Pinned Post
image

em | 19 | they/she | femme lesbian | vampire goth

likes: butchfemme love, literature, poetry, film, vampirism, goth subculture(s), queer history, intersectional feminism, all things strange & macabre + media i ♡: yellowjackets, iwtv, twin peaks, tlou, arcane, the locked tomb n more!

byf: white, disabled, & autistic | i don’t mutual if <16 or >30, but feel free to follow (minors block #nsfw tag) | i don’t tag the d, q, or f slur on this blog, nor do i tag blood/fake gore. i do tag other common triggers and specific ones for mutuals if asked | untagged queue running

spotify | pinterest | goodreads | letterboxd | ao3 | my butchfemme discord server

ask me for my other socials if we’re friends <3

image

i love how we can see the seeds of joel’s willingness to do absolutely anything, no matter how immoral, to protect his daughters being sewn from the very start. in both the show and game there’s this scene where he, tommy, and sarah are trying to get out of town on outbreak day together and they pass a family flagging them down for help. tommy says “they’ve got a kid,” implying that he wants to stop and pick them up. joel says, “so do we. keep moving.” despite sarah and tommy’s protests, despite seeing how bad things were already getting, despite these people and their child needing help, joel chooses to put his daughter’s safety first

this is almost a direct foreshadowing of his choice to save ellie in the end, despite knowing it would get thousands, if not millions, of people killed in the long run. joel was willing to abandon a family in need to keep sarah safe, just as he was willing to abandon the world to keep ellie safe. when abby finally faces him, he doesn’t scream or cry for help. he hardly even tries to stop her after a certain point. he knew it would end like this for him if he chose ellie. he doesn’t care. he will choose his daughters every time, no matter the cost. even if the cost is his life

the first law of tragedies: the end is already written and inevitable. the second law of tragedies: your actions are all your own and you can choose to get off this ride whenever you want. the third law of tragedies: we both know that you are never going to do that.

nonspace.