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OBSCURA is in Early Access!

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    Rotten Raccoons is delighted to announce that our episodic dark fantasy romance, OBSCURA, has released the first half of Chapter Two now available on itch.io and and on Steam!

    There’s a marketplace under the mountain where anything can be bought and sold. Visitors wear masks to become faceless strangers. It’s home to the unscrupulous, the outcast, and the desperate.

    You’re one of the desperate.

    Strangers with their own secrets and ambitions can show you ways through the market. They’ll guide you to your goal, but don't trust them to have your best interests at heart. 

    • First chapter of each route available in the demo to try a taste.
    • Choose the protagonist’s name, pronouns, and mask.
    • Four mysterious love interests.
    • Over 120k words so far (70k in the demo, 50k in early access)
    • A dark, mature story with many ways to fail.
    • Timed choices! Or turn them off for an easier game.
    • Original music by Cajsa.
    • Use the default, OpenDyslexic, or Atkinson Hyperlegible font for ease of reading.
    • Once you buy the game, you get all current and future chapters.
    • Full list of warnings available here, our streamer/VOD rules are here.

    See you under the mountain…

  • Anonymous
    sent a message

    if i draw fanart of me and the LIs, am i allowed to use my own sona design or do i have to use a cloak and mask like vesper

  • Do whatever you want, we’re not your boss.

    The only difference it makes to us is that if you use the Vesper design from the game we tag it “Vesper (MC)” and if you use your own unique design we tag it “Vespersona”, when we reblog it.

  • Scars

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    "Vesper? No, no, call me Vex. Vesper died in that fire. And if you don't mind, I have some where to go today."

    (Hehehe, I had fun drawing their redesign.)

  • Anonymous
    sent a message

    is there going to be face reveals at some point?

  • At least one (1)! I think the team is in agreement that we’ll probably reveal all the boys’ faces within the story eventually. But I can promise there is definitely at least one coming.

  • I may not have finished watching the demo BUT

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    Twin Vespers Langa and Maisha

    @karokawwo @aiscapades this is what you've done.

  • Anonymous
    sent a message

    When yall answer for the group of characters is it both Toby and Violet, like do u talk to eachother to come up with them?

  • We answer for our own characters by and large, yeah. We have pretty solid grasps on each other’s characters for the most part, but I certainly think Tobi understands Cirrus and Francesco better than I do, y'know?

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    surprise hug

  • Anonymous
    sent a message

    As stupid as this is ask is genuine. Is Keir British? I can't help but read his dialogue in a British accent. (I love him a very normal amount)

  • I assume you’re asking about his accent (since there’s no such thing as the UK in Obscuraworld!), and the honest answer is that we haven’t made up our minds about it yet. There hasn’t been any need to, since we decided we’d look into VA once Chapter Three is in production.

    In the meantime, you do you, nonny!

  • sent a message

    *grip you by the shoulder* I need your analysis of the relationship between vesper and Keir-

    Pretty please 💗

  • ! CHAPTER TWO SPOILERS !

    I think the most interesting aspect of Keir and Vesper’s relationship is how, despite the circumstances that brought them together, Keir treats Vesper with a surprising level of respect and openness. It’s not something you’d expect in a dynamic like theirs, especially in a setting like the marketplace, where trusting someone—anyone—can be a massive liability.

    Vesper is a big liability, after all. Even if they’re being blackmailed, even if the reason Keir picks them is because they’re disposable, but show promise, it’s still a risky decision that doesn’t only put his life at risk, but potentially the people in the mouse hole, which he deeply cares about!
    But the still puts some level of trust in them. Vesper’s followed, sure, but he feeds and houses them. He indulges them in banter, lets them poke fun at him even if he complains about how annoying it all is, And most importantly, he answers their questions.

    In a place where no one shows their real face, where people don’t even share their real names, information is currency. It’s survival. But he lets Vesper in, just a little. He tells them about himself, about life underground, and makes sure they know enough to stay safe. Even when he withholds things, like the origins of the Ichor, it’s a difficult choice made for a reason.

    I think that has a lot to do with, not only his feelings for Vesper, but the community he’s surrounded by and how much those values have shaped him. Both his pursuit of doing good or at the very least as good as he can to help as many people as possible and his inherent kindness. As much as Keir insists he isn’t a good man, I think it’s really fucking clear that he has a strong moral compass, and most of all, a strong will to keep vulnerable, outcasts safe. He goes above and beyond for that goal, and all his actions are informed by that desire to take care of his community.

    Vesper is now a part of his community, for better or for worse, and therefore he extends to them the same level of care and respect he’d show to the others. I think one of the things that really struck me was how we get to see the people in the mouse hole, and most importantly, Keir’s inner circle, warming up to Vesper! They include them in their day-to-day chores and welcome them relatively quickly. They’re all keeping an eye out for the ichor they oh so desperately need, because in a lot of ways, Vesper is just like them. Another outcast, another person in desperate need of that support and community. I like to think that maybe Keir saw that in them too.

    They might not fully realise the weight of it, seeing as how the marketplace’s culture differs from the surface’s, but Keir is painfully aware of all of this all along.

    I think especially of the scene where Vesper opens up about their condition. It’s a pivotal moment. In a place like the marketplace, that kind of information falling into the wrong hands could be downright catastrophic. But it’s easy for them to open up about it, to show Keir that level of trust.
    This information exposes their fragility, their desperation. And most of all, they’re exposing it to their blackmailer. It would be so easy for Keir to turn this show of trust against them, it’s easy ammo.
    But he doesn’t. He listens, he empathises.

    I think that’s the point where things really shift for them. It’s a little moment but I think it’s so important to shape how their subsequent relationship, and most of all, I think it’s what makes his betrayal by keeping the truth about lunar ichor even more painful to Vesper.

  • sent a message

    VERY important question:

    would the LI's rather fight 100 duck-sized horses or 1 duck-sized horse?

  • Francesco
    He gives up on fighting instantly. He can’t hit an animal :(

    Keir
    Duck is delicious. He’s gonna take down the Big Duck.

    Oleander
    Fighting isn’t really his style, but if he must he’s going to take on the Tiny Horses. Normal horses are fragile enough, tiny ones should be manageable.

    Cirrus
    Multiple enemies sounds like a hassle, he’ll also go for the singular Big Duck.

  • How I think the Obscura LIs would react to accidentally eating a wasp (who knows if wasps have made their way to the underground - there's a possibility!!):

    Keir: "FUCK! Okay, lets add that to the list of terrible things that can happen to me."

    Francesco: *Wanders over to Vesper with a look of both immense guilt and barely concealed pain* "So, good news is I had a new experience!"

    Cirrus: *dead silence* *turns slowly towards wherever Vesper is with horrifying pinpoint accuracy and a smile that suggests violence*

    Oleander: [grinning, totally unaffected] "I suppose this was an inevitability when I tempted fate by 'developing a high tolerance for darker things'"

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    &. lilac theme by seyche