Bill viola

Martyrs, a new work by the American video artist Bill Viola, is difficult to take as seriously as it takes itself. It is being shown as a permanent exhibit in St Paul's Cathedral in London, just a few feet from the high altar, and is designed as a kind of altarpiece. Four plasma screens are arranged in a row on a sleek metal stand by the architect Norman Foster. Each screen shows a silent video, a little over seven minutes long, of a person undergoing a highly aestheticized ordeal involving…

“Originally commissioned for the 2007 Venice Biennale,Ocean Without a Shore was first shown in the 15th century Church of the Oratorio San Gallo, a short distance from the Piazza San Marco. I…

Bill Viola, Tristan's Ascension (The Sound of a Mountain Under a Waterfall), Performer John Hay, 2005. Courtesy of Bill Viola Studio in Aesthetica Issue 78.

“bill viola”

Bill Viola. Stations. 1994. Five-channel video (color, sound), five granite slabs, five projection screens. Overall, 20' x 50' x 50' (610 x 1525 x 1525 cm). Gift of The Bohen Foundation in honor of Richard E. Oldenburg. 649.1997. © 2024 Bill Viola. Media and Performance

Bill Viola

Bill Viola, Inverted Birth // August 29–November 26, 2017

From sunrise to sundown, a Philadelphia visit rediscovers the artist’s challenging contributions to installation art.

Suspense is a key ingredient in the work of Bill Viola. All seems normal for the first half of “The Raft” (2004), the opening piece of...

Posts about Bill Viola written by Dr Marcus Bunyan