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Neis traces an expression of bodily language (kavvanat halev, literally “directing the heart”) from biblical to early rabbinic sources and demonstrates how it oriented people to the affective, physical, and spatial dimensions of prayer. Rejecting a binary that would treat such language as either mental/subjective (and thus metaphorically) or soley physical/objective , Neis argues that we must unpack the fraught meaning of such corporeal spatial terminology to understand “rabbinic concepts of body-mind, ritual technology, and sacred geography." Neis highlights the guidelines for the body in prayer mode found in the rulings of Mishnah and Tosefta Berakhot, which provide a geography and choreography of bodily and affective orientation that calls into question the notion of a fixed, mandate to turn toward the site of the Jerusalem Temple. Although later directions found in the Babylonian Talmud on the praying toward the holy of holies have come to be viewed as normative, Neis warns against reading these into the earlier sources on prayer, finding multiple focal points in her anatomy of the tannaitic evidence. Analyzing kavvanat halev in Mishnah Rosh Hoshana 3 and its parallel in the Tosefta, Neis shows how the sages turned hearing into ritual listening and ordinary gazing into observing, directions grounded in the body, space, and affect. Neis closes with a section on the broader implications of this analysis for scholarly discussions of mind/body dualisms and metaphorical and embodied language.
Πολυφωνία, τεύχος 8, σελ. 75-86 εκδ. Κουλτούρα, Αθήνα , 2006
The present article deals with the problem of theoretical analysis of the oral musical idioms coexisting today within the geographical boundaries of the modern Greek state and the perspective of creating a modern model for their explanation. After a concise review of the history of music theorizing in Greece, the wide intervallic, modal, metric and morphological variety present in the above mentioned traditions is pointed out. This wide variety is found to be the main reason making the creation of a sufficiently accurate analytical model a very difficult task. A evaluation of the currently used theoretical systems follows, examining the suitability of the Byzantine, the Western and the Eastern classical music theory models for the analysis and transcription of this material. The accuracy of their transcriptional systems is discussed and the functionality and effectiveness of the analytical methods and tools of each one of these models is inspected, on the levels of intervallic, modal, rhythmic, metric and morphological analysis. Το άρθρο πραγματεύεται το πρόβλημα της θεωρητικής ανάλυσης των προφορικών μουσικών ιδιωμάτων που συνυπάρχουν σήμερα μέσα στα γεωγραφικά όρια του νεοελληνικού κράτους και της προοπτικής δημιουργίας ενός σύγχρονου μοντέλου εξήγησής τους. Μετά από μία σύντομη ιστορική ανασκόπηση της «τεχνολογίας» της μουσικής στον Ελλαδικό χώρο, επισημαίνεται η μεγάλη διαστηματική, τροπική, μετρική και μορφολογική ποικιλότητα που παρουσιάζουν τα ιδιώματα αυτά, στην οποία και αποδίδεται η δυσκολία δημιουργίας ενός θεωρητικού μοντέλου ανάλυσης που να εξηγεί ικανοποιητικά τις ιδιαιτερότητες του κάθε ιδιώματος. Ακολουθεί μια αξιολόγηση της καταλληλότητας των εν χρήσει θεωρητικών συστημάτων, αυτών δηλαδή της Βυζαντινής εκκλησιαστικής, της λόγιας δυτικής και της λόγιας ανατολικής, ως μοντέλων ανάλυσης και καταγραφής του εν λόγω μουσικού υλικού. Αρχικά εξετάζεται η καταλληλότητα των αναλυτικών μεθόδων και εργαλείων του κάθε συστήματος στο πρωτογενές επίπεδο της θεώρησης των εν χρήσει διαστημάτων και στο δευτερογενές επίπεδο της περιγραφής των περίπλοκων μελωδικών κανόνων και ιδιαίτερων χαρακτηριστικών και της κατηγοριοποίησης των μελωδικών τύπων σε τρόπους. Η αξιολόγηση των παραπάνω μοντέλων ολοκληρώνεται με την εξέταση της αποτελεσματικότητας και λειτουργικότητας του καθενός σε θέματα ρυθμολογικής, μετρικής και μορφολογικής ανάλυσης καθώς και στο θέμα της ακριβούς αποτύπωσης του μουσικού υλικού μέσω ενός συστήματος καταγραφής.
2024
The Battle of Mantzikert had profound consequences for both Byzantine and Turkish history, yet the historical sources for this campaign contain significant gaps. This book presents the results of a project that seeks to demonstrate the important role computer simulation can play in the analysis of pre-modern military logistics. In AD 1071, the Byzantine Emperor, Romanos IV Diogenes, set out from Constantinople for the eastern borders of his Empire with an army described as “more numerous than the sands of the sea”. His military campaign culminated in defeat by the Seljuk Sultan Alp Arslan at the Battle of Mantzikert. This defeat was to have profound consequences for both Byzantine and Turkish history and is still commemorated in the modern state of Turkey. Yet the historical sources for this campaign contain significant gaps and we know more about the political intrigues surrounding the emperor than we do about how the army moved and fed itself. The ‘Medieval Warfare on the Grid’ project (2007-2011) was funded by an AHRC-EPSRC-Jisc e-Science grant and set out to use computer simulation to shed new light on the Mantzikert campaign. In this book we present the results of the project and demonstrate that computer simulation has an important role to play in the analysis of pre-modern military logistics. It can give new context to historical sources, present new options for the interpretation of past events and enable questions of greater complexity to be asked of historical military campaigns. It can also highlight the similarities that exist across time and space when armies need to be mobilised, moved and fed.
Iberoamericana, 2022
El objetivo general de este trabajo es dar cuenta de los cambios materiales y simbólicos que tiene lugar en los modos de producción y circulación de la literatura en lengua castellana cuando las mujeres participan en los equipos editoriales de sellos independientes. Se trata entonces, por un lado, de visibilizar el cada vez más notable trabajo editorial que están realizando las mujeres en Iberoamérica, así como la multiplicación de sellos feministas, al tiempo que, desde una perspectiva género, se pone en tela de juicio la asociación tradicional que ha vinculado a la mujer editora con ciertos géneros como la literatura infantil. Por otro lado, proponemos una reflexión sobre la relación específica entre feminismo (materialista) y edición independiente: ¿en qué consiste una praxis editorial feminista? Partiremos de algunas categorías de Delphy, Gago y Kergoat para pensar el modo en que se están desarrollando políticas de la edición “desobedientes” en Latinoamérica y España
Egeria. Rivista di Scienze religiose/Journal of Religious Studies, 2023
Marmara Üniversitesi Öneri Dergisi, 2019
TAKAMUL - تكامل, 2022
Expressionists: Wassily Kandinsky, Gabriete Münter, Marianne Werefkin, ed. Natalia Sidlina, London: Tate Publishing, 2024
Bois Et Forets Des Tropiques, 2019
Développement humain, handicap et changement social, 2011
Review of General Psychology, 2009
Biogeosciences, 2009
Journal of Personalized Medicine