of love and empathy for every living being, persistent and loyal, sticking by him come hell and high water.
She was perfect, and right now, he wanted her to smile.

Keep reading

danlous

I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw, a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently

ecrivainsolitaire

Some types of unreliable narrator:

The Watson: is present for the event but does not have the same level of perception as protagonist

The Lemony Snicket: isn't present for the event, reconstructs the facts based on later research, can get things wrong or incomplete

The Ted Moseby: is present for the event but has romanticised and embellished their memory of it through nostalgia to an extent that you cannot fully believe it; is also prone to misremembering or outright forgetting details.

The Katniss Everdeen: is present for the event, is the protagonist, but is completely foreign to the world and out of their depth so they don't quite understand a lot of what is going on.

The Rose Quartz: is present for the event, but due to their personal agenda or feelings of shame hides and embellishes what actually happened in favour of a version that paints them in a better light.

The Big Brother: overwrites what actually happened in favour of propaganda.

The Jonathan Harker: is absolutely clueless about what is going on around them and the genre they're in so their perception of events is tinted by their own naivety.

The Goob: the narrator's own emotional bias clouds their judgement of what really happened.

The Tyler Durden: the narrator is suffering from hallucinations and doesn't realise it.

The Pi: the narrator has survived a traumatic experience and copes with it by turning it into a wonderful tale.

GUIDE: NAMING A TOWN OR CITY

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This post was originally from a FAQ, but since the original link is now defunct, I am re-posting it here.

There are many things to keep in mind when naming the town or city in your novel:

1) Genre/Theme/Tone

It’s very important to consider the genre and theme of your story when choosing a town name. Take these names for example, each of which indicates the genre or theme of the story:

King’s Landing (sounds fantastical)
Cloud City (sounds futuristic)
Silent Hill (sounds scary)
Sweet Valley (sounds happy and upbeat)
Bikini Bottom (sounds funny)
Radiator Springs (sounds car-related)
Halloween Town (sounds Halloween-related)
Storybrooke (sounds fairytale-related)

2) Time/Place

It’s also important to consider the time and place where your story takes place. For example, you wouldn’t use “Vista Gulch” as a name for a town in Victorian England. You probably wouldn’t use it for a town in modern day North Carolina, either. Vista is a Spanish word and would normally be found in places where Spanish names are common, like Spain, Central and South America, the southwest United States (including southern California), Cuba, Puerto Rico, Dominican Republic, and Florida.

3) Size/Settlement Type

An isolated town of 300 people probably won’t be Valley City, but a sprawling metropolis of 30 million could be called Windyville, because it could have started out as a small town and grew into a large city.

4) Geography

Words like gulch, butte,and bayou tend to be regional terms. You probably wouldn’t find Berle’s Bayou in Idaho, or Windy Butte in Rhode Island.

Words like mount, cape, and valley are dependent upon terrain. Most of the time, you won’t have a town named “mount” something unless there are hills or mountains nearby. You wouldn’t use “cape” unless the town was on a cape, which requires a large body of water.

5) History

Is there a historical person or event that your town might be named after? The Simpsons’ hometown of Springfield is ironically named after its founder, Jebediah Springfield. Chattanooga, Tennessee is named after the Cherokee town that was there first. Nargothrond, in The Lord of the Rings, is an Elvish town with an Elvish name.

6) Combination of Words

  • person name + geographical term = Smithfield, Smith Creek
  • group name + geographical term = Pioneer Valley, Settlers’ Ridge
  • descriptive word + geographical term = Mystic Falls, Smoky Hill
  • person name + settlement type = Smithton, Claraville
  • landmark + settlement type = Bridgton, Beaconville

Word Lists

Types of Settlements

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Geographical Features

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Place Words

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Common Suffixes

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Other Descriptors

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Symphony: Prelude II

Click here to read it on AO3!
Rating: Explicit || +18 (Minors do not interact)
Fandom: Harry Potter
Ship: Draco/Harry/Hermione
Status: open-ended to possible future additions
Word count: collection of self-contained drabbles (100 words exactly each)
Tags: triad smut, smutty drabbles
Summary:

Small, smutty slices of Harry, Hermione and Draco’s lives together in the same universe as the longfic I’m working on.

Keep reading

rox-and-prose

Stop Making Psychosis A Villainous Trait Challenge

rox-and-prose

Stop Making Scars A Sign Of Evil Challenge

rox-and-prose

Actually, you know what? Stop Using Disability As A Shorthand For Evil Challenge

linwelinwrites

Stop Using Fatness and Beauty Standards (aka “Ugly” = Evil, “Pretty”=Good) As A Shorthand For Evil Challenge

To comfort, to cherish, to love

Click here to read it on AO3!
Rating: Teen
Fandom: Boku No Hero Academia / My Hero Academia
Ship: Fem!Todo/Fem!Deku (Shoto is Shoko, Izuku is Izumi)
Status: 1/1 Complete (one-shot)
Word count: 1.2 k (~5 minutes of reading)
Tags: Post-Canon, Alternate Universe - All Female, Domestic Fluff, Established TodoDeku, Menstrual Pain, Hurt/Comfort, Shoko is a sweetheart, Femslash February 2025
Summary: Shoko may be third in Japan’s Hero Rankings, but she’s Number One in caring for Izumi—especially when she’s on her period.

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Art credit: FemDeku by nikkiyan on Instagram || FemShoto by ShuujiChan on DeviantArt

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Just for Tonight

Click here to read it on AO3!
Rating: Explicit +18 (Minors do not interact)
Fandom: Harry Potter
Ship: Dramione | Draco x Hermione
Status: Finished - 3/3 chapters
Word count: 9747 (~40 minutes of reading)
Tags: Choose your own ending! (details under the cut), Break up sex, Hurt/Comfort, Angst with a happy ending OR Hurt No Comfort, No HEA (you choose!), but always: enthusiastic consent, established relationship
Summary:

Hermione stared at the parchment in her hand, where her own shaky handwriting sat waiting for her to make up her mind.

“Hey, want me to come over tonight?”

It felt disingenuous, like burying the lead. But what should she say? “We need to talk” was out of the question. He’d build an entire fortress around himself by the time they actually talked, and she wouldn’t be able to even get a word in edgewise. It wasn’t like she was ambushing him, either. He surely suspected something.

Draco had many flaws: he was arrogant, prone to brooding and sulking, and he had a mercurial temper. He also kept everyone at arms’ length, including her, which was the reason for all this.

But he was not stupid.

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The Bun Incident - chapter 2!

Click here to read it on AO3!
Rating: Explicit - +18 (Minors do not interact)
Fandom: Haikyuu!!
Ship: Kozume Kenma/Kuroo Tetsuro ~ KuroKen
Status: 2/6 chapters (pre-written)
Chapter word count: 2.3k (8–9 minutes of reading)
Full word count (current): 4.1k (15~ minutes of reading) — Expected total word count: 17k
Tags: Post-Canon, College, and they were roommates!, Idiots in Love, Fluff and Smut, Porn With Plot, Humor, Mutual Pining, Best Friends to Lovers, Kuroo Tetsurou is Whipped, Bossy Kenma, Bokuto Koutarou & Kuroo Tetsurou are Bros, Kenma and Shoyo are besties
Chapter Summary: Late stage pining, gay panic galore, and a very tired Bokubro.
Work Summary:
Life was unfair. Especially to Kuroo.

What had he done to deserve this? Had he been a terrible person in a previous life? A murderer, maybe?

That was the only reason he could think of to justify the scene in front of him.

Or, Kuroo loses a bit of his sanity with every inch Kenma’s hair grows.

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