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Some Ascension Motifs In Medieval Irish Saints' Lives

2006, Eolas: The Journal of the American Society of Irish …

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This paper examines the ascension motifs present in medieval Irish saints' lives, focusing on their formulaic nature and the influence of evangelical sources. By analyzing figures such as Colmcille, it highlights the parallels between the death of saints and Christ's Ascension, illustrating how these narratives draw upon both Christian and pre-Christian traditions to convey spiritual significance.

"Some Ascension Motifs in the Early Irish Saints' Lives." Eolas: Journal of the American Society of Irish Medieval Studies 2 (2006). 97-118. ------------------------------- "Some Ascension Motifs in Medieval Irish Saints' Lives" Brian Ó Broin The William Paterson University of New Jersey Summary It has always been acknowledged that the Irish medieval saints' lives are highly formulaic. Dorothy Bray, in her motif index of the saints' lives, notes that "the real figures of the saints seldom, if ever, appear" It is clear that Adomnán's life of Colmcille uses Ascension motif to invest the saint's death with greater meaning. That motif is drawn from evangelical sources, using Pauline vocabulary to describe the heavenly ascent, particularly when the ascendant is a saint (Columban Mocu Loigse, for instance). The adapted and extended life of Colmcille compiled around 1550 by Manus O'Donnell recognizes and expands on the Ascension motif, finding extra material in the Amra Coluim Cille, for example, to hammer home the parallels between Christ's Ascension (fixed in the church calendar as falling on a Thursday) and the death of Colmcille. Many of the saints' lives draw more generally on the Latin vocabulary of death and ascension established by Adomnán's life of Colmcille, but also on the narrative script of the ascension as established in pre-Christian Judaism and the life of Christ as St. Luke describes it. There is frequently consumption of food (usually the Viaticum). The saint is very often transported on a cart or wagon, either before or after his death. The saint or an angelic agent consoles whatever companions may be present. The saint assembles his community and commissions them to the Christian life. He blesses the community, and his soul departs between choruses of angels, sometimes being carried by them. One life, that of St. Declan, demonstrates knowledge of a particular Ascension motif, that of the footprints of Christ, which first appears in Adomnán's De Locis Sanctis (although not his life of Colmcille) and thence in a Bedan Ascension homily which achieved widespread currency in northern Europe from at least the ninth century on. In all this, there is a definite awareness of Christ's Ascension and that of earlier saints, and a clear desire to model the saint's departure on that of Christ. .2