Papers by Violetta Wróblewska
Literatura Ludowa, 2020
O świecie rzeczy w bajkach ludowych i baśniach literackich - dwa ujęcia, dwie wizje świata, dwa p... more O świecie rzeczy w bajkach ludowych i baśniach literackich - dwa ujęcia, dwie wizje świata, dwa porządki
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Bibliotekarz Podlaski. Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne
Celem artykułu jest prezentacja bajki ludowej – polskiej i litewskiej – jako źródła inspiracji li... more Celem artykułu jest prezentacja bajki ludowej – polskiej i litewskiej – jako źródła inspiracji literackiej, a jednocześnie jako tekstu kultury i nośnika tożsamości narodowej. Podstawą rozważań są dwa tomy opracowanych literacko baśni ludowych pochodzących z XIX wieku – Lucjana Siemieńskiego Podania i legendy polskie, ruskie i litewskie z 1845 roku oraz Podania i bajki ludowe zebrane na Litwie staraniem Jana Karłowicza, drukowane w czasopiśmie „Zbiór Wiadomości do Antropologii Krajowej” (1887, t. 11; 1888, t. 12), później wydane w wersji książkowej. Oba zbiory przekazów pochodzenia ludowego zostały poddane obróbce literackiej, jak też częściowo przekładom z języka litewskiego na polski, mimo zapewnień ich autorów we wstępach, że zachowują oryginalny kształt pierwowzoru. Celem tego typu działań było nie tylko podkreślenie artyzmu oralnych bajek czy przybliżenie ich polskiemu odbiorcy o bardziej wyrafinowanym guście. Działania translatorsko-artystyczne służyły między innymi ideologizac...
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„Literatura Ludowa” , 2007
Among Polish folk novels, called short-story fairy tales or fairy tale of manners (stories marked... more Among Polish folk novels, called short-story fairy tales or fairy tale of manners (stories marked as T 855-T 999 according to Krzyżanowski's "Polska bajka ludowa w układzie systematycznym" / "Polish Folk Tale in Systematic Order), there can be found 21 plots of clear predicatory origin. These so-called folk exempla started to be disseminated orally not only through sermons preached from the pulpit, but also through thrash literature or the publication of "Historie rzymskie" (Gesta Romanorum, Roman stories) popular till the 19th century.
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"Bibliotekrza Podlaski", 2019
The article aims to review Polish folklore research devoted to Latvian folk tales. The central th... more The article aims to review Polish folklore research devoted to Latvian folk tales. The central thesis comes down to considering this research as marginal, as evidenced by a small number of works on
this issue from the 19th to the 21st century, which may have been influenced by several factors. Among the most important reasons are the political – complex history of Polish and Latvian nations, cultural – poor knowledge of the Latvian language hindering contact with original textual works of culture, rarely translated into Polish, and also scant interest in folklore resulting from the turn towards mass American culture.
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Tabu seksualne – kultura ludowa, [hasło w:] Sensualność w kulturze polskiej, red. W. Bolecki, http://sensualnosc.ibl.waw.pl, ISBN 978-83-61552-46-8 , 2012
O tabu seksualnym w tradycyjnej kulturze ludowej - w folklorze i języku codziennym.
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Przyrodzenie/genitalia, [hasło w:] Sensualność w kulturze polskiej, red. W. Bolecki, http://sensualnosc.ibl.waw.pl, ISBN 978-83-61552-46-8 , 2012
O miłości i pożądaniu, jak też o genitaliach w kulturze ludowej - obrzędach, wierzeniach, medycyn... more O miłości i pożądaniu, jak też o genitaliach w kulturze ludowej - obrzędach, wierzeniach, medycynie, folklorze.
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Ludzkie mięso, [hasło w:] Sensualność w kulturze polskiej, red. W. Bolecki, http://sensualnosc.ibl.waw.pl, ISBN 978-83-61552-46-8 , 2012
O ludożerstwie w polskim folklorze - wierzenia, przesądy, opowieści.
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Ręce/dotykanie, [hasło w:] Sensualność w kulturze polskiej, red. W. Bolecki, http://sensualnosc.ibl.waw.pl, ISBN 978-83-61552-46-8 , 2015
O rękach i dotykaniu w kulturze tradycyjnej - w ludowych obrzędach, wierzeniach, w folklorze.
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Słowo a zmysły – kultura tradycyjna, [hasło w:] Sensualność w kulturze polskiej, red. W. Bolecki, http://sensualnosc.ibl.waw.pl, ISBN 978-83-61552-46-8 , 2012
O roli słowa w kulturze ludowej i związkach mowy ludzkiej ze zmysłami.
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Usta/mówienie, [hasło w:] Sensualność w kulturze polskiej, red. W. Bolecki, http://sensualnosc.ibl.waw.pl, ISBN 978-83-61552-46-8, 2015
O roli ust i mowy ludzkiej w kulturze ludowej.
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Teatr i dramat dla dzieci i młodzieży, red. M. Wiśniewska, M. Wróblewski, Wydawnictwo Naukowe UMK, Toruń 2016
The article depicts Polish dramas for children which inspirations folk culture 19th and 20th. Wri... more The article depicts Polish dramas for children which inspirations folk culture 19th and 20th. Writers use folklore motifs, characters and plots in their dramas and they give them different functions in the texts. Dramas by Hanna Januszewska, Jan Brzechwa, Maria Kownacka, Henryk Jurkowski, Maria Kann, Anna Świrczyńska, Natalia Gołębska and a lot of other writers creatively use the elements of the Polish folklore. Folk texts change in the children’s literature because the authors adjust their dramas to young readers. Sometimes writers combine the phenomena from two different worlds: a folk and contemporary because
they want to get to effect of carnivalesque. Although the dramas for children include numerous fabulous characters (e.g. witches, monsters, demons), the creatures lose negative, expressive features.
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[w:] Kultura wsi w egodokumentach, red. H. Czachowski, V. Wróblewska, Wydawnictwo Naukowe UMK, Toruń 2016, s. 15-30
Culture of the country in Dzienniki Podróży (1789–1805)
by Stanisław Staszic (Summary)
This artic... more Culture of the country in Dzienniki Podróży (1789–1805)
by Stanisław Staszic (Summary)
This article is presenting images of the countryside described by Stanisław Staszic in his travel journals from 1789 to 1805. Staszic was a well-known 18th-century publicist, social activist and a priest, who had travelled a lot. He had visited such countries as e.g. Czech Republic, Austria, Germany, France and Italy. According to the popular in the 18th-century trend he described all the things he had seen and experienced during his journeys. Not only he had written about cities, exhibits or monuments, but also about the European countryside. He was interested in the habits, rituals, daily life and also agriculture. He compared things he had observed abroad with the Polish countryside, which gives an interesting image of the peasant culture of the 18th and 19th century. Stanisław Staszic’s travel journals have the significance of the text of culture and therefore they may be used in anthropological research.
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[w:] Literatura kryminalna. Na tropie źródeł, red. A. Gemra, Wyd. EMG, Kraków 2015, s. 365-388.
The main objective of the article is an attempt to show the main sources of Polish
crime literatu... more The main objective of the article is an attempt to show the main sources of Polish
crime literature, which includes folk tales and ballads,
native high artistic literature and popular press.
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[w:] Literatura kryminalna. Na tropie motywów, red. A. Gemra, Wyd. EMG, Kraków 2016, s. 99-116.
Theatre and Theatricalization of the Crime in Novels of Agatha Christie
The main objective of the... more Theatre and Theatricalization of the Crime in Novels of Agatha Christie
The main objective of the following article is the analysis of crime stories by Agatha Christie through the prism of theatricalization – understood as the usage of theatrical effects to create a literary thriller. Theatricalization in works of Agatha Christie can be observed in the area of language (usage of theatrical terminology, comparisons between real-life scenes and those presented on the stage), narrative techniques (for example the construction of dialogues and monologues), composition (references to the construction of acts and scenes), and construction of the portrayed reality (crime staging, the figure of criminal-director, assigning roles to characters, the phenomena of characterization, masquerade, etc.). The main purpose of the literary theatricalization
– aside from achieving an artistic effect – is the presentation of
life as various instances of the theatre of everyday life, which is close to the concept proposed by Erving Goffman in The Presentation of Self in Everyday Life.
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Przestrzeń w kulturze współczesnej, t. 3, Podziemia. Literatura, red. B. Morzyńska-Wrzosek, D. Mazur, Wydawnictwo Uniwersytetu Kazimierza Wielkiego, Bydgoszcz 2018, s. 226-241
Wells and collapsed inns – folk's vision of the underworld (Summary)
This article is devoted to ... more Wells and collapsed inns – folk's vision of the underworld (Summary)
This article is devoted to the reconstruction of the folk's vision of the underworld which had been an important part of the 19th and 20th-century folk tales. According to these stories, the underworld was perceived as the exact opposite of the real world. It's a land in which everything is the other way round. Instead of light, there is darkness, instead of life - death, and dream. Things brought from the underworld on the surface also change - gold turns into cruft, cruft turns into gold. An underworld is a place where one can find the nether world, hell and dark forces. Their task is to guard the mighty wealth. Obtaining those treasures by a human or even entering the underworld can be lethal. Folk tales reflect a fear of the unknown but also describe dreams about the wealth hidden in the underworld. That's the reason why they're so universal and up-to-date and modern stories refer to them, e.g. story about the golden train.
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„Litteraria Copernicana” 2017, nr 3 (23), s. 141-146
Wspomnienie o prof. Janie Mirosławie Kasjanie - poloniście, folkloryście, tłumaczu, poecie, praco... more Wspomnienie o prof. Janie Mirosławie Kasjanie - poloniście, folkloryście, tłumaczu, poecie, pracowniku Uniwersytetu Mikołaja Kopernika w Toruniu
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Papers by Violetta Wróblewska
this issue from the 19th to the 21st century, which may have been influenced by several factors. Among the most important reasons are the political – complex history of Polish and Latvian nations, cultural – poor knowledge of the Latvian language hindering contact with original textual works of culture, rarely translated into Polish, and also scant interest in folklore resulting from the turn towards mass American culture.
they want to get to effect of carnivalesque. Although the dramas for children include numerous fabulous characters (e.g. witches, monsters, demons), the creatures lose negative, expressive features.
by Stanisław Staszic (Summary)
This article is presenting images of the countryside described by Stanisław Staszic in his travel journals from 1789 to 1805. Staszic was a well-known 18th-century publicist, social activist and a priest, who had travelled a lot. He had visited such countries as e.g. Czech Republic, Austria, Germany, France and Italy. According to the popular in the 18th-century trend he described all the things he had seen and experienced during his journeys. Not only he had written about cities, exhibits or monuments, but also about the European countryside. He was interested in the habits, rituals, daily life and also agriculture. He compared things he had observed abroad with the Polish countryside, which gives an interesting image of the peasant culture of the 18th and 19th century. Stanisław Staszic’s travel journals have the significance of the text of culture and therefore they may be used in anthropological research.
crime literature, which includes folk tales and ballads,
native high artistic literature and popular press.
The main objective of the following article is the analysis of crime stories by Agatha Christie through the prism of theatricalization – understood as the usage of theatrical effects to create a literary thriller. Theatricalization in works of Agatha Christie can be observed in the area of language (usage of theatrical terminology, comparisons between real-life scenes and those presented on the stage), narrative techniques (for example the construction of dialogues and monologues), composition (references to the construction of acts and scenes), and construction of the portrayed reality (crime staging, the figure of criminal-director, assigning roles to characters, the phenomena of characterization, masquerade, etc.). The main purpose of the literary theatricalization
– aside from achieving an artistic effect – is the presentation of
life as various instances of the theatre of everyday life, which is close to the concept proposed by Erving Goffman in The Presentation of Self in Everyday Life.
This article is devoted to the reconstruction of the folk's vision of the underworld which had been an important part of the 19th and 20th-century folk tales. According to these stories, the underworld was perceived as the exact opposite of the real world. It's a land in which everything is the other way round. Instead of light, there is darkness, instead of life - death, and dream. Things brought from the underworld on the surface also change - gold turns into cruft, cruft turns into gold. An underworld is a place where one can find the nether world, hell and dark forces. Their task is to guard the mighty wealth. Obtaining those treasures by a human or even entering the underworld can be lethal. Folk tales reflect a fear of the unknown but also describe dreams about the wealth hidden in the underworld. That's the reason why they're so universal and up-to-date and modern stories refer to them, e.g. story about the golden train.
this issue from the 19th to the 21st century, which may have been influenced by several factors. Among the most important reasons are the political – complex history of Polish and Latvian nations, cultural – poor knowledge of the Latvian language hindering contact with original textual works of culture, rarely translated into Polish, and also scant interest in folklore resulting from the turn towards mass American culture.
they want to get to effect of carnivalesque. Although the dramas for children include numerous fabulous characters (e.g. witches, monsters, demons), the creatures lose negative, expressive features.
by Stanisław Staszic (Summary)
This article is presenting images of the countryside described by Stanisław Staszic in his travel journals from 1789 to 1805. Staszic was a well-known 18th-century publicist, social activist and a priest, who had travelled a lot. He had visited such countries as e.g. Czech Republic, Austria, Germany, France and Italy. According to the popular in the 18th-century trend he described all the things he had seen and experienced during his journeys. Not only he had written about cities, exhibits or monuments, but also about the European countryside. He was interested in the habits, rituals, daily life and also agriculture. He compared things he had observed abroad with the Polish countryside, which gives an interesting image of the peasant culture of the 18th and 19th century. Stanisław Staszic’s travel journals have the significance of the text of culture and therefore they may be used in anthropological research.
crime literature, which includes folk tales and ballads,
native high artistic literature and popular press.
The main objective of the following article is the analysis of crime stories by Agatha Christie through the prism of theatricalization – understood as the usage of theatrical effects to create a literary thriller. Theatricalization in works of Agatha Christie can be observed in the area of language (usage of theatrical terminology, comparisons between real-life scenes and those presented on the stage), narrative techniques (for example the construction of dialogues and monologues), composition (references to the construction of acts and scenes), and construction of the portrayed reality (crime staging, the figure of criminal-director, assigning roles to characters, the phenomena of characterization, masquerade, etc.). The main purpose of the literary theatricalization
– aside from achieving an artistic effect – is the presentation of
life as various instances of the theatre of everyday life, which is close to the concept proposed by Erving Goffman in The Presentation of Self in Everyday Life.
This article is devoted to the reconstruction of the folk's vision of the underworld which had been an important part of the 19th and 20th-century folk tales. According to these stories, the underworld was perceived as the exact opposite of the real world. It's a land in which everything is the other way round. Instead of light, there is darkness, instead of life - death, and dream. Things brought from the underworld on the surface also change - gold turns into cruft, cruft turns into gold. An underworld is a place where one can find the nether world, hell and dark forces. Their task is to guard the mighty wealth. Obtaining those treasures by a human or even entering the underworld can be lethal. Folk tales reflect a fear of the unknown but also describe dreams about the wealth hidden in the underworld. That's the reason why they're so universal and up-to-date and modern stories refer to them, e.g. story about the golden train.