Patricia Pisters

University of Amsterdam, Media Studies, Faculty Member

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Address: For all full references of the articles and more PDFs see 'selected writings' on my website www.patriciapisters.com . Also for my blog of events and favorites, photos and audio-visual essays, among others my "Metallurgy, Media, Minds" project, a series of short compilation films in which I follow the 7 alchemical metals in (media) culture. Gold, Silver, Copper and Iron are ready. Tin, Mercury and Lead are in the making.

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Muqtedar Khan

University of Delaware

David Sorfa

University of Edinburgh

Dylan Trigg

Central European University

Martin Lefebvre

Concordia University (Canada)

Benjamin Noys

University of Chichester

Ben Woodard

Leuphana University

Simon O'Sullivan

Goldsmiths, University of London

David Seamon

Kansas State University

Remo Caponi

University of Cologne

Jenny Chamarette

The Open University

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Papers by Patricia Pisters

De beginjaren van de film en de tijd van de avant-garde 1896-1931

The Chirping of a Little Bird

Soundscapes of the Urban Past, 2013

Heart of the Matter

Angelaki, Oct 2, 2014

Abstract: In this essay I will look at four recent films that have organ transplantations “at the... more Abstract: In this essay I will look at four recent films that have organ transplantations “at their heart”: 21 Grams (Alejandro González Iñárritu, 2003), L'Intrus (Claire Denis, 2001), Dirty Pretty Things (Stephen Frears, 2002) and Heart of Jenin (Leon Geller and Markus Vetter, 2008). Each film in its own way shows how Nancy's concept of the intruder balances in a different dynamics between biopolitical and biophilosophical concerns and proposes in various ways a changed concept of sacrifice, transforming sacrifice from religious offering into political or ethical resistance and allowing a-religious strivings to persist.

Carrie’s Sisters

Re-reading the Monstrous-Feminine, 2019

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De generatie en de kunst

Sleutelteksten film- en mediatheorie deel 2 : klassieke en moderne filmtheorie, 1928, 1945-1976

Art as Circuit Breaker: Surveillance Screens and Powers of Affect

I'k heb mijn duivel aan de ziel verkocht' : Poésia sin fin van Alejandro Jodorowsky [Bespreking van: A. Jodorowsky (2016) Poesia Sin Fin]

Fassbinders's Germany, History Identity Subject [Review of: Th. Elsaesser (1997) Fassbinder's Germany, History Identity Subject]

Honderd Hitchcocks [Review of: R. Allen, I. Gonzales (2000) Alfred Hitchcock Centenary Essays]

Verstrikt in de sporen van een ander

The Rhizotorium: Brains, Screens and the Neuro-image

Si Gak Moon Hwa Ui Matrix (The Matrix of Visual Culture)

De erfenis van Truffaut: cinefilie in de videotheek

Heilig vlees - Love is the Devil

A Metaphysical Star War? Celestial Consciousness in Contemporary Cinema

Violence, identity, self-determination and ghosts

Horror in het Rijksmuseum (Horror in the Rijksmuseum)

Molecular processes of Becoming: Filmic Images

Cinema and Painting [Review of: Angela della Vacche (1997) Cinema and Painting]

De beginjaren van de film en de tijd van de avant-garde 1896-1931

The Chirping of a Little Bird

Soundscapes of the Urban Past, 2013

Heart of the Matter

Angelaki, Oct 2, 2014

Carrie’s Sisters

Re-reading the Monstrous-Feminine, 2019

Download

De generatie en de kunst

Sleutelteksten film- en mediatheorie deel 2 : klassieke en moderne filmtheorie, 1928, 1945-1976

Art as Circuit Breaker: Surveillance Screens and Powers of Affect

I'k heb mijn duivel aan de ziel verkocht' : Poésia sin fin van Alejandro Jodorowsky [Bespreking van: A. Jodorowsky (2016) Poesia Sin Fin]

Fassbinders's Germany, History Identity Subject [Review of: Th. Elsaesser (1997) Fassbinder's Germany, History Identity Subject]

Honderd Hitchcocks [Review of: R. Allen, I. Gonzales (2000) Alfred Hitchcock Centenary Essays]

Verstrikt in de sporen van een ander

The Rhizotorium: Brains, Screens and the Neuro-image

Si Gak Moon Hwa Ui Matrix (The Matrix of Visual Culture)

De erfenis van Truffaut: cinefilie in de videotheek

Heilig vlees - Love is the Devil

A Metaphysical Star War? Celestial Consciousness in Contemporary Cinema

Violence, identity, self-determination and ghosts

Horror in het Rijksmuseum (Horror in the Rijksmuseum)

Molecular processes of Becoming: Filmic Images

Cinema and Painting [Review of: Angela della Vacche (1997) Cinema and Painting]

Sleutelteksten in Film- en Mediatheorie: De Beginjaren van de film en de tijd van de avant-garde, 1896-1931. [Key Texts in Film and Media Theory: Early Film and the Era of the Avant-Gardes]

by Steven Willemsen, Patricia Pisters, and F. Kessler

This book series aims to bring together the most influential texts from the history of thinking a... more This book series aims to bring together the most influential texts from the history of thinking about Film and Media. The first volume collects key texts from the early years of film and the avant-gardes (1896-1931), some of which have never been translated to Dutch before, including works by Georges Méliès, Sergej Eistenstein, Dziga Vertov, Maxim Gorki, Siegfried Kracauer, Jean Epstein, F.T. Marinetti, Béla Balász, Menno Ter Braak, Germaine Dulac, Louis Delluc, Hugo Münsterberg, Paul Valéry and Virginia Woolf.

The book is a Dutch/Flemish co-product of the unversities of Groningen, Antwerp, Utrecht, Amsterdam, and the EYE film museum, the Netherlands.

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