Byzantine and Modern Greek Studies Vol. 33 No. 2 (2009) 1–2
Reviews
Matteo Campagnolo and Marielle Martiniani-Reber, From Aphrodite to Melusine. Reflections on
the Archaeology and History of Cyprus, transl. Erika Milburn. Geneva: La pomme d’or1, 2007.
Pp. xvi, 203 + 16 colour plates
It is no secret that there is a considerable gap between the scholarly treatment of historical and/or
archaeological material and publications intended for a wider readership, the crucial problem often
being the painfully slow pace with which the results of recent scholarship that sometimes overturn
long-held views make it into the non-specialized literature. It is this gap that the book reviewed
here attempts to fill as far as the civilization of ancient and medieval Cyprus is concerned. The
small-format paperback volume contains the text of a series of public lectures given at the Muséum
d’histoire naturelle of Geneva, Switzerland, to accompany an exhibition on ancient and medieval
Cyprus held at the Musée d’art et d’histoire (MAH) in the same city (5 October 2006 – 25 March
2007). The title, evoking two legendary female figures from different periods of Cypriot history, was
that of the exhibition too2 and reflects its chronological coverage, the Greek goddess representing
ancient Cyprus, and the half-serpent / half-human spirit, mythical genetrix of the Lusignans, the
Crusader kingdom.
Following a forward by Beatrice Demetriades Power, honorary consul general of the Republic
of Cyprus in Geneva, who also contributed two essays to the volume, and a preface by the two
editors (M. Campagnolo and M. Martiniani-Reber who are also among the contributing authors),
the first essay, by Danielle Decrouez (director of the institution that hosted the lectures) provides a
survey of the geology of Cyprus and the formation of the island, particularly useful in view of the
highly technical nature of relevant discussions in specialized publications. Jacques Chamay (MAH)
gives a succinct account of the evidence for the earliest human habitation of the island, its progressive hellenization, the impact of the Phoenicians and its fortunes down to Roman times. Then
follows André Hurst (University of Geneva) with an investigation of the role of Cyprus in Greek
epic focusing on Stasinos, alleged author of the Cypria, and a short but meticulous commentary by
Esther Wolff on a section of Hurst’s article concerning a Homeric hymn to Aphrodite which refers
to the perfuming of garments with scented oil. Matteo Campagnolo provides the link between
ancient and medieval times with an idiosyncratic juxtaposition of the deeds and images of two
kings, namely Evagoras of Salamis (BC 411-375/74) and Peter I Lusignan (AD 1359-69), based
primarily on their coinage3 and on the accounts of their main contemporary eulogists. Leaving aside
the questionable merits of such a comparison, what is striking is that in the case of the Lusignan
king, the major source for his reign, the well known chronicle of Leontios Machairas which devotes
a quarter of its contents to Peter I, is not even mentioned, nor is it included in the brief bibliography.
Although the exhibition included a section on the Byzantine period with a small selection of
artefacts, and the catalogue published a brief overview by C. Bakirtzis, the series of essays, regrettably, does not provide any relevant coverage and moves straight into the Lusignan era with David
Jacoby (Hebrew University, Jerusalem)’s excellent article on relations between the Lusignan
kingdom and the mainland crusader states in the thirteenth century.
What was perhaps the most spectacular item at the exhibition, the antependium of Othon de
Grandson (c. 1238–1328), a large late thirteenth-century embroidery from the Historical museum of
Bern rarely seen outside the Swiss capital (no.182 in the exhibition catalogue), is discussed in a brief
note by one of the co-editors, M. Martiniani-Reber, who confirms its Cypriot provenance based on
its iconography, the combination and hierarchy of the languages used in the inscriptions and the
1
http://www.pommedor.ch. It is worth noting that the editorial board is chaired by Paul Magdalino and includes several
Byzantinists (Simon Franklin, Maria Mavroudi, Arietta Papaconstantinou, Jean-Michel Spieser).
2
Chypre. D’Aphrodite à Mélusine, Skira – Musées d’art et d’histoire de la ville de Genève, eds. M. Campagnolo, C. Courtois,
M. Martiniani-Reber, L. Michaelidou (Milan 2006).
3
Note, however, that no reference is made to the relevant items in the exhibition catalogue (nos. 61–62, 160–62).
© 2009 Centre for Byzantine, Ottoman and Modern Greek Studies, University of Birmingham
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Book reviews
technique employed. Jacques Chamay, author of the earlier essay on the island’s early history, also
contributed a general survey of the presence of the military orders on Cyprus, which illustrates the
problems outlined above with regard to the (in)accessibility of scholarly literature, as it fails to take
into account the most important bibliography on the subject.4 In contrast, the two essays that follow
distil in a few pages the wisdom of two seasoned historians of medieval Cyprus on related issues:
Gilles Grivaud (University of Rouen) looks at the evidence for the development of a symbiosis
between the Latin and Greek communities on the island, stressing their peaceful coexistence, while
the doyen of Lusignan historians Jean Richard (Académie des Inscriptions et Belles-lettres) examines
the question of multilinguism and multiculturalism. Another important artefact illustrating the
flourishing of the arts in the court of the Lusignan kings is the subject of Bertrand Bouvier
(University of Geneva)’s short article: the early 15th-century Turin manuscript J.II.9 contains more
than 200 pieces of polyphonic sacred and secular music and is one of the most important testimonies
for the musical production of this period, when Nicosia was an important centre of the ars subtilior
style (only a facsimile was shown at the exhibition: no. 192). Beatrice Demetriades Power wraps up
the collection of papers on the medieval period with surveys of the lives of two Lusignan princesses,
with particular emphasis on their links to the duchy of Savoy and the city of Geneva. A brief
overview of the development of Cypriot archaeology, summarizing a speech delivered in Nicosia by
Vassos Karageorghis in 2004, is appended at the end of the volume. Finally Matteo Campagnolo
provides an annotated bibliography which, despite its selective character, should have included
important recent works such as Jean-Bernard de Vaivre’s and Philippe Plagnieux’s L’art gothique en
Chypre (Paris 2006, included in Grivaud’s bibliography on p.119). A list of the illustrations in the 16
excellent colour plates and an index complete the volume.
The essays, as the editors state in their preface (pp. xv–xvi), are aimed at a wide and not
necessarily scholarly audience. Thus, most have only brief bibliographies and no footnotes (with
the notable exception of D. Jacoby’s). Some present an overview, whilst others are original contributions to their respective fields. The quality is uneven, some appearing to be little more than
transcripts of the public lectures pitched at a level appropriate for such events, whilst others have
clearly been reworked for publication. The omission of a chapter on the Byzantine period was
mentioned above; considering that coins constituted more than half of the 328 items exhibited at the
MAH (the rest including sculpture, pottery, jewellery, metalware, icons, old maps and books), it is
also regrettable that no essay dedicated specifically to numismatics was deemed necessary. In view
of the wide chronological coverage, a chronological table would also have been most helpful.
Notwithstanding some translation and editorial problems,5 this remains a beautifully crafted
and useful book for the interested public, best read as an accompaniment to the lavishly illustrated
catalogue of the exhibition. The editors and the MAH are to be congratulated for their initiative, as
most public lectures given on such occasions remain unpublished or often make it into scholarly
publications that are inaccessible to the general public. Their decision to opt for the English
language is equally laudable, as it enables the book to reach an even wider audience than a French
publication would have allowed, not least on Cyprus itself. One can only hope that other museums
and institutions involved in the organization of major exhibitions will follow suit.
Tassos Papacostas
King’s College London
4
Numerous publications by Jonathan Riley-Smith and Anthony Luttrell, and the recent three-volume work of Pierre-Vincent
Claverie on the Templars published by the Cyprus Research Centre (L’ordre du Temple en Terre Sainte et à Chypre au XIII
siècle, Nicosia 2005). The essay is fraught with minor inaccuracies: p. 94: Richard’s sister Joanna and his bride-to-be
Berengaria did not join the crusader army until this reached Sicily; p. 96: the Hospitallers had acquired properties on Cyprus
by 1203; p. 99: the original structures at Kolossi are only very partially preserved, and most Lusignan kings were of course
buried in the Dominican church of Nicosia.
5
Among the most significant: p. 12 (‘discovered in on the south coast’), p. 52 n.10 (‘according to Selon Spyridakis’), p. 80 (‘inn
other coastal cities’), p. 94 (‘with the Saladin’), pp. 96–97 (‘Famagosta’ instead of Famagusta used elsewhere), p. 116 (‘cures
which it affected’), p. 131 (‘Makarios Kalarites’, ‘Constantine Etiles’), pp. 131 and 136 (‘Pavia’ for Padua); p. 136 (‘1423’ for
1473), p. 150 (‘historien’), p. 170 (René and Louis de Mas Latrie are two different authors, son and father), p. 183 (‘Millieux’
for Milliex).
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