Selected bibliography of the works of Lenka Hlávková
Jan Ciglbauer2024, Hudební věda
https://doi.org/10.54759/MUSICOLOGY-2024-0105visibility
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AI-generated Abstract
This bibliography compiles the scholarly contributions of Lenka Hlávková, emphasizing her work on the musical practices of the Bohemian Utraquist Church, early polyphony in Central Europe, and the cultural context of music in the late medieval period. The entries encompass journal articles, contributions to edited volumes, and topics ranging from the analysis of specific manuscripts to discussions of broader musical traditions and reforms, illustrating Hlávková's significant role in the study of Renaissance music.
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Ars musica and its contexts in medieval and early modern culture, ed. by Paweł Gancarczyk
2016
This volume is dedicated to Elżbieta Witkowska-Zaremba on the occasion of her 70th birthday. It draws together twenty-nine articles in English, Polish and German, devoted to various aspects of the functioning of music in the culture of the Middle Ages and early modern period. The first part contains texts devoted to the theory and the teaching of music, while the second includes studies of musical practice, i.e., works and repertories functioning in specific sources and communities. Ars musica is shown here in its cultural contexts, which encompass iconography, literature and politics. Such interdisciplinary approaches are found in the third part, and the volume closes with articles relating to the concepts currently in use in discourse about music, as well as to issues in historiography and history of musicology.
Medieval and Renaissance International Music Conference (Med&Ren 2017) (Prague, Convent of St. Agnes of Bohemia, 4-8 July 2017) [Final program]
Participation in the Session "Research Surrounding the 'Books of Hispanic Polyphony' Online Database", chaired by Emilio Ros-Fábregas. The five participants will present new research related, in different ways, to the online Books of Hispanic Polyphony database (http://hispanicpolyphony.eu, Jan Koláček, webmaster) in which they have been working as part of a team for the past four years (R+D Project “Libros de polifonía hispana 1450-1650: catálogo sistemático y contexto histórico-cultural” —HAR2012-33604; Spanish Ministry of Economy and Competitivity, 2012-2016). This Session will mark the beginning of the open access to this comprehensive online database that contains a considerable amount of information about sources of Hispanic polyphony (manuscript and printed) from the 15th through the 19th centuries, composers, institutions, locations, works and related documents. Work on the Books of Hispanic Polyphony database continues under the current R+D Project “Polifonía hispana y música de tradición oral en la era de las humanidades digitales” (HAR2016-75371-P; Spanish Ministry of Economy, Industry and Competitivity, 2017-2020).
L’editoria musicale veneziana intorno al 1611: questioni e prospettive. – Central-Eastern Europe versus the Italian musica moderna : in the occasion of the 400th anniversary of the publication of Offertoria and Communiones by Mikołaj Zieleński (Venice, 1611). University of Warsaw, 12–15 October 2011
In questo contributo viene indagato il contesto nel quale sono stati pubblicati gli Offertoria e le Communiones totius anni di Mikołaj Zieleński. Attraverso un’analisi della produzione editoriale veneziana (oggi conservata e non) apparsa intorno al 1611, viene proposta una riflessione sulle strategie perseguite dalle diverse officine veneziane impegnate nel settore musicale, sulla tipologia del repertorio musicale pubblicato e sulla presenza di compositori foresti come Zieleński. L’obiettivo è quello di mettere a fuoco le peculiarità di un’operazione editoriale senz’altro fuori dal comune. This paper investigates the context in which Mikołaj Zieleński’s Offertoria and Communiones totius anni was published. Through an analysis of Venetian music editions produced around 1611 (today preserved or lost), it intends to reflect on the strategies pursued by the Venetian music publishers, on the typology of published music repertoire, and on the presence of foreign composers such as Zieleński. The purpose is to focus on the characteristics of an editorial project, which undoubtedly are out of the ordinary. Published in: Tomasz Jeż, Barbara Przybyszewska-Jarmińska, Marina Toffetti (eds), Italian Music in Central-Eastern Europe. Around Mikołaj Zieleński’s Offertoria and Communiones (1611), (Conference proceedings: Warsaw, 12–15 October 2011). Venice: Fondazione Levi, 2015, pp. 151-170.
The Migration of Seventeenth-Century Music Repertoire to the Cathedral of Hvar in Dalmatia
Musicians’ Migratory Patterns in Time and Space: The Adriatic Coasts (series Cultural Expressions in Music), ed. Franco Sciannameo, New York: Routledge, 2018, pp. 82-107.
Current archival sources are too scarce to throw sufficient light on the quantity and quality of the music repertoire nurtured during the first half of the seventeenth century in the urban centers of Dalmatia, a region of southern Croatia. However, a valuable document preserved in the Archives of the Hvar Cathedral Chapter reveals the musical practice of that period in the town of Hvar, the main town of the eponymous island, which was ruled by the Republic of Venice for some four centuries (1420-1797), as was most of the Dalmatian coast. During that time, Hvar functioned as the main Venetian port in the eastern Adriatic and as a sensitive barometer for all economic, social, and cultural trends in Italy as well as the rest of Europe. 1 The Hvar document, containing an inventory of books and music material dating back to 1646 and 1647, resurfaced in 1992 during the renovation of the Cathedral Chapter Library, and it is now archived under the code signature XXII/4. This source has not been the subject of extensive research until recently, 2 but its contents-various items of literature, drama, poetry, music, philosophy, and theology-could be of interest to a wider circle of scholars in the humanities and social sciences. For the purpose of this essay, the recorded titles of the music collections formerly owned by the Hvar Cathedral Chapter serve as the starting point for an overview of the musical repertoire in Hvar during the time of the town's cultural and economic rise following a Turkish-Ottoman attack in 1571 and other misfortunes in the late sixteenth century. These currently lost music titles witness the presence and dissemination of contemporary Italian (mostly Venetian) early Baroque musical literature among the Hvar community, thus representing an exceptional contribution to the local history of art music. At the same time, they are of rare value for the study of Croatian music historiography and early Baroque culture in general being the only, thus far, document in Croatia bearing explicit mentions of authors and titles of works available to local musicians and the general public until mid-seventeenth century.
The place of Jan Dismas Zelenka within Prague’s sacred music scene as viewed through the inventory of the Knights of the Cross with the Red Star
Clavibus unitis 8, No. 1, pp. 91–100, 2019
The music inventory of the Knights of the Cross with the Red Star from 1737 belongs to the paradigmatic sources both within research of “the musical culture of eighteenth-century Bohemia” (to cite the title of Barbara Ann Renton’s dissertation) and the exploring of rich terrain of music inventories from Czech lands started with the Jiří Fukač’s founding work about this immense source discovered by him. Paradoxically, Fukač’s edition of the Knights of the Cross inventory remains unpublished, while all subsequent studies drew from his typescript rather from the original source. What picture does the inventory provide of music culture in Prague of the time? And what place does Jan Dismas Zelenka and his compositions occupy in this context? The article aims to search for possible answers to these questions by analysing data from the column “Productio”, which has received minimum attention since Fukač’s effort.
Letters from the Morawetz Collection (Musicians of Czech Origin in European Centres at the Turn of the 18th and 19th Centuries)
Musicalia, 2022
The article deals with the oldest music-related documents from the Morawetz collection (most of which come from the collection of Friedrich Donebauer), which the Czech Museum of Music obtained in 2003 and 2008. Specifically, this involves letters of musicians from Bohemia who were working in German-speaking countries around the end of the 18th century and the beginning of the 19th (Jiří Antonín Benda, Leopold Koželuh, Antonín František Bečvařovský, and Jan Václav Hugo Voříšek). The study presents a critical edition of six letters and one receipt and their translations into Czech and English. On that basis, there is an examination of context within the framework of the lives of the individual musicians and of the period musical milieu. The letters document cultural exchange, tastes, and the stylistic orientation of the period as well as of the music business in Europe at the end of the 18th century and the beginning of the 19th. Voříšek’s letter documents the period reception of a Ma...
From a Musical Humanist’s Diaries. The Schreibkalenders of Elias Maior (1588–1669) as a Source for the History of Wrocław Musical Culture
The object of this article is the contents of the notes of Elias Maior, a rector of St. Elizabeth’s gymnasium in Wrocław, made in the consecutive 1640–1669 Schreibkalenders. They constitute a rich source documenting everyday life of Wrocław’s humanistic elite. Of particular interest, among the rector’s accounts, are numerous references to music performed, both in public and in private domain.
Traces of Polyphonic Music in the Late-medieval Republic of Dubrovnik
in: Glazba, migracije i europska kultura. Svečani zbornik za Vjeru Katalinić / Music, Migration and European Culture. Essays in Honour on Vjera Katalinić, eds. Ivano Cavallini, Jolanta Guzy-Pasiak, Harry White, Zagreb, 2020
We know very little about polyphonic practices in the Republic of Dubrovnik. In spite of the descriptions of many musical situations in the work of Philipus de Diversis (1440), and information about the city ensemble made up of shawms and slide trumpets (or trombones), to date it has only been possible to discover two sources containing polyphony. Both are preserved in the Musical Archive of the Franciscans in Dubrovnik (Glazbeni Arhiv Male Braće), and one of them – manuscript Nr. 14 with the two-part "Fructiferis meritis" – has not as yet been a focus of research. The author gives a detailed analysis of this manuscript regarding its palaeographic and repertorial features, drawing attention to the Marian votive masses and the chants for the dead. One of the elements of the prayer for the dead was "Fructiferis meritis", belonging to the genre of "cantio". The article makes the suggestion that manuscript Nr. 14 may have been used at the church of Holy Mary of Grace on the Danče peninsula near Dubrovnik. It functioned as a local Marian sanctuary and, since it was connected with an lazaret, liturgy for the dead was also celebrated there. A visual symbol of the church was a painting by Lovro Dobričević, depicting the Mother of God; one of the miniatures in the manuscript may have been modelled on that painting. In an appendix the author publishes an edition of "Fructiferis meritis", as well as another polyphonic piece from the Republic of Dubrovnik, "In medio ecclesie". These are the oldest examples of polyphony in Croatia, preceded only by the Sanctus from the Benedictine cartulary from Zadar.
RŮZNÉ / MISCELLANEA
SELECTED BIBLIOGRAPHY
OF THE WORKS OF LENKA HLÁVKOVÁ
Jan Ciglbauer
h ps://doi.org/10.54759/MUSICOLOGY-2024-0105
Editorship
Hudební věda 57 (2020), No. 4, in honorem Paweł Gancarczyk (50).
G
, Paweł – H
M
, Lenka – P
, Remigiusz (eds.):
The Musical Culture of Silesia before 1742. New Contexts – New Perspectives.
Frankfurt am Main: Peter Lang, 2013.
B
, Jan – H
, Lenka – K
, K. Jiří (eds.): Musical Culture of the Bohemian
Lands and Central Europe before 1620 (Prague, August 23–26, 2006). Praha: KLP,
2011.
B
, Jan – K
, K. Jiří – M
, Lenka (eds.): Li era NIGRO scripta manet. In
honorem Jaromír Černý. Praha: KLP, 2009.
Studies in scholarly journals
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, Lenka: From Centre to Periphery and Back: The Codex Speciálník and Fluid
Music History around 1500. Journal of the Alamire Foundation 15 (2023), No. 2,
pp. 139–150.
, Lenka: An inconspicuous relative of the Speciálník Codex. On Dating and
Structure of the Manuscript CZ-Pu VI C 20a. Hudební věda 57 (2020), No. 4,
pp. 436–453.
, Lenka – G
, Paweł: The Lviv fragments and Missa L’homme armé
sexti toni. Questions on early Josquin reception in Central Europe. Tijdschri
van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 62 (2017),
No. 1–2, pp. 139–162.
, Lenka: Cantio, Lied or Chanson? The Strahov Codex as a 15th Century Song
Treasury. Hudební věda 50 (2013), No. 3–4, pp. 259–270.
M
, Lenka: Řehtající koně, kdákající slepice, těžkopádní šrotýři…
Každodenní život pozdně středověkého města očima a ušima hudebníků [Neighing
Horses, Cackling Hens, Heavy-Footed Vessel… Everyday Life of a Late Medieval
Town through the Eyes and Ears of Musicians]. Studia Mediaevalia Bohemica 3
(2011), No. 2, pp. 275–285.
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M
M
M
M
M
, Lenka: Codex Franus-a Mirror of the Musical Practice of the Bohemian
Utraquist Church around 1500? Journal of the Alamire Foundation 1 (2009),
No. 1, pp. 79–88.
, Lenka: Behind the stage: some thoughts on the Codex Speciálník and the
reception of polyphony in late 15th-century Prague. Early Music 37 (2009), No. 1,
pp. 37–48.
, Lenka: Kodeks wrocławski v kontekście życia muzycznego
utrakwistycznych Czech okolo 1500 roku [The Wrocław Codex in the Context of
Musical Life in the Utraquist Bohemia around 1500]. Muzyka 52 (2007), No. 2,
pp. 3–20.
, Lenka: Patrem Yacten-Sanctus Elezanger. A Fragment of an Unknown
Mass Ordinary from Codex Speciálník and its Milanese Context. Hudební věda 43
(2006), No. 2, pp. 147–164.
, Lenka: Części mszalne z określeniem „sociorum“ w kodeksie Speciálník:
Studium polifonii końca XV wieku w Czechach [The Parts of Mass Ordinary
Called ‘sociorum’ in the Speciálník Codex: a Study of Late Fifeenth-Century
Polyphony in Bohemia]. Muzyka 49 (2004), No. 2, pp. 89–110.
, Lenka: Kodex Speciálník. Eine kleine Folio-Handschri böhmischer
Provenienz. Hudební věda 39 (2003), No. 2–3, pp. 162–184.
Chapters in essay volumes
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H
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H
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H
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, Lenka: Local networks of new polyphony in Bohemia, ca. 1470–1520.
Sources, repertory, performance practice. In: Challenging The Narratives. Musical
Culture in Late Medieval Bohemia [tentative title]. Ciglbauer, Jan – VlhováWörner, Hana (eds.), forthcoming.
, Lenka – K
, Pavel: Manuscript Vyšší Brod 42 as an Outset of
a New Perspective on the Tradition of Late Medieval cantiones. In: Ciglbauer,
Jan – Vlhová-Wörner, Hana – Hlávková, Lenka – Kodýtek, Pavel: Vyšší Brod
42: A Unique Music Source from Pre-Hussite Bohemia. Praha: Karolinum,
forthcoming.
, Paweł – H
, Lenka: Missa L’ami Baudichon in Central Europe:
A New Source and Early Transmission of Josquin’s Music. In: Music of the
Josquin Era, 1460–1560: Essays in Honour of Joshua Ri in. Brauner, Mitchell –
Rodin, Jesse – Fallows, David (eds.), forthcoming in 2024.
, Lenka: The Jistebnice Cantionale. In: The Museum of Renaissance Music.
A History in 100 Exhibits. Borghe i,Vincenzo – Shephard, Tim (eds.), Turnhout:
Brepols, 2022, pp. 153–155.
, Lenka – G
, Mai Inga: Introduction: Religious Reforms and their Links
with the Past. In: Sounding the Past: Music as History and Memory. Kügle, Karl
(ed.), Turnhout: Brepols, 2020, pp. 191–197.
, Lenka: Using the Past, Shaping the Present: Tracing the Tradition of
Speci c Polyphonic Repertories in Bohemian Utraquist Sources (c.1450–1540). In:
Sounding the Past: Music as History and Memory. Kügle, Karl (ed.), Turnhout:
Brepols, 2020, pp. 199–213.
, Lenka – G
, Paweł: Ke kořenům hudební tradice utrakvistické
církve [To the Roots of the Music Tradition of the Utraquist Church]. In: Hus –
husitství – tradice – Praha. Od reality k mýtu a zpátky. Doležalová, Eva – Holý,
Martin et al. (eds.), Praha: Historický ústav AV ČR, 2020, pp. 99–110.
RŮZNÉ / MISCELLANEA
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H
H
H
H
H
H
M
M
M
M
, Lenka: Tradice a identita v hudbě utrakvistické církve 15. a počátku
16. století [Tradition and Identity in the Music of the Utraquist Church in the
Fi eenth and Early Sixteenth Centuries]. In: Husitské re-formace. Proměna
kulturního kódu v 15. století. Cermanová, Pavlína – Soukup, Pavel (eds.), Praha:
Nakladatelství Lidové noviny, 2019, pp. 266–275.
, Lenka: Credo Se ings in cantus fractus in Bohemian Sources. A Preliminary
Report on a Neglected ars nova Repertory. In: Ars musica and its Contexts in
Medieval and Early Modern Culture. Gancarczyk, Paweł (ed.), Warszawa: Liber
Pro Arte, 2016, pp. 247–253.
, Lenka: Gibt es „deutsche Chansons“? Zum Repertoire der weltlichen
deutschen Lieder (ca. 1450–1470) in den böhmischen Quellen. In: Imitatio –
Aemulatio – Superatio? Vokalpolyphonie des 15./16. Jahrhunderts in Polen,
Schlesien und Böhmen. Heidrich, Jürgen – Pietschmann, Klaus – Schwindt,
Nicole (eds.). Troja Jahrbuch für Renaissancemusik 12, 2013. Münster:
Westfälische Wilhelms-Universität, 2016, pp. 59–70.
, Lenka – V
-W
, Hana: Hudba [Music]. In: Husitské století.
Cermanová, Pavlína – Novotný, Robert – Soukup, Pavel (eds.), Praha:
Nakladatelství Lidové noviny, 2014, pp. 474–489.
, Lenka: Die Saganer Stimmbücher (Das Glogauer Liederbuch) und sie
Traditionen des polyphonen Liedes in Mi eleuropa. In: The Musical Culture
of Silesia before 1742. New Contexts – New Perspectives. Hlávková, Lenka –
Gancarczyk, Paweł – Pośpiech, Remigiusz (eds.), Frankfurt am Main: Peter Lang,
2013, pp. 55–70.
, Lenka: Motet Style and Structure in Central Europe around 1490: Some
Remarks on Selected Pieces from the Codex Speciálník. In: The motet around
1500: On the Relationship of Imitation and Text Treatment? Schmidt-Beste,
Thomas (ed.), Turnhout: Brepols, 2012, pp. 447–454.
, Lenka: Guillaume de Machaut, Lucemburkové a ars nova v českých
zemích. [Guillaume de Machaut, the Luxembourgs Dynasty and ars nova in the
Bohemian Lands]. In: Král, který létal. Majer, David (ed.), Ostrava: Ostravské
muzeum, 2011, pp. 939–941.
, Lenka: Lanoy, Lannoy, Launay, Lanoys, Lannoys? Thoughts on the
A ribution of a Mass Fragment in the Codex Speciálník. In: Li era Nigro scripta
manet. In honorem Jaromír Černý. Baťa, Jan – Kroupa, K. Jiří – Mráčková, Lenka
(eds.), Praha: KLP, 2009, pp. 105–109.
, Lenka: Die Kompositionen Johannes Tourouts in Böhmischen
Musikhandschri en. In: Böhmen und das Deutsche Reich. Ideen- und
Kulturtransfer im Vergleich (13. – 16. Jahrhundert). Schlotheuber, Eva – Seibert,
Hubertus (eds.), München: R. Oldenbourg Verlag, 2009, pp. 103–111.
, Lenka: Hudební kultura významných evropských dvorů a její recepce
v českých pramenech 2. poloviny 15. století [Musical Culture of Important
European Courts and its Reception in Czech Sources of the Second half of the
Fi eenth Century]. In: Dvory a rezidence ve středověku, Vol. 2. DvořáčkováMalá, Dana – Zelenka, Jan (eds.), Praha: Historický ústav, 2008, pp. 453–458.
, Lenka: Kodex Speciálník a Evropa. Příspěvek ke studiu kulturního života
v Čechách na konci 15. Století [Codex Speciálník and Europe. A Contribution to
the Study of Cultural Life in Bohemia at the End of the Fi eenth Century]. In:
Evropa a Čechy na konci středověku. Sborník příspěvků věnovaných Františku
Šmahelovi. Doležalová, Eva – Novotný, Robert – Soukup, Pavel (eds.), Praha:
Filoso a, 2004, pp. 125–131.
RŮZNÉ / MISCELLANEA
Book reviews
H
H
H
M
M
, Lenka: Ludwig Sen (c. 1490–1543). A Catalogue Raisonné of the Works
and Sources. Volume 1: Catalogue of the Works. 682 pp., Volume 2: Catalogue
of the Sources. Abbreviations, Bibliography, Indexes. 412 pp., Turnhout: Brepols,
2019–2020. In: Musik in Bayern 86 (2021), pp. 157–158.
, Lenka: Eric Jas, Piety and Polyphony in Sixteenth-Century Holland: The
Choirbooks of St Peter’s Church, Leiden. Woodbridge: Boydell & Brewer, 2018,
432 pp. In: BMGN – Low Countries Historical Review 135 (2020): Book reviews,
review No. 46.
, Lenka: Ian Rumbold – Peter Wright, Hermann Pötzlinger’s Music Book.
The St Emmeram Codex and its Contexts, Woodbridge: Boydell & Brewer, 2009,
348 pp. In: Hudební věda 51 (2014), No. 3–4, pp. 388–389.
, Lenka: Jaromír Černý a kolektiv, Historická antologie hudby v českých
zemích (do cca 1530) = Historical Anthology of Music in the Bohemian Lands
(up to ca 1530), Praha: KLP, 2005, 320 pp. In: Hudební věda 42 (2005), No. 3–4,
pp. 401–402.
, Lenka: Paweł Gancarczyk, Musica scripto. Kodeksy menzuralne
II połowy XV wieku na wschodzie Europy Łacińskiej. Warszawa: Instytut
Sztuki Polskiej Akademii Nauk, 2001, 296 pp. In: Hudební věda 39 (2002),
No. 1, pp. 74–75.
Organisation of conferences
Musical Interactions, 1400–1650. Praha, České muzeum hudby, 2022. Hlávková,
Lenka – Burn, David.
45th International Medieval and Renaissance Music Conference. Praha, Klášter
sv. Anežky České, 2017. Hlávková, Lenka – Baťa, Jan – Kroupa, K. Jiří.
Charles IV (1316–1378) and the Musical Legacy of His Era. Praha, Oddělení hudební
historie, Etnologický ústav AV ČR, 2016. Hlávková, Lenka – Procházková,
Jarmila.
The Musical Culture of Silesia before 1742. New Contexts – New Perspectives.
Wrocław, Uniwersytet Wrocławski, 2011. Hlávková-Mráčková, Lenka –
Gancarczyk, Paweł – Pośpiech, Remigiusz.
Musical Culture of the Bohemian Lands and Central Europe before 1620. Praha,
Clam-Gallasův palác, 2006. Baťa, Jan – Kroupa K., Jiří – Mráčková, Lenka.
Collaboration on music recordings
C
, Jan (ed.): Septem Dies. Music at Prague University 1360–1460. Praha:
Supraphon, 2021. (selection of polyphonic pieces).
Cappella Mariana – Semerád, Vojtěch: Codex Speciálník [Etcetera, KTC 1571, 2017].
Varia
H
, Lenka – M
, Renáta: … a slovo se stalo hudbou = …and the Word
Became Music. Virtual exhibition of manuscripts. Praha, 2017. h ps://www.
manuscriptorium.com/and-the-word-became-music (last access 20th February
2024).
RŮZNÉ / MISCELLANEA
H
H
, Lenka: Sources of Polyphony in the Bohemian lands c. 1470–c. 1500 (2016).
In: Musikleben des Spätmi elalters in der Region Österreich. Lodes, Birgit –
Strohm, Reinhard – Lewon, Marc (eds.). h ps://musical-life.net/essays/sourcespolyphony-bohemian-lands-c-1470-c-1500 (last access 20th February 2024).
, Lenka: Paměť a tradice v evropské hudební kultuře pozdního středověku
a raného novověku = Memory and Tradition within the European Music Culture
of the Late Middle Ages and the Early Modern Times. Harmonie 2018, 11
(November) – 2019, 8 (August). Editorship of a series of Czech-English articles.
h ps://www.casopisharmonie.cz/serialy/(last access 20th February 2024).
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