Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
…
6 pages
6 files
A journal dedicated to evolutionary studies in imaginative culture--literature and the arts, popular culture, religion, ideology, politics. Two volumes per year. Double-blind peer review. Regularly publishes multiple book reviews in the evolutionary social sciences and humanities.
Evolutionary Perspectives on Imaginative Culture, 2020
The introduction explains what imaginative culture is and why it matters. Imaginative culture—the subjects traditionally studied in the humanities—is that part of culture that consists in shared and transmissible mental experiences that are aesthetically and emotionally modulated. Such experiences include religion, ideology, and the arts. Evolutionary cultural theory has heretofore concerned itself mostly with technology and social organization. Imaginative culture is the last major piece in the puzzle of human nature. After describing the historical and disciplinary context for this volume and summarizing its contents, the introduction describes a toolkit of concepts and methods used by the authors in this volume: Tinbergen’s four categories of ethological analysis (phylogeny, ontogeny, mechanism, and adaptive function), cross-species comparison, cross-cultural comparison, and the psychology of individual identity. Under the category “mechanism,” subheadings include neuroscience, cognitive psychology, and the psychology of emotion. These concepts and methods are used as categories for describing subjects, observations, and arguments in the various chapters of the volume. “Directions for Further Research” identifies subject areas that have as yet received little attention from evolutionary scholars and scientists, describes opportunities for interdisciplinary collaborative research, and discusses the tension between institutional disciplinary inertia and the impulses of advancing knowledge.
This short essay is designed as an introduction to the new journal EVOLUTIONARY STUDIES IN IMAGINATIVE CULTURE (ESIC). The journal is designed to make use of an opportunity that has only recently opened up for the social sciences and the humanities. These fields now have before them the prospect of a synthesis that would produce, for the first time, a comprehensive and scientifically robust understanding of the human condition. ESIC is founded on the assumption that imaginative culture is an essential part of the human condition. Evolutionary cultural study is still establishing itself as a distinct field. ESIC will provide a nexus for research in that field—to help scholars stay informed about the newest thinking in evolutionary cultural theory, to illuminate connections between findings in seemingly disparate disciplines, to help establish a body of common knowledge, and to set standards for informed and theoretically competent commentary. Already, evolutionary scholars and scientists who focus on humanistic subjects have produced a substantial body of work, much of it good, some of it excellent. That kind of work points a way toward the future. This journal is meant to be an avenue into that future.
Evolutionary Perspectives on Imaginative Culture, 2020
This pioneering volume offers an expansive introduction to the relatively new field of evolutionary studies in imaginative culture. Contributors from psychology, neuroscience, anthropology, and the humanities probe the evolved human imagination and its artefacts. The book forcefully demonstrates that imagination is part of human nature. Contributors explore imaginative culture in seven main areas: Imagination: Evolution, Mechanisms and Functions Myth and Religion Aesthetic Theory Music Visual and Plastic Arts Video Games and Films Oral Narratives and Literature Evolutionary Perspectives on Imaginative Culture widens the scope of evolutionary cultural theory to include much of what “culture” means in common usage. The contributors aim to convince scholars in both the humanities and the evolutionary human sciences that biology and imaginative culture are intimately intertwined. The contributors illuminate this broad theoretical argument with comprehensive insights into religion, ideology, personal identity, and many particular works of art, music, literature, film, and digital media.
Frontiers in Psychology, 2022
This is an overview of the 20 articles published as a "Research Topic" in Frontiers in Psychology. The "editorial" identifies the main concepts in an evolutionary understanding of imaginative culture and points toward two main areas in which researchers need to come up to speed: neuroscientific work on the Default Mode Network, and current evolutionary research on emotions.
Frontiers in Psychology, 2022
This is a collection of 21 articles published as an eBook by Frontiers in Psychology. This Research Topic aims to demonstrate that imaginative culture is an important functional part of evolved human behavior—diverse in its manifestations but unified by species-typical sets of biologically grounded motives, emotions, and cognitive dispositions. The topic encompasses four main areas of research in the evolutionary human sciences: (1) evolutionary psychology and anthropology, which have fashioned a robust model of evolved human motives organized systemically within the phases and relationships of human life history; (2) research on gene-culture coevolution, which has illuminated the mechanisms of social cognition and the transmission of cultural information; (3) the psychology of emotions and affective neuroscience, which have gained precise knowledge about the evolutionary basis and neurological character of the evolved emotions that give power to the arts, religion, and ideology; and (4) cognitive neuroscience, which has identified the Default Mode Network as the central neurological location of the human imagination. By integrating these four areas of research and by demonstrating their value in illuminating specific kinds of imaginative culture, this Research Topic aims at incorporating imaginative culture within an evolutionary conception of human nature.
This document collects three previously published essay reviews that discuss five books: Steven Mithen, The Singing Neanderthals: The Origins of Music, Language, Mind and Body (2005). James L. Pearson, Shamanism and the Ancient Mind: A Cognitive Approach to Archaeology (2002). David Sloan Wilson, Darwin's Cathedral: Evolution, Religion, and the Nature of Society (2002). Franco Moretti, Graphs, Maps, Trees: Abstract Models for a Literary History (2005). Jonathan Gottschall and David Sloan Wilson, eds. The Literary Animal: Evolution and the Nature of Narrative (2005). Taken together they cover music, drawing and painting (on rock), and literature and cover periods from human pre-history, through the emergence of modern man, to contemporary culture and society.sha
The Evolutionary Review (TER) provides a forum for evolutionary critiques in all the fields of the arts, human sciences, and culture: essays and reviews on film, fiction, theater, visual art, music, dance, and popular culture; essays and reviews of books, articles, and theories related to evolution and evolutionary psychology; and essays and reviews on science, society, and the environment. Essays in TER implicitly affirm E. O. Wilson's vision of "consilience," that is, the unity of knowledge. They also give evidence that an evolutionary perspective can yield a richer, more complete understanding of the world and ourselves. Criteria for selecting essays include depth and seriousness in evolutionary thinking, imaginative force, and excellence of style. Potential contributors should establish a distinct, individual point of view, avoiding academese and neutral summary. The editors value incisiveness and clarity, energy, wit and humor, vivid language and striking imagery, tonal nuance, and a knack for engaging the interest of readers. For submission guidelines, see www.evolutionaryreview.com.
Behavioral and Brain Sciences
We received several commentaries both challenging and supporting our hypothesis. We thank the commentators for their thoughtful contributions, bringing together alternative hypotheses, complementary explanations, and appropriate corrections to our model. Here, we explain further our hypothesis, using more explicitly the framework of evolutionary social sciences. We first explain what we believe is the ultimate function of fiction in general (i.e., entertainment) and how this hypothesis differs from other evolutionary hypotheses put forward by several commentators. We then turn to the proximate features that make imaginary worlds entertaining and, therefore, culturally successful. We finally explore how these insights may explain the distribution of imaginary worlds across time, space, age, and social classes.
Metanexus, 2005
This is Part 2 of a longer essay entitled "An Evolutionary Mind." Andrews, A. (2005, January 13). An Evolutionary Mind. Retrieved from https://metanexus.net/evolutionary-mind/
Evolution and Popular Narrative, 2019
The contributors to this volume share the assumption that popular narrative, when viewed with an evolutionary lens, offers an incisive index into human nature. In theory, narrative art could take a near infinity of possible forms. In actual practice, however, particular motifs, plot patterns, stereotypical figures, and artistic devices persistently resurface, indicating specific predilections frequently at odds with our actual living conditions. Our studies explore various media and genres to gauge the impact of our evolutionary inheritance, in interdependence with the respective cultural environments, on our aesthetic appreciation. As they suggest, research into mass culture is not only indispensable for evolutionary criticism but may also contribute to our understanding of prehistoric selection pressures that still influence modern preferences in popular narrative.
Questions de communication, 2022
Reines, princesses, favorites… Quelle autorité déclinée au féminin ?
in L. Bourdua and R. Gibbs (eds), A Wider Trecento. Studies in 13th- and 14th- century European Art presented to Julian Gardner, Leiden, Brill, 2012, pp. 83-98
CAADRIA proceedings, 2023
Revista Española de Estudios Norteamericanos, 2024
Forum on Public Policy …, 2009
Polymer sciences, 2018
Creativity Studies, 2021
Geological Society of America Abstracts with Programs, 2016
Paediatrics and Child Health, 2018
El Trienio Liberal en la monarquía hispánica (1820-1823). Constitución y territorio II. Los territorios peninsulares, 2024
Kudüs'ün Melikesi Haseki Sultan Vakfı (Kuruluşu, Yönetimi ve Mülkleri), 2022