Bill reid

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Caption: 22k gold, 6.3 x 5.4 cm, SFU Bill Reid Collection, Vancouver; Credit: SFU Bill Reid Collection, Bill and Martine Reid Founding Collection (2002.1.6). Courtesy of the Bill Reid Gallery of Northwest Coast Art, Vancouver. © Bill Reid Estate; Iljuwas Bill Reid | Art Books | Art Canada Institute; #billreid #canadianartist #indigenousartist #northwestcoast #haida #brooch #jewellery Bill Reid, Vancouver Art Gallery, Japanese Traditional Clothing, Haida Art, Royal Ontario Museum, Victoria B, Inuit Art, Northwest Coast, Interesting Images

Caption: 22k gold, 6.3 x 5.4 cm, SFU Bill Reid Collection, Vancouver; Credit: SFU Bill Reid Collection, Bill and Martine Reid Founding Collection (2002.1.6). Courtesy of the Bill Reid Gallery of Northwest Coast Art, Vancouver. © Bill Reid Estate; Iljuwas Bill Reid | Art Books | Art Canada Institute; #billreid #canadianartist #indigenousartist #northwestcoast #haida #brooch #jewellery

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Iljuwas Bill Reid | Art Canada Institute Bill Reid, Native American Home, Pole House, Totem Design, Vancouver Art Gallery, Haida Gwaii, Haida Art, Royal Ontario Museum, Alaska Usa

From the age of twenty-three, Bill Reid was on a lifelong journey to learn what it truly meant to be Haida. While the degree to which he achieved his personal quest for identity remains a topic of critical discussion, his contributions to Northwest Coast art and culture, as well as to environmental and social issues on Haida Gwaii, show his remarkable ability to harness the privilege he had as an outsider.

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Salish Art, Bill Reid, Vancouver Art Gallery, Native Artwork, Haida Art, Northwest Coast, A Frog, Wooden Sculpture, Indigenous Art

Phyllidula (The Shape of Frogs to Come), Bill Reid’s last large wooden sculpture, takes as its focus the Frog, whom Reid described as “the ever-present intermediary between two of the worlds of the Haidas, the land and the sea.” The sculpture has some classic Haida features, like the graphic red lips, nostrils, and extended tongue contrasting with its green body.

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