Unreal engine environment art

Welcome to the New World where all land went under water and humanity forced to live on giant ships. Project is based on my concept art www.artstation.com/blogs/quibees/3Pq8/leartes-dekogon-art-challenge-update and inspired by Gen Urobuchi's Gargantia and the movie Waterworld. Made with Unreal Engine 4 (RTX). _____________________________________ Giant thanks for valuable feedback and patience goes to Jobye-Kyle Karmaker and Peter Tran! ❤️

A historical environment inspired by ancient Rome, but with a unique twist. Instead of the buildings being on land, they're floating gracefully in the water. It's like stepping into a surreal and dreamy world where history meets fantasy.

Dungeon Souls Environment https://www.instagram.com/poryagini

This is a personal project where I invite you to explore the captivating world of historical environments brought to life using Unreal Engine. Join me on a fascinating journey through time as I utilize 3ds Max for modeling, ZBrush for intricate details, and Substance Painter and Photoshop for realistic texturing.

Dragon's Remains by Louis-Alexandre Louchard is a spectacular scene depicting the skeleton of a fantastical creature 🐲 The project was rendered in UE5, with Megascans used in the environment, though skeleton itself and the level art/composition was done entirely by Louchard.

Pacific Drive Unreal Engine 5.3 Lumen Nanite / Concept Gameplay Gas Station part created with 3dsmax and Substance Painter Used Quixel Assets and Decals. Lighting HDR+Directional Light and Volumetric Fog All Realtime inside UE5 no external postprocess #unrealengine5 #quixel #lighting #lumen #ue5 #videogames #rtx4090 #pacificdrive #concept #gameplay #mood #horror #garage #gasstation #artstation #portfolio #environment #hdr #nanite

UE4 Ravine environment, Almost all the lighting is real-time and all the assets are game-ready. The scene is entirely made from scratch by myself. (Except for the leaf/grass textures, those are photo scanned)

Art hyper realistic, cinematic,150 dpi, cinematography,anamorphic lens,unreal engine 5

Environment Artwork I worked on for The Last of Us & Left Behind (dlc) Shader Art: Brian Beppu

Unreal Engine 5.2 Lumen Nanite Quixel HDR Lighting with Direction light and Volumetric fog The terrain and path was created inside Unreal using sculp tool and insert Quixel megascans assets and procedural trees from Mawi #ue4 #ue5 #ingame #realism #photoreal #forest #UnrealEngine5 #lumen #UnrealEngine #unrealengine4 #photorealism #photorealistic #photoreal #quixel #environment #forest #village #realtime #pbl #3d #ingame #videogames #videogame #megascans #forestpath #sky #cloudy #rtx3090…