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HEY GIRL(S) ft. Syd & Meshell Ndegeocello

by Moses Sumney

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lyrics

HEY GIRL(S) ft. Syd & Meshell Ndegeocello

V1 (Moses)
Hey girl (hey girl)
Who you lookin’ at
Hey pearl (hey pearl)
With the pretty act
Your world (your world)
Lookin’ pretty flat
Ladies’ room (ladies’ room)
Meet me in the back

C1
And I’ll wait for you
If you want me to
I’ll wait for you
If you trust me to

V2 (Syd)
You say you ain’t done this before
But baby oh no
I want you even more
So open (open)
Open (open)
Baby Open (open)
Open up your eyes
Oh I know the way is through your thighs

C2 (Syd & Moses)
& honey I’ll wait for you
If you want me to
I’ll wait for you
If you trust me to
I’ll wait

Bridge (Meshell)
I am not a woman
I am not a man
I am a water and carbon-based lifeform
You’ll never comprehend

Let me show you what’s up

V3
Girl listen to your body
I’ll meet you in your valley
Kinda like girl on girl with me
But bet you wanna touch on my body
Something like the touch of a lady

C3
And I’ll wait for you
If you want me to
I’ll wait for you
If you trust me to
I’ll wait on you
In the gentleman’s room

Bridge 2 (Syd)
Let me know if you want to
Do the things we do
You don’t have to wear
That dress I like
Or anything at all
Leave it at the door

C4
I’ll wait for you
If you want me to
I’ll wait for you
If you trust me to
X2

Hey girl
Hey girl

credits

released February 5, 2025
Written by Moses Sumney, Syd, Meshell Ndegeocello, Zach Cooper, Vic Dimotsis
Produced by Zach Cooper, Moses Sumney, King Garbage

Rhodes and Synths by Zach Cooper
Drums by Vic Dimotsis, Graham Jonson
Piano by Moses Sumney
Horns/Woodwinds by Hailey Niswanger
Guitar and Bass by Zach Cooper
Percussion by Abe Rounds

Vocal Engineering by Beatriz Artola (Electric Lady Studios), Moses Sumney (Blackalachia Studios)
Horn Engineering by Hailey Niswanger

Mixed by Ben Baptie and Chris Tabron
Mastered by Joe LaPorta (Sterling Sound)

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all rights reserved

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Moses Sumney Asheville, North Carolina

Moses Sumney evades definition as an act of duty: technicolor self-directed videos and monochrome clothes; Art Rock and Black Classical; blowing into Fashion Weeks from a small town in North Carolina; seemingly infinite collaborators, but one staggering voice.
Consistent across the work is his assertion that the undefinable still exists and dwelling in it is an act of resistance.
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