Anamorphic lens cinematography

CHRISTINE (1983) Director of Photography: Donald M. Morgan | Director: John Carpenter

Would LOVE to do anamorphic lenses

Andrea Gonzalez Mereles is using veteran cine glass on a modern camera. Andrea paired Cooke 1964 Vintage Anamorphic lenses from Old School Cameras with the ARRI Alexa Mini camera. Cooke 1964 Vintage Anamorphic Lenses Test from Andrea Gonzalez Mereles on Vimeo. This is a test of the Cooke 1964 Vintage Anamorphic Lenses from Old School […]

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Have you ever heard of an anamorphic lens? If you’re a movie fan then you may have, but if not you’ve certainly seen them used in many films made for the

This is the frame I want to base my cinematography from. The entire soft look, practically natural light. The cool tones from the morning sunrise and the silhouettes of the room emulate deep emotion. The shallow depth of field, anamorphic look, and cinematic bars gives the right amount of texture and composition to the image that I want.

Thomas Fletcher compiled an up-to-date lens comparison chart for both, aspherical zoom lenses and anamorphic primes. Check it out.

コマ . F R A M E . . I graded the frames based on my recollection of the moments they captured and some movie reference very dear to me. This process allowed me to embed a personal touch in each image, deepening my connection to the memories portrayed. . . . . . . #cinema #movie #frames #memory #japan #travel #tokyo #kyoto #cinematography #anamorphic #lens #fujifilm #photography #color #grading #adobe #lightroom #art #cinematic

Street photography with a twist An anamorphic lens is normally used for cinematography, as it squeezes a wide-angle setup onto a normal sensor. The result of this is you have to see the world in a 16:9 ratio. Also, the lens is manual focus.