Fortuny pleats

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Pleated silk gown trimmed at top edge of SLV, SS & peplos hem w/ striped Murano glass beads, original bronze stenciled silk satin belt signed on back at loop closure, signed tape at interior underarm "Fortuny depose Made in Italy”, original box w/ sticker “Mariano Fortuny, Venise”, Bronze Aesthetic, Fortuny Dress, Fortuny Pleats, Mariano Fortuny, 1930's Fashion, Wedding Gown Inspiration, Designer Gown, Satin Belt, Clothing And Textile

Pleated silk gown trimmed at top edge of SLV, SS & peplos hem w/ striped Murano glass beads, original bronze stenciled silk satin belt signed on back at loop closure, signed tape at interior underarm "Fortuny depose Made in Italy”, original box w/ sticker “Mariano Fortuny, Venise”,

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‘Delphos’ dress , Mariano Fortuny | Palais Galliera | Musée de la mode de la Ville de Paris Fortuny Dress, Fortuny Delphos, Fortuny Pleats, Mariano Fortuny, Isadora Duncan, Dress Name, Spanish Fashion, Natalia Vodianova, 20th Century Fashion

A Spanish artist living in Venice, Mariano Fortuny began designing printed fabrics in 1906. In work strongly influenced by antiquity, he emphasised the fluidity of garments with no waistline, creating sober, timeless, vertical pieces perfectly adapted to revealing the forms of the body. Registered in Fortuny's name in 1909, his emblematic ‘Delphos’ dress—named after the Charioteer of Delphi—took its inspiration from the chiton, the long woollen Greek tunic, and reflects the craze for Greece…

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Mario Fortuny, Fortuny Dress, Fortuny Delphos, Fortuny Pleats, Fortuny Fabric, Mariano Fortuny, Spanish Fashion, Spanish Artists, Vintage Couture

‘Delphos’, dress, permanently pleated silk, designed by Henriette Nigrin, possibly with Mariano Fortuny, for Mariano Fortuny, Venice, Italy, retailed by Babani in Paris, France, ca. 1920, pale green silk dress with a matching cord, intermixed with silver, threaded through worked eyelets, and trimmed at the ends with Venetian faience beads, ribbons, belonged to Eleonora Duse

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