Miguel Angel Marin
(Ph.D London) Professor (Catedrático) at La Rioja University and Director of Music Program at the Juan March Foundation, Spain.
Miguel Ángel, who received his PhD from the University of London, is a Professor at the Universidad de La Rioja and Director of the Music Program at the Fundación Juan March. His research focuses on instrumental music in Spain during the eighteenth century, with particular emphasis on Italian composers such as Corelli, Boccherini, Brunetti and Scarlatti. He has authored or edited more than ten books, including "Joseph Haydn y el cuarteto de cuerda" (Madrid, 2009), the joint publication of 16 string quartets by Gaetano Brunetti (Madrid, 2012) and the critical edition of Clementina (Bologna, 2013) for the Boccherini Complete Edition. He has contributed with eight chapters to volume devoted to the eighteenth century in the recent Historia de la Música Española e Hispanoamericana (2014). He is the Principal Researcher of the R&D Group “Music in Early-Modern Spain: composition, reception and performance” www.unirioja.es/mecri, financed by the Spanish Ministry. His last book is "El Réquiem de Mozart. Una historia cultural" (Barcelona, 2024).
He is also interested in music management, music programming and music performance studies. In his position as Director of Music Program at the Fundación Juan March he attempts to fuse musicology and programming, applying perspectives and concepts derived from musicological research to the stage (www.march.es/musica). This view can be encapsulated in the premise ‘programming through concepts’. Furthermore he has acted as musical expert in intellectual property lawsuits.
Miguel Ángel, who received his PhD from the University of London, is a Professor at the Universidad de La Rioja and Director of the Music Program at the Fundación Juan March. His research focuses on instrumental music in Spain during the eighteenth century, with particular emphasis on Italian composers such as Corelli, Boccherini, Brunetti and Scarlatti. He has authored or edited more than ten books, including "Joseph Haydn y el cuarteto de cuerda" (Madrid, 2009), the joint publication of 16 string quartets by Gaetano Brunetti (Madrid, 2012) and the critical edition of Clementina (Bologna, 2013) for the Boccherini Complete Edition. He has contributed with eight chapters to volume devoted to the eighteenth century in the recent Historia de la Música Española e Hispanoamericana (2014). He is the Principal Researcher of the R&D Group “Music in Early-Modern Spain: composition, reception and performance” www.unirioja.es/mecri, financed by the Spanish Ministry. His last book is "El Réquiem de Mozart. Una historia cultural" (Barcelona, 2024).
He is also interested in music management, music programming and music performance studies. In his position as Director of Music Program at the Fundación Juan March he attempts to fuse musicology and programming, applying perspectives and concepts derived from musicological research to the stage (www.march.es/musica). This view can be encapsulated in the premise ‘programming through concepts’. Furthermore he has acted as musical expert in intellectual property lawsuits.
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