Meret oppenheim

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Meret Oppenheim. Object, 1936. Fur-covered cup, saucer, and spoon, cup 4-3/8" in diameter; saucer 9-3/8" in diameter; spoon 8" long, overall height 2-7/8" (The Museum of Modern Art, New York) Dada Art Movement, Meret Oppenheim, Found Object Sculpture, Ap Art History, Object Sculpture, Istoria Artei, Dada Art, Marcel Duchamp, Contemporary Textiles

A Luncheon with Fur The story behind the creation of Object, an ordinary cup, spoon, and saucer wrapped evocatively in gazelle fur, has been told so many times its importance in modernist history transcends the fact it might be apocryphal (of dubious authenticity). The twenty-two year old Basel-born artist, Meret Oppenheim, had been in Paris …

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MoMA The Museum of Modern Art on Instagram: "“Nobody will give you freedom. You have to take it.” — Meret Oppenheim Best known for her celebrated fur-lined teacup, the full scope of #MeretOppenheim’s six-decade career has been largely unknown outside her native Switzerland. See nearly 200 works that offer a wide retrospective view of the artist’s lifelong innovation, remarkably open concept of art, and fierce originality and wit in Meret Oppenheim: My Exhibition, opening October 30. Member pr Meret Oppenheim, Abbi Jacobson, Exhibition Opening, The Museum Of Modern Art, Digital Film, Museum Of Modern Art, Pablo Picasso, Big Deal, Open Concept

MoMA The Museum of Modern Art on Instagram: "“Nobody will give you freedom. You have to take it.” — Meret Oppenheim Best known for her celebrated fur-lined teacup, the full scope of #MeretOppenheim’s six-decade career has been largely unknown outside her native Switzerland. See nearly 200 works that offer a wide retrospective view of the artist’s lifelong innovation, remarkably open concept of art, and fierce originality and wit in Meret Oppenheim: My Exhibition, opening October 30. Member…

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Meret Oppenheim, Artist Portraits, Feminist Artist, Joan Mitchell, Max Ernst, Man Ray, Women Artists, Laura Lee, Pablo Picasso

Object (The Luncheon in Fur) 1936 The work's concept originated in a conversation among Oppenheim, Pablo Picasso, and his lover and fellow artist Dora Maar at a Parisian café[4] where the café's social role was discussed,[5] and at which Oppenheim was wearing a fur-covered brass tube bracelet, the pattern of which she sold to the fashion designer Elsa Schiaparelli.[1][6] Picasso had suggested that anything could be covered in fur, and Oppenheim remarked that this would apply to "even this…

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