Katarína Kravčíková
Scientific research assistant & PhD student
Centre for Early Medieval Studies (West – Byzantium – Islam) in Brno
http://www.earlymedievalstudies.com
Executive editor | CONVIVIUM
Exchanges and Interactions in the Arts of Medieval Europe,
Byzantium, and the Mediterranean
Seminarium Kondakovianum Series Nova
https://www.earlymedievalstudies.com/EN/convivium.html
Centre for Early Medieval Studies (West – Byzantium – Islam) in Brno
http://www.earlymedievalstudies.com
Executive editor | CONVIVIUM
Exchanges and Interactions in the Arts of Medieval Europe,
Byzantium, and the Mediterranean
Seminarium Kondakovianum Series Nova
https://www.earlymedievalstudies.com/EN/convivium.html
less
Related Authors
Johannes Zachhuber
University of Oxford
Greg Simons
Turiba University
Edith Szanto
University of Alabama - Tuscaloosa
Armando Salvatore
McGill University
Dror Zeevi
Ben Gurion University of the Negev
Sean W . Anthony
Ohio State University
Nebojša Stanković
University of Pristina
David Seamon
Kansas State University
Christine Gadrat-Ouerfelli
Aix-Marseille University
Brandon Gallaher
University of Exeter
InterestsView All (46)
Uploads
Presentations by Katarína Kravčíková
Teaching Documents by Katarína Kravčíková
Books by Katarína Kravčíková
One year later, this book presents their intellectual, human, and art historical theoretical know-how, transformed by the experience of their bodies. In this context, exhausted and activated bodies became instruments asking new questions to medieval artworks and sources. Structured as a walk along pilgrimage routes, this book presents firstly the landscape, followed by liminal zones, before leading the reader inside medieval churches and ultimately towards the sacred. Original scientific art historical research combines with personal engagement. What emerges is the subject confronted with the experience of medieval art.
Convivia by Katarína Kravčíková
Call for papers by Katarína Kravčíková
Conferences by Katarína Kravčíková
Papers by Katarína Kravčíková
One year later, this book presents their intellectual, human, and art historical theoretical know-how, transformed by the experience of their bodies. In this context, exhausted and activated bodies became instruments asking new questions to medieval artworks and sources. Structured as a walk along pilgrimage routes, this book presents firstly the landscape, followed by liminal zones, before leading the reader inside medieval churches and ultimately towards the sacred. Original scientific art historical research combines with personal engagement. What emerges is the subject confronted with the experience of medieval art.