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my short stories

each thing beloved

singapore, 2016. a secondary school student accidentally summons the ghost of her favourite author. then it happens again. and again. and again.

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you look so good in blue

singapore, 2008. when a teenage fling mutates into something vast and terrifying, two seventeen year olds make a desperate plan to control their future, earn their parents’ love (or at least respect), and get the hell out of this school for good.

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everything on fire

colonial southeast asia & 1970s new york state. an overwritten southern gothic-flavoured fix-it au of the podcast perfect times eleven. arson! metafiction! more arson! the body as a haunted house! even more arson!

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i also like:

music | the sims | boys (unfortunately)

#cc is my queue tag. i keep forgetting to update it

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thinking about jordan chang again. ambiguous sexuality. ambiguous gender. ambiguously alive. has like four canonical names. special interests in stalking and cyberbullying and languages. 1980s mandopop enthusiast. wikipedia editor. vriska apologist. himejoshi. doomed by the narrative. did ketamine once. they’re everything to me

btw this is who you’re talking about when you’re mean to marius. if you even care

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Musicals are time loops. Every night, the same thing happens except for a few minor differences. It always ends the same. If you want the characters to do something different or to make better choices, too bad. The actors are bound by the script and the score. The only way for the time loop to end is for the show to close. But you (the audience) don't want the show to close, nor do the actors who would like to be employed. It's a lose/lose situation. For the actors, audience, technicians, and for the characters, who are forever stuck in the same stretch of time.

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