Evita (musical)

Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader Eva Perón, the second wife of Argentine president Juan Perón. The story follows Evita's early life, rise to power, charity work, and eventual death.

The musical began as a rock opera concept album released in 1976. Its success led to productions in London's West End in 1978, winning the Laurence Olivier Award for Best Musical, and on Broadway a year later, where it was the first British musical to receive the Tony Award for Best Musical.

This has been followed by a string of professional tours and worldwide productions and numerous cast albums, as well as a major 1996 film of the musical starring Madonna and Antonio Banderas. The musical was revived in London in 2006, and on Broadway in 2012, and toured the UK again in 2013-14 before running for 55 West End performances at the Dominion Theatre in September–October, 2014.

History

In 1972, Robert Stigwood proposed that Andrew Lloyd Webber and Tim Rice develop a new musical version of Peter Pan, but they abandoned the project.

Evita

Evita may refer to:

Evita (soundtrack)

Evita is a soundtrack album by American singer and songwriter Madonna, released on November 12, 1996 by Warner Bros. Records. It was released to promote and accompany the 1996 motion picture, Evita. The soundtrack also includes performances by Antonio Banderas, Jonathan Pryce and Jimmy Nail, but is considered a Madonna album since the majority of the songs are sung by her. The RIAA certified it Gold and Platinum on January 24, 1997 and 5× Multi Platinum on March 29, 1999, recognizing 2.5 million shipments throughout the United States (as it is a double album and exceeds 100 minutes in length, the RIAA counts each unit sale twice).

The soundtrack was released in two different versions: a two-disc edition entitled Evita: The Motion Picture Music Soundtrack featured all the tracks from the film, and Evita: Music from the Motion Picture, a single-disc edition contained a selection of highlights from the soundtrack. The soundtrack includes three singles by Madonna; "You Must Love Me" (#18 in the US and #10 in the UK), "Don't Cry for Me Argentina" (#8 in the US, #3 in the UK, and #1 in France) and "Another Suitcase in Another Hall" (#7 in the UK).

Ourapterygini

The Ourapterygini are one of the large tribes of geometer moths in the Ennominae subfamily. They are particularly plentiful in the Neotropics. Ourapterygini are generally held to be the youngest tribe of their subfamily, and at least seasonally have characteristic apomorphic asymmetrical processes of the anellus.

Many members of this tribe are remarkably butterfly-like. The tribe contains more partially diurnal species than usual for geometer moths, and many do not have the cryptic coloration typical for the family. There is a tendency to light yellowish hues and either little or a quite bold pattern, making some species rather conspicuous. It is known that at least some are noxious to predators, and such coloration might be aposematic.

Genera and selected species

As numerous ennomine genera have not yet been assigned to a tribe, the genus list is preliminary.

Footnotes

References

Musical

Musical may refer to:

See also

Musical film

The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.

The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

Musical films in the Western world

The classical sound era

The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world.

Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan. The Princess Theatre musicals and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927) and Oklahoma! (1943). Some of the most famous and iconic musicals through the decades that followed include West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), The Producers (2001) and Wicked (2003).