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2023, GESWI NOVIEMBRE
This is a Digital Magazine published by GESWI PUBLICATIONS, a division of Global Evangelism and Social Work Inc., GESWI. A non-profit organization registered at the Puerto Rico Department of State on August 13, 2013 Registry #329032.
English Studies in Indonesia has undergone revision since the past decade with the inclusion of postcolonial literatures and popular culture in the curriculum. In addition to the teaching of Canon Literature, students are encouraged to become knowledgeable about literatures from the neighboring Malaysia, Singapore, the Philippines, Sri Lanka, India and other countries in the region. At the same time, the students have to pay attention as well to the globalization and technologization of contemporary culture as in pulp fiction, TV and multimedia interfaces. Despite the developments, accountable evaluation and revision of the praxis is often ignored.
2001
The challenge of inclusion in the Latin America and the Caribbean Region--by David de Ferranti. Participation in development planning: strengthening Afro-Latin and indigenous organizations--Jeanette Sutherland. Development with identity: Indigenous and Afro-Ecuadorian Peoples Development Project--Pilar Larreamendy and Jorge Uquillas. Collective land titling: protecting the assets of indigenous peoples and Afro-Latin communities--Shelton Davis.
Movimiento Paroxista, 2011
This is a selection of three poems that was published by the digital magazine "Movimiento Paroxista" (Universidad Nacional Autónoma de México, University of North Carolina at Chappell Hill, and Universidad Autónoma de Madrid, through their Editorial Paroxismo) in 2011. The poems were written between the years of 2009 and 2011.
Gender, Place & Culture, 2015
Popular media plays an important role in the production and reproduction of hegemonic cultural norms, as well as in the construction of class and gender identities. Periods of economic crisis generate struggles over ways of understanding social reality that can destabilize or reinforce different identities. The media often plays an important role in the reconfiguration of identities. Expanding on these ideas, I conduct a discourse analysis of a women’s magazine to examine how popular media reflected and influenced shifting gender and class identities in Buenos Aires, Argentina between 1995 and 2008, a period of major socioeconomic change. By drawing attention to supposedly ‘non-political’ actors and spaces, I argue for expanding the range of sites we investigate in order to make sense of changing class and gender subjectivities during times of socioeconomic crisis.
This article will take as its primary focus the independent publisher Isla Negra Editores, based in San Juan, Puerto Rico. It will start by giving a brief presentation of the publisher's editorial line before taking a closer look at two of its collections, El canon secuestrado and Los nuevos caníbales, to interrogate processes of literary circulation within the Greater Caribbean and reveal attempts at bringing together emerging (or silenced) authors from across the region and beyond. The " new classics " under study, compiled in anthologies or presented in individual formats, will provide a unique context from which to study pan-Caribbean transL/National processes as a tidal movement which anchors the circulation of the region's literary production in specific time zones on the one hand, leading to the [re]formation and deformation of a given canon ; but also, on the other, in specific places often (although not solely) bounded by linguistic proximity, as the editorial connections between Cuba, the Dominican Republic and Puerto Rico testify. Eventually, the publisher's work will be presented as a literary model for transL/National solidarity through which new cartographies of the region's literary circulation emerge. Within this context, translation will be understood in its linguistic sense, entailing cultural, intra and inter-textual shifts and negotiations. But it will also be considered as a relational process that connects the Greater Caribbean with the tout-monde, whilst generating new forms of « minor transnationalisms » (Françoise Lionnet, Shu-mei Shih) in the hope to circumvent traditional routes of canonization.
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2022
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