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Table of Contents

  1. Page 2: A Good Reviewer is Hard to Find
  2. Jeffrey R. Di Leo
  3. p. 2
  4. DOI: https://doi.org/10.1353/abr.2008.0013
  5. restricted access
  1. Picketing the Zeitgeist: Calls of the Wild: On the Page & on the Screen
  2. Jonah Raskin
  3. p. 3
  4. DOI: https://doi.org/10.1353/abr.2008.0007
  5. restricted access
  1. The Funky and the Vanilla
  2. Alisha Gaines
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/abr.2008.0074
  5. restricted access
  1. A Liberation Narrative
  2. Ebony Noelle Golden
  3. pp. 6-7
  4. DOI: https://doi.org/10.1353/abr.2008.0060
  5. restricted access
  1. Surrogates for the State
  2. Paulina Hernández
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/abr.2008.0046
  5. restricted access
  1. Female without Fear
  2. Danielle Evans
  3. p. 9
  4. DOI: https://doi.org/10.1353/abr.2008.0032
  5. restricted access
  1. Zine Friendship
  2. BrownFemiPower
  3. pp. 9-10
  4. DOI: https://doi.org/10.1353/abr.2008.0019
  5. restricted access
  1. Textual Resistance
  2. Kinohi Nishikawa
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/abr.2008.0005
  5. restricted access
  1. At Home in Literature
  2. Yevgeniya Traps
  3. p. 12
  4. DOI: https://doi.org/10.1353/abr.2008.0080
  5. restricted access
  1. Dangerous Intrusions
  2. Robin Truth Goodman
  3. p. 13
  4. DOI: https://doi.org/10.1353/abr.2008.0066
  5. restricted access
  1. A Semiotic Web
  2. Dinda L. Gorlée
  3. pp. 14-15
  4. DOI: https://doi.org/10.1353/abr.2008.0052
  5. restricted access
  1. Torture and the Sublime
  2. Daniel Garrett
  3. p. 16
  4. DOI: https://doi.org/10.1353/abr.2008.0038
  5. restricted access
  1. LA Resolve
  2. Thomas S. Williams
  3. p. 17
  4. DOI: https://doi.org/10.1353/abr.2008.0024
  5. restricted access
  1. Playground Poets
  2. Karín Lesnik-Oberstein
  3. p. 18
  4. DOI: https://doi.org/10.1353/abr.2008.0010
  5. restricted access
  1. Enigmatic Magic
  2. Keya Mitra
  3. pp. 18-19
  4. DOI: https://doi.org/10.1353/abr.2008.0085
  5. restricted access
  1. The History of Sight
  2. Angela Ball
  3. pp. 19-20
  4. DOI: https://doi.org/10.1353/abr.2008.0071
  5. restricted access
  1. California Icarus
  2. Tom Nolan
  3. pp. 20-21
  4. DOI: https://doi.org/10.1353/abr.2008.0057
  5. restricted access
  1. The Discourse of Homosexuality
  2. Jeffrey Allen Tucker
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/abr.2008.0043
  5. restricted access
  1. Asemic Scribbles
  2. Davis Schneiderman
  3. pp. 22-23
  4. DOI: https://doi.org/10.1353/abr.2008.0029
  5. restricted access
  1. Memory as Omnipresent History
  2. Eric Miles Williamson
  3. pp. 23-24
  4. DOI: https://doi.org/10.1353/abr.2008.0016
  5. restricted access
  1. Extra Innings
  2. Todd Starkweather
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/abr.2008.0002
  5. restricted access
  1. Space as Dwelling
  2. Christian Moraru
  3. pp. 25-26
  4. DOI: https://doi.org/10.1353/abr.2008.0077
  5. restricted access
  1. Trials and Trails
  2. Laura Grace Godwin
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/abr.2008.0063
  5. restricted access
  1. Pomo Cybertheory
  2. Leora Lev
  3. pp. 27-28
  4. DOI: https://doi.org/10.1353/abr.2008.0049
  5. restricted access
  1. Base Acts
  2. John Ferguson
  3. p. 28
  4. DOI: https://doi.org/10.1353/abr.2008.0035
  5. restricted access
  1. Cinematic Gnosticism
  2. Gary Lain
  3. p. 29
  4. DOI: https://doi.org/10.1353/abr.2008.0021
  5. restricted access
  1. From Our Own
  2. Rob Stephenson
  3. p. 30
  4. DOI: https://doi.org/10.1353/abr.2008.0082
  5. restricted access
  1. Introduction to Focus: "This Instant and This Triumph": Women of Color Publishing
  2. Alexis Pauline Gumbs
  3. pp. 4-5
  4. DOI: https://doi.org/10.1353/abr.2008.0088
  5. restricted access