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The coroplastic workshops of Thasos (2017)

P. Adam-Veleni, A. Koukouvou, O. Palli, E. Stefani, E. Zografou (eds.), Figurines, a Micorocosmos of Clay, Thessaloniki, 2017

Throughout its history, Thassos has been one of the most important production centers of terracotta figurines in Northern Greece. The paper gives a brief state of knowledge on the the coroplastic workshops (localisation, technical peculiarities) and an overview of their production (Exhibition catalogue Figurines edited by the Archaeological Museum of Thessaloniki, English edition).

a microcosmos of clay editors Polyxeni Adam-Veleni Angeliki Koukouvou Ourania Palli Evangelia Stefani Elektra Zografou THESSA LONI K I 2 0 1 7 MINISTRY OF CULTURE & SPORTS This publication was funded by the Hellenic Ministry of Culture & Sports and sponsored by Alpha Bank and the Association of Friends of the Archaeological Museum of Thessaloniki. ASSOCIATION OF FRIENDS OF THE ARCHAEOLOgICAL MUSEUM OF THESSALONIKI a m ic rocos m os of c lay ExHIBITION CATALOgUE 3.4.2017 - 30.4.2018 editors Polyxeni Adam-Veleni Angeliki Koukouvou Ourania Palli Evangelia Stefani Elektra Zografou Archaeological Museum of Thessaloniki, publication no. 36 © Hellenic Ministry of Culture & Sports, Archaeological Museum of Thessaloniki, 2017 catalogue design loopo studio - group of Architects translation from greek Theodore Papakostas, archaeologist Anastasia Dimoula, archaeologist editing of the english text Deborah Kazazis, archaeologist All rights reserved. The present intellectual property is protected under the provisions of the greek Law (Law no. 2121/1993, as amended and currently in force) and the international conventions on intellectual property. No part of the contents of this book may be reproduced without the written permission of the publisher. ISBN: 978-960-9621-29-8 production AUTHORS OF ESSAYS Adam-Veleni Polyxeni, Dr Archaeologist/Theatrologist, Director of the Archaeological Museum of Thessaloniki Akamatis Ioannis, Emeritus Professor of Classical Archaeology, Aristotle University of Thessaloniki Behtsi Katerina, Archaeologist, Archaeological Museum of Thessaloniki Chondrogianni-Metoki Areti, Dr archaeologist, Director of the Ephorate of Antiquities of Kozani Chrysostomou Anastasia, Dr archaeologist, Honorary Ephor of Antiquities Chrysostomou Panikos, Dr archaeologist, Head of the Department of Prehistoric and Classical Archaeological Sites, Monuments, Archaeognostic Research and Museums, Ephorate of Antiquities of Florina Malamidou Dimitria, Dr Archaeologist, Head of the Department of Prehistoric and Classical Archaeological Sites, Monuments, Archaeognostic Research and Museums, Ephorate of Antiquities of Kavala-Thasos Misailidou-Despotidou Vasiliki, Dr Archaeologist, Honorary Ephor of Antiquities Muller Arthur, Professeur d’Archéologie grecque, Membre senior de l’Institut universitaire de France, Université Lille 3 Nanoglou Stratos, Dr Archaeologist, Ephorate of Antiquities of Pella Naoum Elpiniki, Dr Archaeologist, Ephorate of Antiquities of Florina Noulas Konstantinos, Archaeologist, Ephorate of Antiquities of Pieria Chrysostomou Pavlos, Dr archaeologist, Honorary Ephor of Antiquities Palli Ourania, Archaeologist, Archaeological Museum of Thessaloniki Huysecom-Haxhi Stéphanie, Chargée de recherche (CR1-CNRS) Université Lille 3 Pingiatoglou Semeli, Professor of Classical Archaeology, Aristotle University of Thessaloniki Kallintzi Konstantina, Dr archaeologist, Director of Ephorate of Antiquities of xanthi Rhomiopoulou Katerina, Archaeologist, Honorary Ephor of Antiquities Karamitrou-Mentessidi georgia, Dr archaeologist, Honorary Ephor of Antiquities Sanidas giorgos, Maître de Conférences d'Archéologie grecque, Université Lille 3 Skarlatidou Eudokia, Dr Archaeologist Karolidis Dimitris, Conservator, Head of the Department of Conservation, Chemical & Physical Research & Archaeometry, Archaeological Museum of Thessaloniki Stefani Evangelia, Dr Archaeologist, Head of the Ceramics, Wall-Paintings and Mosaics Department, Archaeological Museum of Thessaloniki Kefalidou Eurydice, Assistant Professor of Classical archeology, National and Kapodistrian University of Athens Touloumtzidou Annareta, Dr Archaeologist Koukouvou Angeliki, Dr Archaeologist, Archaeological Museum of Thessaloniki Lilimpaki-Akamati Maria, Dr Archaeologist, Honorary Ephor of Antiquities Malama Penelope, Archaeologist, Deputy Director of the Ephorate of Antiquities of Serres Tzanavari Katerina, Dr Archaeologist Tsekmes giorgos, Architect, Archaeological Museum of Thessaloniki Tsigarida Elisavet Bettina, Dr Archaeologist, Director of the Ephorate of Antiquities of Pella Tsimpidou-Avloniti Maria, Dr Archaeologist Zografou Elektra, Archaeologist, Archaeological Museum of Thessaloniki AUTHORS OF ENTRIES Adam-Veleni Polyxeni, Dr Archaeologist/Theatrologist, Director of the Archaeological Museum of Thessaloniki of Prehistoric and Classical Archaeological Sites, Monuments, Archaeognostic Research and Museums, Ephorate of Antiquities of Florina Akamatis Ioannis, Emeritus Professor of Classical Archaeology, Aristotle University of Thessaloniki Chrysostomou Pavlos, Dr Archaeologist, Honorary Ephor of Antiquities Akrivopoulou Eleftheria, Archaeologist-Museologist, Archaeological Museum of Thessaloniki Aktseli Dimitra, Dr Archaeologist, Ephorate of Antiquities of Chalkidiki & Mount Athos Alvanou Evangelia, Archaeologist, Ephorate of Antiquities of Pieria Arvanitaki Anna, Dr Archaeologist, Archaeological Museum of Thessaloniki Acheilara Lilian, Dr Archaeologist, Honorary Ephor of Antiquities Behtsi Katerina, Archaeologist, Archaeological Museum of Thessaloniki Dafou Sophia, Archaeologist, Ephorate of Antiquities of Thessaloniki Region Dimoula Anastasia, Dr Archaeologist Farmaki Maria, Dr Archaeologist Ephorate of Antiquities of Kilkis gioura Evlampia, Archaeologist, Ephorate of Antiquities of Thessaloniki City Iliopoulou Sophia, Archaeologist, general Directorate of Antiquities and Cultural Heritage Kallintzi Konstantina, Dr Archaeologist, Director of Ephorate of Antiquities of xanthi Chavela Konstantoula, Dr Archaeologist Ephorate of Antiquities of Achaia Karadima Chryssa, Archaeologist, Director of Ephorate of Antiquities of Rhodope Chatzinikolaou Kalliopi, Dr Archaeologist, Archaeological Museum of Thessaloniki Karamitrou-Mentessidi georgia, Dr Archaeologist, Honorary Ephor of Antiquities Chatziprokopiou Kyriaki, Archaeologist, Ephorate of Antiquities of xanthi Kefalidou Eurydice, Assistant Professor of Classical archeology, National and Kapodistrian University of Athens Chondrogianni-Metoki Areti, Dr Archaeologist, Director of the Ephorate of Antiquities of Kozani Chrysai Maria, Archaeologist, Ephorate of Antiquities of xanthi Keramaris Anastasios, Archaeologist, Ephorate of Antiquities of Kilkis Chrysostomou Anastasia, Dr Archaeologist, Honorary Ephor of Antiquities Kotsakis Kostas, Professor of Prehistoric Archeology, Aristotle University of Thessaloniki Chrysostomou Panikos, Dr Archaeologist, Head of the Department Kotsos Stavros, Archaeologist, Ephorate of Antiquities of Thessaloniki City Koukouvou Angeliki, Dr Archaeologist, Archaeological Museum of Thessaloniki Pingiatoglou Semeli, Professor of Classical Archaeology, Aristotle University of Thessaloniki Lambrothanasi Eleni-Evangelia, Archaeologist, Ephorate of Antiquities of Thessaloniki City Rhomiopoulou Katerina, Archaeologist, Honorary Ephor of Antiquities Lilimpaki-Akamati Maria, Dr Archaeologist, Honorary Ephor of Antiquities Malama Penelope, Archaeologist, Deputy Director of the Ephorate of Antiquities of Serres Savvopoulou Thomi, Archaeologist, Head of the Department of Prehistoric and Classical Archaeological Sites, Monuments, Archaeognostic Research and Museums, Ephorate of Antiquities of Kilkis Skarlatidou Eudokia, Dr Archaeologist Skoulariki Despoina, Archaeologist, Ephorate of Antiquities of xanthi Malamidou Dimitria, Dr Archaeologist, Head of the Department of Prehistoric and Classical Archaeological Sites, Monuments, Archaeognostic Research and Museums, Ephorate of Antiquities of Kavala-Thasos Stagkos Andreas, Archaeologist, Ephorate of Antiquities of Thessaloniki City Melliou Eleonora, Archaeologist, Archaeological Museum of Thessaloniki Metaxas Odysseas, Archaeologist Misailidou-Despotidou Vasiliki, Dr Archaeologist, Honorary Ephor of Antiquities Stefani Evangelia, Dr Archaeologist, Head of the Ceramics, Wall-Paintings and Mosaics Department, Archaeological Museum of Thessaloniki Stratouli georgia, Dr Archaeologist, Head of the Department of Prehistoric and Classical Archaeological Sites, Monuments, Archaeognostic Research and Museums, Ephorate of Antiquities of Kastoria Tasaklaki Marina, Archaeologist, Ephorate of Antiquities of Rhodope Mitsopoulou Eleni, Dr Archaeologist Tasia Anastasia, Archaeologist Ninou Ismini, Archaeologist Touloumtzidou Annareta, Dr Archaeologist Noulas Konstantinos, Archaeologist, Ephorate of Antiquities of Pieria Trakosopoulou-Salakidou Eleni, Archaeologist, Honorary Ephor of Antiquities Palli Ourania, Archaeologist, Archaeological Museum of Thessaloniki Panti Anna, Dr Archaeologist, Ephorate of Antiquities of Thessaloniki Region Papadopoulos Stratis, Dr Archaeologist, Deputy Director of the Ephorate of Antiquities of Drama Papazafeiriou giorgos, Dr Archaeologist, Ephorate of Antiquities of Hemathia Tsangaraki Evangelia, Dr Archaeologist, Head of the Department of Metalworks, Sculpture and Minor Artefacts, Archaeological Museum of Thessaloniki Tsatsopoulou-Kaloudi Polyxeni, Archaeologist, Honorary Ephor of Antiquities Tsimpidou Avloniti, Dr Archaeologist Pappa Maria, Dr Archaeologist, Ephorate of Antiquities of Thessaloniki Region Papastathis Kostas, Archaeologist, Ephorate of Antiquities of Chalkidiki & Mount Athos Tzanavari Katerina, Dr. Archaeologist Valla Magdalini, Archaeologist, Ephorate of Antiquities of Thessaloniki Region Pardalidou Chrysafenia, Archaeologist, Ephorate of Antiquities of Evros Vasileiou Spyros, Archaeologist, Ephorate of Antiquities of Chalkidiki & Mount Athos Pileidou Konstantina, Dr Archaeologist Zografou Elektra, Archaeologist, Archaeological Museum of Thessaloniki PHOTOS © 2017 Hellenic Ministry of Culture & Sports, Archives of Archaeological Museum of Thessaloniki and of the Ephorates of Antiquities of: Thessaloniki Region, Thessaloniki City, Chalkidiki & Mount Athos, Hemathia, Pella, Pieria, Kozani, grevena, Kastoria, Florina, Kilkis, Serres, Drama, Kavala-Thasos, xanthi, Rhodope, Evros. Photographs of texts and entries were taken by Orestis Kourakis except for: N. VASILIKOUDIS: p. 104 ig. 4, cat. no. 396-404, 407-408 / R. VLACHOPOULOU: cat. no. 304, 528, 549 / PH. COLLET: p. 32 ig. 1-2 / E. ZOgRAFOU: p. 122-123 ig. 1-2 / I. KECHAgIA: cat. no. 229-242 / g. MAVRIKAS: no. 110 / S. MAVROMATIS: p. 34, 36-40 ig. 1-6, p. 70 ig. 2, p. 114-115 ig. 2-7, p. 148 ig. 1, cat. no. 159 / TH. NICq: p. 63 ig. 3, 4 / g. PARASIS: p. 84-85 ig. 1-6, cat. no. 352-364, 460, 465, 466, 475, 476, 484, 507, 565-568 / g. PATRIKIANOS: p. 76 ig. 3, p. 106-107 ig. 2-3 / M. STEFANIDIS: p. 117 ig. 1, p. 119 ig. 4 (right), cat. no. 160-180 / ST. STOURNARAS: p. 101-103 ig. 1-3, p. 158 / ST. & Ν. StournaraS: p. 107 ig. 4 / K. TOUTOUNTZIDIS: p. 156 ig. 4 (backside) / E. CHRYSOSTOMOU: p. 70 ig. 3, p. 150-151 ig. 2-3 / ARCHIVE OF THE UNIVERSITY ExCAVATION AT DION: gEOANALYSIS: p. 95 ig. 1, K.V. VON EICKSTEDT: p. 94, p. 96 ig. 2, p. 97 ig. 3 / ARCHIVE OF THE ELECTRONIC DOCUMENTATION PROgRAMME OF THE ANCIENT THEATER, INSTITUTE OF MEDITERRANEAN STUDIES: p. 79 ig. 2 / ARCHIVE OF K. RHOMIOPOULOU: p. 87 ig. 2 / EPHORATE OF ANTIqUITIES OF FLORINA: p. 23-24 ig. 2-4 / EPHORATE OF ANTIqUITIES OF KOZANI: p. 26-27 ig. 1-3, p. 66-67 ig. 1-3, cat. no. 2, 3, 12, 32, 35, 38, 39 / EPHORATE OF ANTIqUITIES OF PELLA: p. 69 ig. 1, p. 113 ig. 1 / EPHORATE OF ANTIqUITIES OF KAVALA-THASOS: p. 33 ig. 4 / EPHORATE OF ANTIqUITIES OF CHALKIDIKI & MOUNT ATHOS: p. 85 ig. 7 / EPHORATE OF ANTIqUITIES OF PIERIA: p. 91-92 ig. 1-2 / EPHORATE OF ANTIqUITIES OF xANTHI: p. 105 ig. 1 / EPHORATE OF ANTIqUITIES OF HEMATHIA: p. 129-130 ig. 1-3 / EPHORATE OF ANTIqUITIES OF THESSALONIKI CITY: p. 137-138 ig. 1-3 / AMTH - CONSERVATION LABORATORY: p. 171-175 ig. 2-11. Image Source p. 46: Jean-Léon Gérôme. French, 1824-1904. The Antique Pottery Painter: Sculpturae vitam insuflat pictura, 1893. Οil on canvas.Overall: 50.1 x 68.8 cm (19 3/4 x 27 1/16 in.). ART GALLERY OF ONTARIO. Gift from the Junior Women's Committee Fund, 1969. 69/31. © Art gallery of Ontario, 2017. EXHIBITION CONTRIBUTORS General Coordination Polyxeni Adam-Veleni, Director of the Archaeological Museum of Thessaloniki MuseoloGiCal CuratorsHiP and desiGn Evangelia Stefani, Head of the Ceramics, Wall-Paintings and Mosaics Department Elektra Zografou, Archaeologist Angeliki Koukouvou, Archaeologist Ourania Palli, Archaeologist Katerina Behtsi, Archaeologist Eleftheria Akrivopoulou, Archaeologist-Museologist Eleonora Melliou, Archaeologist MuseoGraPHiC desiGn - iMPleMentation giorgos Tsekmes, Architect Elpida Mavrovitou, Technical Assistant - Designer teCHniCal suPPort Stelios Karampikas, Foreperson Christos Pliakos, Foreperson georgia-Ioanna Papoutsi, Marble Craftsperson giorgos Karampikas, Technician Fotis Papadopoulos, Technician liGHtinG Tryfonas Avramikas, Electrician video disPlay Roxani Vlachopoulou, graphic Designer Ioannis Kaltsas, Cast Craftsman, Archaeological Receipts Fund Sophia Tzimopoulou, Student, Department of Fine Arts and Sciences of Art, University of Ioannina PHotoGraPHs Orestis Kourakis, Photographer GraPHiC desiGn Roxani Vlachopoulou, graphic Designer FinanCial ManaGeMent Vagia Vagdatzoglou, Accountant draWinGs Tzina Stanidi, Student, Faculty of Fine Arts, AUTh inForMation systeMs suPPort Angeliki Moneda, Electrical Engineer & Computer Engineer Preventive and reMedial Conservation Dimitris Karolidis, Head of the Department of Conservation, Chemical & Physical Research & Archaeometry Sophia Athanasiadou, Conservator Vasiliki Michalopoulou, Conservator alexandra Soianopoulou, Conservator Chrysanthi Fotiadou, Conservator adMinistrative suPPort Aristidis Mytakos, Head of the Department of Administrative, Financial & Technical Support, Safety & guarding Maria Mademli, Administration Staff Athina Papadimitropoulou, Administration Staff Vasiliki Tsitagianni, Administration Staff Prints - inForMative Material DINEA Ltd. eduCational ProGraMMes Charalambos Tsoungaris, Archaeologist GuardinG and CleaninG staFF aMtH PubliC relations Katerina Behtsi, Archaeologist Ei Ioannidou, Administration Staff CollaboratinG institutions Ephorates of Antiquities: Thessaloniki Region, Thessaloniki City, Chalkidiki & Mount Athos, Hemathia, Pella, Pieria, Kozani, grevena, Kastoria, Florina, Kilkis, Serres, Drama, Kavala-Thasos, xanthi, Rhodope, Evros translation FroM GreeK Anastasia Dimoula, Archaeologist Theodore Papakostas, Archaeologist data ProCessinG Flavio Ferlito, Archaeologist, Erasmus, University of Catania Library and Information Center-Aristotle University of Thessaloniki ERT Digital Archive AKNOWLEDgMENTS FOR THE LOANINg OF ANTIqUITIES AND SUPPORT ARE DUE TO THE DIRECTORS OF THE EPHORATES OF ANTIqUITIES OF NORTHERN gREECE: Stavroula Dadaki, Ephorate of Antiquities of Kavala-Thasos Sonia Dimaki, Ephorate of Antiquities of grevena Christina Ziota, Ephorate of Antiquities of Florina Kallintzi Konstantina, Ephorate of Antiquities of xanthi Chryssa Karadima, Ephorate of Antiquities of Rhodope and Ephorate of Antiquities of Evros Ioannis Kanonidis, Ephorate of Antiquities of Chalkidiki & Mount Athos and Ephorate of Antiquities of Thessaloniki City Eleni Kotzampopoulou, Ephorate of Antiquities of Kilkis Angeliki Kottaridi, Ephorate of Antiquities of Hemathia Penelope Malama, Ephorate of Antiquities of Serres Stratis Papadopoulos, Ephorate of Antiquities of Drama Eleni Papastavrou, Ephorate of Antiquities of Pieria Andromachi Skreka, Ephorate of Antiquities of Kastoria Maria Tsiapali, Ephorate of Antiquities of Thessaloniki Region Elisavet Bettina Tsigarida, Ephorate of Antiquities of Pella Areti Chondrogianni-Metoki, Ephorate of Antiquities of Kozani AND FOR THEIR VALUABLE HELP TO: Ioannis Akamatis, Maria Lilimpaki-Akamati, Katerina Rhomiopoulou, Katerina Tzanavari, Anastasia Chrysostomou, Pavlos Chrysostomou. The titles and the institutions are of the year of the publication. CONTENTS Foreword Maria Andreadaki-Vlazaki 9 Preface Polyxeni Adam-Veleni 10-12 Introduction Evangelia Stefani 13-16 ESSAYS Prehistoric igurines in Macedonia Evangelia Stefani 18-21 the igurines of Western Macedonia Figurines from the Amyntaion region, Florina Panikos Chrysostomou 22-24 Figurines from the region of Kozani Areti Chondrogianni-Metoki 25-27 Figurines of Central Macedonia Stratos Nanoglou 28-30 Figurines of Eastern Macedonia and Thrace Dimitria Malamidou 31-33 uses and interpretations of terracotta igurines Maria Lilimpaki-Akamati 34-40 Production techniques Katerina Bechtsi 41-44 terracotta igurines. Craftsmen and workshops Angeliki Koukouvou 45-48 Coroplastic workshops and their spatial integration in the ancient city giorgos Sanidas 49-51 Polychromy, a decorative technique of coroplastic art Katerina Tzanavari 52-55 Coroplastic production in the Archaic era Stéphanie Huysecom-Haxhi & Arthur Muller 56-60 The coroplastic workshops of Thasos Arthur Muller 61-63 Aiani. A coroplastic workshop of the Archaic era georgia Karamitrou-Mentessidi 64-67 Figurines and plastic vases of the Archaic era from the western cemetery of Archontiko near Pella Anastasia Chrysostomou & Pavlos Chrysostomou 68-70 the igurines from the cemetery of Sindos Vasiliki Misailidou-Despotidou 71-73 terracotta igurines from the cemetery of thermi Eudokia Skarlatidou 74-76 Coroplastic production in the Classical era Elpiniki Naoum 77-79 Figurines of ancient Olynthos Elisavet Bettina Tsigarida 80-82 The coroplastic workshop of ancient Aphytis Vasiliki Misailidou-Despotidou 83-85 Akanthos. Figurines from the coastal cemetery Katerina Rhomiopoulou 86-90 the igurines from the cemeteries of Pydna Konstantinos Noulas 91-93 Figurines from the sanctuary of Demeter at Dion Semeli Pingiatoglou 94-97 Figurines from the sanctuary of Demeter at Lete Polyxeni adam-Veleni & annareta Τouloumtzidou 98-100 Figurines from Amphipolis. Classical - Hellenistic - Roman times Penelope Malama 101-104 the igurines of abdera Constantina Kallintzi 105-107 Coroplastic production in the Hellenistic era Polyxeni Adam-Veleni 108-112 The coroplastic workshops of Pella Maria Lilimpaki-Akamati & Ioannis Akamatis 113-115 The coroplastic workshop of Beroia Katerina Tzanavari 116-120 the igurines from the ancient agora of thessaloniki Elektra Zografou 121-123 The coroplastic workshop of the Hellenistic city of Petres Polyxeni Adam-Veleni 124-127 terracotta igurines from the sanctuary of the Mother of Gods in Kallipetra Evangelia Stefani 128-131 Coroplastic production in the Roman era Polyxeni Adam-Veleni Τhe coroplastic workshops of thessaloniki during the Hellenistic and the roman eras Maria Tsimpidou-Avloniti 132-135 136-140 THEMATIC ESSAYS The terracotta protome in the local workshops of Macedonia Katerina Tzanavari 142-147 Plastic vases of the Archaic era in Macedonia Anastasia Chrysostomou & Pavlos Chrysostomou 148-151 the types of the tanagra igurines in northern Greece Katerina Tzanavari 152-157 theatrical igurines and masks Elektra Zografou 158-162 Figurines as toys Ourania Palli 163-165 apotropaic igurines - Vaskania Eurydice Kefalidou 166-169 the conservation of the terracotta igurines Dimitrios Karolidis 170-175 Museographic design giorgos Tsekmes 176-180 CATALOGUE 183-478 BIBLIOGRAPHY 481-502 17 17 ESSAYS Sphinx, cat. no. 318. 56 The coroplasTic workshops of Thasos arThUr MUller hroughout its history, thasos was always an important centre of igurine production. Yet its importance was only revealed half a century ago, thanks to the inds from the ancient city s sanctuaries. However, no workshop has been discovered yet. Hence, we can examine the coroplastic tradition of thasos only through its products. Figurine manufacture was, as almost everywhere in Greece, a secondary practice of ceramic workshops. These workshops were probably located at the outskirts of the city, where more space was available. They would prepare the clay and ire the products. their moulding though could have taken place in shops or in houses in the city: this urban localization is suggested by discoveries of moulds near the agora and in residential contexts. the technical speciicities (clay composition, iring temperature) indicate that production was more closely associated with the manufacture of cooking ware and plain pots than with black-glazed pottery.1 All production techniques are represented: wheelmade in the 7th century, handmade of varying uality, from the so-called primitive style to more complex creations, and inally mostly, as everywhere else, mouldmade, also in a wide range T ig. 1. igurines of seated female igures of the same line: six successive generations, cat. nos. 139-144. Artemision, Thasos. 6th c. BC. 1. Muller 1999a, 284. Blondé & Picon 2007, 37-38. Muller 2014, 72-74. 61 arThUr MUller Fig. 2. ‘Genealogical tree’ of the Arete type (thesmophorion, 4th c. C): a series of 3 generations and 3 versions (drawing by V. anagnostopoulos). 62 The coroplasTic workshops of Thasos of qualities. Within the framework of the Ionic tradition, the technique of the double mould was present in thasos from approximately 560 C onwards, with a detailed back side for igurines. though the mould techni ue is fairly common, its various possibilities were irst understood through the study of the igurines from thasos: extensive series of up to ten consecutive generations of derivative moulding (ig. 1), combinations of heads and bodies in different ways in the archaic and in the Classical period, creation of different versions of the same type using a secondary prototype (ig. 2). thasian coroplasts experimented with some original techni ues, like the attachment of arms after iring, the assemblage mortise serving as venthole, or the combination of clays of different composition for the same igurine (one for the front and another for the back side, or even in superimposed layers), and the introduction of the plaster mould in the late Hellenistic era.2 Figurines were never signed. Τhe workshops of thasos produced a variety of igurines from the 7th century and multiple types of protomai from the mid 6th century onwards. These two categories of artefacts were produced until the late Hellenistic era, re ecting through the course of time different stylistic in uences.3 So in Archaic times, the initial in uence from the Cyclades is evident, and especially from Paros, until the full incorporation of the Thasian production in the Southern Ionic koine that spread to almost the entire ancient Greek world during the second half of the 6th century.4 uring the Classical era, attic in uence prevails in productions of high uality, irst through borrowings from Classical statuary, then with the adoption of the rich style. inally, in the Hellenistic era, thasos, along with most other production centres, became part of the so-called Tanagra koine. these in uences are mostly visible through the simple reproduction of foreign types via derivative moulding.5 It should be stressed, however, that the Thasian workshops also produced their own original creations. In archaic times for example, a special type of enthroned female igure with a tall polos-hat in the aedalic tradition (the so called ady with polos ) (ig. 3)6 or, in the last decades of the 6th c., an eclectic indigenous style that combines and re-elaborates features from Paros, North or South Ionia.7 In Classical times, large-sized praying women stand out for their quality, some moulded but detailed like sculptures in the round (late 5th - early 4th c. C) (ig. 2), others entirely handmade (ig. 4), probably works of genuine sculptors (4th c.). In the late Hellenistic era, the workshops still produced large-scale igurines (75 cm), which were uncommon in other regions.8 all this production, from the archaic to the Hellenistic period, was mostly aimed at sanctuaries of female divinities, the Thesmophorion and mainly the Artemision, where women dedicated them during the rituals that marked their changes of status, from parthenos to nymphè and then to gynè. On the contrary, their use as grave goods for aôroi, young people who died before the completion of the life cycle, is less common than in other parts of Greece. 2. Muller 1999a, 286-289. Huysecom 2000. 3. Croissant 1983. Weill 1985. Muller 1996. Huysecom-Haxhi 2009. 4. Huysecom-Haxhi 2009, 605-622. 5. Muller 1993. Huysecom 2000. ig. 3. Moulded igurine (17.3 cm), of the so-called Lady with polos type, Artemision, Thasos, 6th c. BC. Fig. 4. Figurine of a praying woman (preserved height, 36 cm): handmade body, mouldmade head, Thesmophorion, Thasos, 4th c. BC. 6. Weill 1985, 163-196. Huysecom 1997. Huysecom-Haxhi 2009, 342-356. 7. Huysecom-Haxhi 2009, 608-609, 619-622. 8. Muller 1996, 107-109, pl. 83-97. 63 BIBLIOGRAPHY ABBREVIATIONS OF TERMS AND WORDS AD Anno Domini AMTh Archaeological Museum of Thessaloniki AUTh Aristotle University of Thessaloniki BC Before Christ c. century cat. no. catalogue number cf. confer ed. editor eds. editors e.g. exempli gratia esp. especially ig. igure igs. igures ff. folio / and the following i.e. that is no. number nos. numbers p. page pl. plate s.v. sub verbo transl. translation vol. volume vols. volumes dimensions 480 cm centimetres Dep. depth Diam. Diameter Dim. dimensions H. Height L. Length m metres Max. maximum Min. minimum Pr. preserved Th. Thickness W. Width The abbreviations of journals, series and lexica/reference works used in the bibliography and the notes are those of DAI (www.dainst.org) & AJA (www.ajaonline.org). In addition the following abbreviations are used in this volume: Τ JHP Journal of Hellenistic Pottery and Material Culture Abrahams 1964: E. Abrahams, Ancient Greek Dress, Chicago. 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