14th March 2025
In-progress color/composition study for my piece in the @tdvzine
bonus points if you can identify the art historical reference/inspiration
27th February 2025
continuing this to my own post so it will not spam the op
recap: I tried to find every artist here that I could and @ everyone just in case someone doesn’t know yet :D
however… posts limit the number of links so I needed to split this up
1/5
iwtv fanartists on the writers room wall 2/5
iwtv fanartists on the writers room wall 3/5
HELL yeah
Reblogged from 💀
14th February 2025
I was posting art online back in the days of Elfwood, before Deviantart, so I’ve been around to watch the internet social rules of interacting with art posts shift over time.
Lemme tell you: Reblogs make me happy, but comments fill me with JOY. Whether it’s on the reblog or in the tags, even if it’s as simple as “I like this,” that means so much to me.
I can imagine there are a lot of artists in a position similar to mine: Working a full-time non-art job, with little time or opportunity to interact with IRL art communities. I was in art school for many many years, and I didn’t realize how important it was to receive feedback on my art until I wasn’t getting it anymore.
One of the things I’m trying to do, over on my bsky and my sideblog, is to leave a comment of some kind when I reblog another artist’s work. I know it means a lot to me, so I want to give that to artists whose work I enjoy.
To everyone who leaves comments on my art, even goofy stuff in their tags: I do see it, I do read it, and thank you so much!
To people who leave comments in the tags that say stuff like “this is so weird” or “why did they make the characters so ugly”: Please go look at more art and develop a broader palette. Maybe watch Simon Schama’s “The Power of Art” miniseries, as a fun way to learn some art history and theory.
9th February 2025
9th February 2025
My INSANE gory elementary school science fair display set-up that I have created for these paintings…
8th February 2025
in doing Hourly Comic Day, I am reminded of why I don’t do Hourly Comic Day
1st February 2025
29th January 2025
Ecce Homo
18x24, acrylic paint on cardboard, 2024
This painting, one of my figure studies, my comic book “Act Well Your Part” and my two zines, “Slap Your Cheeks For Color” and “Step Out Into Your Short Shorts,” will be on display and available for purchase at “Slip Gallery.
Opening reception is March 8th, 6-9pm, and a closing reception will be held on March 30th, 7-9pm.
Reblogging my own work for combo Easter/Trans Day of Visibility
Reblogging my own work because nothing will stop me from being trans and making trans art.
Reblogged from Art by Panic Volkushka
26th January 2025
26th January 2025
6th January 2025
6th January 2025
Lestat, Louis, and Armand, all as variations of Pierrot. Done with Molotow and Posca paint pens, and color pencil.
Lestat’s costume is mostly based on the painting of Pierrot by Jean-Antoine Watteu in 1718. Louis’ Pierrot is based on the costume worn by Jean-Charles Deburau, as photographed by Nadar in the 1850s. Despite being the oldest vampire, Armand’s costume is the most contemporary, as it’s based on the 1975 film “The Adventures of Buratino.” This is because Armand is a Theater Nerd (Lestat is a Theater Gay, there is a difference) and he thinks that outfit is the most inventive.
29th December 2024
29th December 2024
Screenshot study of Claudia from IWTV, done with Posca and Molotow paint pens
playing around with a more stylized approach
The text in this image is from the song “Pirate Jenny” by Bertolt Brecht and Kurt Weill, from the musical “The Threepenny Opera.”
My favorite version is this one, by Shilpa Ray, Nick Cave, and Warren Ellis.
(This song is on the Claudia playlist that I have created. I might have created playlists for all the main characters in IWTV.)