Religion in the
Roman Empire
Volume 5
No. 3
2019
Curses in Context, 1:
Curse-Tablets in Italy
and the Western Roman Empire
Preface
Christopher A. Faraone, Richard L. Gordon
Curse-Tablets in Italy and the Western Roman Empire:
Development, Aims, Strategies and Competence
Paolo Vitellozzi
Curses and Binding Rituals in Italy:
Greek Tradition and Autochtonous Contexts
Riccardo Massarelli
The Etruscan defixiones: From Contexts to Texts
Francisco Marco Simón
Early Hispanic Curse Tablets: Greek, Latin˜– and Iberian?
Antón Alvar Nuño
The Use of Curse-Tablets among Slaves in Rome
and its Western Provinces
Richard L. Gordon
Do the ‘Vernacular’ Curse-Tablets from Italy Represent
a Specific Knowledge-Practice?
Stuart McKie
Enchained Relationships and Fragmented Victims.
Curse-Tablets and Votive Rituals in the Roman
North-West
Celia Sánchez Natalías
Aquatic Spaces as Contexts for Depositing defixiones
in the Roman West
Mohr Siebeck
Religion in the Roman Empire
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Francisco Marco Simón
Early Hispanic Curse Tablets:
Greek, Latin – and Iberian?
Abstract
To date, thirteen curse tablets from the area of modern Spain have been published
that can (roughly) be dated prior to the Augustan period, which is early in comparison to other similar texts in the Latin West. The two earliest examples are written
in Greek, followed after a sizeable chronological gap by those in Latin. However,
we also know of more than 100 texts written on lead in the Iberian language, with
the earliest coming from the same period as the Greek examples. The funerary context of a handful of these tablets, as well as their apparent contents, such as lists of
names, suggests that they might also be magico-religious texts, comparable to, say,
the Oscan curse tablets in southern Italy. The texts in Latin, on the other hand, seem
to be largely independent from these earlier efforts, suggesting a close dependence
upon Italian models.
Key words: Curse tablets, defixiones, Hispania, Iberian texts on lead, Iberian language, epigraphic habit, Hellenistic cultural koiné, ancient globalisation
1 Introduction1
The curse tablets found in the Iberian peninsula and dating from before
the Augustan period belong to two chronologically and linguistically welldefined groups. The Greek texts, which are older (fourth to third century bce), come from the port town of Emporion/Ampurias in modern
Catalonia. By contrast, the Latin texts, which are considerably later (midsecond century bce to early first century ce), were mainly found much farther south, in the Guadalquivir valley, most notably in the area surrounding
Roman Corduba/Córdoba, the capital of the province of Hispania Ulterior/
1
Abbreviations used: AE = L’Année épigraphique; DTM = Blänsdorf 2012; HEp = Hispania
Epigraphica; MLH = Untermann 1990; PGM = Preisendanz and Henrichs 1973–74; SEG
= Supplementum Epigraphicum Graecum.
RRE 5 (2019), 376–397
ISSN 2199-4463
DOI 10.1628/rre-2019-0022
© 2019 Mohr Siebeck
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Fig. 1: Map with the provenance of the curse tablets cited in the text. The underlined
names refer to the Iberian texts.
Baetica.2 This area was increasingly heavily settled by speakers of Latin and
other Italic dialects from around 200 bce, with the process intensifying during the late Republican period in particular (for a map, see fig. 1).
This paper makes two main suggestions. First, in considering the adoption of this particular writing practice in the Iberian peninsula, account also
needs to be taken of what I believe to be a third group of texts, namely a halfdozen examples of writing in the Iberian language on lead-sheet, which can
plausibly be identified as curse tablets of some kind. These texts date from
the first half of the fourth century to the early second century bce, a date
that coincides with that of the two Greek texts from Emporion, and were
found in the so-called Mediterranean Levant, an intermediate area extending from the North-East of Hispania to the Guadalquivir Valley in the South,
i. e., covering most of the eastern littoral of modern Spain. A case is made
in this paper for two possible sources of the hypothesised awareness among
2
The documents in Latin from this area were found in Corduba (five), and one each from
El Portal (prov. Cádiz), Menjíbar (prov. Jaén), and Peñaflor/Celti (prov. Sevilla). There are
two pre-Augustan curse tablets in Latin from Emporiae (the Latin name of Emporion). An
isolated bilingual Greek-Latin text has been found at Barchín del Hoyo (prov. Cuenca), a
mining town roughly midway between Emporion and the Guadalquivir valley.
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RRE
Iberians of the practice of writing private curse tablets. The first, and most
obvious, of these potential sources is Emporion but a second possible trajectory can also be identified in contacts between Iberian mercenaries and
Sicily. Such a development would closely parallel the pattern identified by
Paolo Vitellozzi elsewhere in this issue for the adoption of private cursing
on lead-sheet by Oscans in southern Italy, and that identified by Riccardo
Massarelli in relation to Etruria. The second suggestion this paper makes is
that, given the temporal gap between them, it is very unlikely that the Greek
and perhaps Iberian texts exercised any direct influence upon the later Latin
curse tablets from Hispania Ulterior/Baetica, which are rather to be understood as additional evidence for Italian curse-patterns, even if they are also
an expression of a wider ‘Hellenistic koinē’.
2 Early texts in Greek and Iberian
2.1 The Greek curse texts from Emporion/Ampurias
Emporion (in Latin, Emporiae) was founded in the sixth century bce by Phoceans from Massalia/Massilia/Marseille. The two curse tablets in Greek found
there are of particular interest due to their chronology. The first,3 recovered
from Hellenistic débris covering the cemetery of Campo de Martí and dated
to the fourth century bce, contains a bare list of the names of seven men who
supported a certain Aristarchos (who himself heads the list), evidently in a
legal dispute (fig. 2).4 Several of the names point to an origin in the Greek city
of Massalia, or even further afield. In particular, the final name, Pythogenes,
is a theonym recalling the Delphic Apollo (Apollo Pythios), whose cult was
among the most important in Massalia.5 The second text, which was folded
once along each axis, and presents a poorly-written list of six names, is dated
to the third century bce or perhaps a little later.6 Here again a verb of cursing
or ‘writing down’ is purely implicit. The first name, Tintinōn, is not Greek but
related to the Latin gentilicium Titinius, a name fairly widespread in northern
Italy and attested very occasionally in Gallia Narbonensis (modern Provence)
Curbera 1997, 90–91 no. 1 = De Hoz García-Bellido 2014, 126–128 no. 132 = SEG 47: 1538.
There is metathesis of the R and second A of Aristarchos. The heading runs πάντα<ς> τοὺς
ὑπὲρ Ảριστάρχ[ου], ‘(e. g., I write down) all the men who support Aristarchos’. Curbera
1999 [2000], 165–166 suggests that ὑπέρ + genitive, as here, might be a mark of Sicilian
curse-practice.
5 Names derived from the cult of Apollo occur especially frequently in Phokis (on the west
coast of modern Turkey) and its colonies, such as Massalia. However, the most important
Massalian cult was that of Ephesian Artemis.
6 Curbera 1997, 91–93 no. 2 = De Hoz García-Bellido 2014, 128–130 no. 133 = SEG 47: 1539.
3
4
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Fig. 2: Greek curse tablet from Ampurias, fourth-third century bce (after Curbera 1999).
and Hispania. The second name, the theophoric Posidonas alluding to the
god Poseidon, was fairly common in Massalia.
These links to Massalia/Massilia and northern Italy may point to tensions and disputes attendant upon an influx of traders and perhaps even
would-be residents.7 It has been pointed out that curse tablets began to be
written on lead at around the same time as business letters and contracts.
Such documents are first attested in the Western Mediterranean at the end
of the Archaic period, and both types try to resolve issues by seeking external assistance, mortal in the case of letters and contracts, supernatural in the
case of the curses. A letter from Emporion, inscribed on lead and dated to c.
530–500 bce, mentions the Emporitans and a deal of some sort in Saiganthe
(perhaps Saguntum); the recipient is encouraged to seek the help of a certain
Basped[- (probably an Iberian) in completing the transaction.8 Bearing in
mind the general chronology of this type of document and the early development of western Mediterranean connectivity, documents such as this provide a plausible reference point for the early date of the Emporitan curse tablets written in Greek. It must, however, be admitted that such primitive curse
texts – brief lists of names – reveal no developed ‘curse culture’ in Emporion
such as that which we already find in Sicily, let alone the astonishing efflorescence of the practice in fourth- and third-century Athens.9
The question obviously arises as to how the practice of private cursing on lead might itself
have reached Massalia or Emporion at such an early date – possibly from Sicily?
8 Eidinow and Taylor 2010, 52, no. D2.
9 For Athens, see esp. Eidinow 2007, 139–344; Riess 2012, 164–234.
7
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2.2 Some Iberian texts written on lead
Elsewhere in this issue, Paolo Vitellozzi rehearses Paolo Poccetti’s thesis
about the appropriation of Sicilian/Southern Italian Greek curse-models
by Oscan communities in the fourth and third centuries bce, and their subsequent appropriation by Latin-speaking individuals further north in the
Italian peninsula.10 I would like to propose that a similar process of appropriation by speakers of Iberian may have taken place in Hispania, no doubt
influenced by Emporion/Emporiae and possibly by Sicily as well.
One of the most notable characteristics of the texts in the Iberian language, attested from south-eastern Spain to the Languedoc in France,11 is
the use of lead as a support. Over 100 texts inscribed on lead-sheet are currently known, but in the majority of cases these are unfortunately lacking
in archaeological context.12 These texts are characteristic of the Hispanic
Levante (see again fig. 1). It must be admitted right at the start that the Iberian language can be read but not translated, which of course greatly hinders
the interpretation of these texts. However, the majority have been identified
as economic or financial documents (accounts, etc.) involving private communication between individuals, similar to the documents already mentioned.13 Nevertheless, some at least of these texts seem to have a religious
character or to have been used for a ritual purpose. My suggestion is that
some of these may actually be curse texts.
Applying the criteria used by Vitellozzi and Massarelli to identify curse
tablets in the Oscan and Etruscan worlds, i. e., the lead support, the funerary
context, and lists of names, combinations of at least two of these criteria are
found in half a dozen of the Iberian inscriptions on lead. For comparison,
fourteen such tablets have been recognised within the Oscan corpus of 800
inscribed texts,14 while there are fewer than a dozen likely Etruscan curse
tablets from a corpus of more than 12,000 texts.
The most telling example from Hispania is the lead tablet found in tomb
21 of the cremation necropolis of El Cigarralejo (Mula, Murcia), datable to
375–350 bce (fig. 3).15 The original editor, Emeterio Cuadrado, himself sug10 E. g., Poccetti 1999.
11 Iberian epigraphy on stone: see now Velaza Frías 2018. On the influence of Latin on Iberian
12
13
14
15
funerary epigraphy, note, e. g., Barrandon 2003.
Sabaté Vidal (forthcoming).
De Hoz 2011, 422.
Murano 2013.
MLH G.13.1. This very early date, which may make this text even earlier than the earlier of
the two Greek texts from Emporion, is admittedly a problem for the scenario argued for
here. On general grounds, however, it seems much more likely that awareness of private
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Fig. 3: Iberian text on lead from El Cigarralejo, Mula (prov. Murcia), 375–350 bce.
Museo Arqueológico ‘Emeterio Cuadrado’ (Photo: F. Marco Simón).
cursing on lead was transmitted from Greeks to Iberians – if they indeed appropriated the
practice – rather than the other way round.
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382 Francisco Marco Simón
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gested that it should be identified as a defixio.16 The text comprises seven
lines arranged in a remarkable mise en page – somewhere between concentric and serpentiform – containing several possible personal names, as well
as what seem to be divine names (in l.4), of whom some kind of action may
be expected:
iuntegen : e[---] / sakarbes : sos[---] / lagutas : kebes+[---] / isgenus : andinue+[---]biandingorsanlenebarerbeigulnarerganikbos: / tarikedelbabinetarke+s+[---]+riknela : ebanalbasusbeliginela / sabarbasderik : bidedenedesbesanelas : / ikbaidesuisebartasartiduragunan.17
In view of the fact that it seems to have been partly melted, evidently after
being placed among the funerary gifts at the point of cremation, Javier de
Hoz inclines to believe that it had a ritual use.18 However, this may not
invalidate the hypothesis, since we know of another (admittedly much later)
case in which curse tablets were melted – this was, for example, the regular
means of transmitting curses to the other world behind the temple of Mater
Magna at Mogontiacum/Mainz between 80–120 ce.19 Moreover, the text
from tomb 21 is circular (about 12 cm in diameter). Texts written on circular
supports are not common,20 and those written in a spiral even less so. Shape
and mise en page are chosen to differentiate select texts from those written
normally, and their content thus tends to be magico-religious.21 The mise en
page of the El Cigarralejo lead sheet also reminds one of the spiral inscription on a lead tablet found inside a vase from Olbia (fig. 4), likewise datable
to the first half of the fourth century bce.22
Furthermore, three lead tablets were discovered in Orleyl (Vall de Uxó,
Castellón) inside or under a funerary urn, an exceptional wine-krater
bearing a scene of a battle between heroes and gryphons and datable to
380–360 bce. The krater has traditionally been interpreted as part of an
assemblage of grave goods that include a bronze nail and an astragalus.23
Cuadrado 1950, 42.
Transcription by Sabaté Vidal (forthcoming).
De Hoz 2011, 419–420.
Blänsdorf 2012, 39–40; Veale 2017, 297.
Among curse tablets, besides the cases at Barchín del Hoyo and Córdoba, and that from
Camp de Modevre, we may mention cases in Germany (CIL 13.7550, Bad Kreuznach), Sicily (Curbera 1999 [2000], nos 3–4, 22–24, Camarina, Selinus), Campania (Murano 2013,
129 no. 4, with 250 pl.XII, Cumae), and Greece (Martin 2010, 49, Athens and Nemea).
21 Spiral writing is recommended in several recipes in the magical papyri (PGM VII 300 and
589–591; see Crippa 2010, 123–124). On the codified, intensive and sacralising character of
spiral writing, see Pastoureau 1989.
22 Dubois 1996, 171, no. 105. Moreover, Lebedev (1996) has identified two spirally written
graffiti from Olbia as devotiones.
23 MLH F.9.5–7; for the krater, see Melchor, Ferrer and Benedito 2010, 52–53.
16
17
18
19
20
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Fig. 4: Curse tablet from Olbia written spirally (after Dubois 1996).
According to De Hoz, the texts may have had a function similar to the
Orphic ‘gold leaves’ and other similar texts from funerary contexts, that is,
to provide instructions for the soul in the underworld.24 One of them (Orleyl
V ) measures 27 x 4.4 cm, and, like the other two, was originally discovered
rolled up:
ire.bototas.bitebakirsbane.barenmliki.antinmlituturane. arikar.seken / iusu.atilebeiu.
lauriskerkate.banmlirbaiturane.kaisanylirbaitura.nei / tailinire. kutur.biteroketetine.
eratiare.kokor.tauebartiat.arikarbinmlikise. / iunstirlaku.bototaseai. selkeaibartuneai.
unibeikeai.anerai.unibeikeai.iu / nstirlaku.uskeike.bototiki.keietisiatense. urtalarikaune.
banmiresu[- / lu.bitirokebetense.uskeanerlati.25
24 De Hoz 2011, 421. On the Orphic gold leaves, see, e. g., Graf and Johnston 2007; Bernabé
Pajares and Jiménez San Cristobal 2008.
25 MHL F.9.5 (385) transcription.
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Although it is impossible to subscribe to a recent suggestion that this is a
public curse invoking the gods of the underworld against certain persons
on account of damage caused in warfare,26 provenience and discursivity
together suggest that it may well be a curse of some sort. Another item,
a narrow L-shaped strip of lead from El Llano de la Consolación, close
to the Iberian sanctuary of Cerro de los Santos (Montealegre del Castillo,
Albacete), which was found folded up, probably also came from a tomb:
side A: aitigeldun+ : iunstir : bekor : salbitas : oderoketa : banotagian, Side
B: iskeriar.27 Although most scholars have interpreted the document as a letter of some sort, the fact that all the words are carefully separated from one
another, as well as its provenience, suggest that it should rather be classified
as a religious text and thus perhaps even as a curse list.28 Two more Iberian
texts on lead can be adduced here. The first is from Cerro Lucena (Enguera,
Valencia), which was likewise inscribed with a series of names arranged in
ten lines within an incised rectangle and then rolled up (Fletcher Valls 1984):
bekoiiltun. / soribeis. / urkarailur. / tueitikeiltun. / ikorisker. / oltoitir. / selkisker. /
otokeiltir. / iskeiltun. / selkimiltun.29
A final possible example is the lead tablet from Tossal del Mor (Tárrega,
Lérida), which reads [-]ŕdilako · isdiganir · ibeŕtaneś· oŕdin+keŕ.30 The main
arguments for identifying it as a curse are that it was found rolled up and
carries just four personal names deliberately written around the edge. The
palaeography suggests a date between the end of the third century bce and
the start of the second.31
There are, as noted above, two sources upon which Iberians may plausibly have drawn in modelling private curse tablets. One source was surely
the Greek settlement at Emporion, where, as we saw, in addition to curse
tablets, letters and contracts on lead from the late Archaic period have also
been found. There is also a possibility of direct contact with Sicily. As is well
26 Silgo Gauche 2009.
27 Sabaté Vidal (forthcoming). A formal parallel is a Greek curse on a strip of lead from Halai
28
29
30
31
in Attica, containing four names on one side, and five on the other, dated to the early fourth
century bce (Eidinow 2007, 353 no. DTA 24; with the image in Martin 2010, 140).
Sabaté Vidal (forthcoming).
MLH F.21.1.
MLH L.17.1.
Ferrer i Jané and Garcés Estallo 2013. One other Iberian text on lead may also be mentioned as a possible candidate here, namely the semicircular sheet found in Camp de
Morvedre (Saguntum/Sagunto), which apparently contains proper nouns (Silgo Gauche
and Tolosa Leal 2000). On the other hand, I would not include the four tablets from El
Almarejo (Bonete, Albacete), which were found as part of a ritual deposit and preserve
only a single line of text (Velaza 2007, 277; De Hoz 2011, 388).
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known, Sicily was the area in which the genre of the private curse tablet was
first developed, specifically in Selinus/Selinunte at the end of the sixth century bce, but shortly afterwards also in Camarina, Akragas/Agrigento, Gela,
and Himera. By the end of the fifth century, the practice began to be appropriated into the eastern Mediterranean (and the Black Sea) by Athenians,
and, in the fourth, by Oscan communities in the south of Italy who used
the Greek alphabet. A similar process of appropriation may have occurred
among the Iberian peoples of the Mediterranean coast, who had numerous
contacts with Sicily from an early date. Iberian mercenaries fought for the
Carthaginians at the Battle of Himera in 480 bce (Hdt. 7.165), for example,
and participated on their side in the siege of Selinous in 409 (Diod. 13.54.1–
2; 44.5), amongst other cities. A series of coins bearing the legend Hispanorum were minted in Morgantina by Hispanic mercenaries either between
214 and 210 bce (Amela Valverde 2013) or after the pacification of Sicily
in 210 (López Sánchez 2014).32 However, given the fact that the content of
the Iberian texts I have cited remains unintelligible to us, both suggestions
regarding the sources of these possible curse tablets must remain hypothetical, quite apart from the matter of their classification as such.
3 Early Hispanic texts in Latin
As I have already pointed out, the earliest Hispanic curse texts in Latin
mainly cluster in the area that was, from the early second century bce,
increasingly settled by Latin speakers and representatives of other Italic
populations, by non-Italic displaced persons, and by slaves who were moved
to the area by their owners.33
3.1 Early curse tablets from Hispania Ulterior (later Baetica)
The earliest case seems to be a curse found in the Cortijo de Frías (El Portal, Cádiz), which carries the names – both Latin and Greek – of 33 persons,
presumably slaves, in three columns of text and without any curse-formula.
The inscription is written in double inversion (from right to left and from
bottom to top), which requires careful preparation, and is datable from the
handwriting, like two others from Corduba cited below, to the second half
of the second century or the beginning of the first. This dating makes these
32 Other coins with this legend were minted at Leontini, Syracuse, Messina, and Agrigentum.
33 Cf. González Fernández 2010; Le Roux 2010, 51–82.
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three documents all the more remarkable, as they are some of the very earliest Latin texts of any kind found in the Iberian Peninsula:
Col. C ---]tana, Anus, Rustica, Optate, Aucta, Fabulla, Iulia, Celido, Prime, Traxe, Dio.
Col. B: ---] Polio, N[i]colaue, Stabilio, Diocare, [T]alame, Sum[.]ni, [---]asia, [---]aris,
Sol[---]ce, G[---], Princeps. Col. A: Antronice, Frontaca, Pusellio, Cimisex, Felix, Rustica,
Storge, Karis, Philonia, Mena, Helene.34
The first editor of the text suggested that these people were slaves working on a large farm in the area, and that the defigens was likewise engaged
there. El Portal (probably the mansio Ad Portum) is located four kilometres
from the Castillo de Doña Blanca, the site of an important Phoenician city
on the Gulf of Cádiz between the seventh and the second centuries bce. It
also stood near the mouth of the Guadalquivir river, upstream of which,
in 207 bce, the Romans founded the colony of Italica (Santiponce, near
Seville), which owes its name to the dominance of Italic settlers.35
However, the majority of early Hispanic curse texts come from Corduba/
Córdoba, the provincial capital of Hispania Ulterior/Baetica. So far, five tablets have been found there, datable between the second half of the second
century bce and the early first century ce. Two of these had been rolled up,
one inside the other, and placed inside the small cinerary urn of a young
child datable between the second and first centuries bce.36 The best-preserved of the pair is a text directed against a freedman named Priamus, seeking to silence him in a legal case related to an inheritance:
Side A: Priamus l(ibertus) mutus sit / omnibus modis (side B) n[e] q<u>is pos<s>it
de <he>reditate / sile(a)nt / qu<od=ET> {h}annue verbum / facere omnes
o(b)mut[e]s<c=Q>[a]nt.
A: May Priamus the freedman hold his tongue / in all circumstances
B: Do not allow anyone to utter a word about the inheritance / let them all remain
silent / let them shut up!37
The second text is a more or less semi-circular piece of lead, with writing on both sides, albeit very fragmentary and thus only partly intelligible.38 Nevertheless, it is clear that, like the first text, it also demands that
the victims should remain silent in relation to a hearing involving a legacy
González Fernández 2015, 106 and 114 = AE 2015: 587.
Appian Bell. Hisp. 38.1
Both are preserved in the Museo Arqueológico de Córdoba.
Díaz Ariño 2008, 220 = CIL 22/7, 251a1. The syntax is difficult. The letters {h}annue,
inserted between ll.2 and 3, stand for standard abnue, the imperative of abnuo, i. e., ‘make
it impossible, refuse to allow’. The phrase n[e] q<u>is pos<s>it de <he>reditate should logically come after qu<od> {h}annue verbum / facere.
38 Díaz Ariño 2008, 221 = CIL 22/7, 251a2.
34
35
36
37
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(… o<b>m]utes<qu>ant, l.4; an<n>ue hered[--- , l.9). Ventura (1996, 146)
has suggested that the gen[ius]/ [… m]alevolus, ‘malignant spirit (?)’, perhaps mentioned in lines 6–7 of the verso may have been the divine entity
being petitioned to silence the opponent(s). Both of these texts can thus be
classified as judicial curses, belonging to a genre which seems to have been
recognised in Hispania as being the most valuable usage of the practice of
cursing on lead.39
Three further early tablets were discovered in the course of an excavation
undertaken in 1932 in the necropolis of Camino Viejo de Almodóvar.40 The
earliest, which has recently been re-read with important improvements, is
roughly heart-shaped and dates from between the mid-first century bce and
the early first century ce:
Dionisia Denatiai / ancilla rogat deibus ego / rogo bono bono / deibus rogo oro bono /
einfereis bono Salpina / rogo oro et bonis inferis / ut dioso quod fit deibus / inferabus ut
hoc quo(d) sit / causa et ecquod votum / feci ut solva(s) rogo / ut illam ducas rogo / oro.
Dionisia, slave of Dentatia, requests the gods: I request a boon, a boon of the gods, I
request and beseech a boon of the gods of the underworld for Salpina; I request that she
be offered down to the gods of the underworld; she is the reason and for whom I have
made this vow – I ask that you fulfil it. I ask and beseech that you take her.41
This item was probably made by hammering several pieces of lead together,
which would explain its unusual thickness (6 mm, anomalous for this type
of text). The defigens employs the language that was usual for making a vow,
which is a clear indication of her own understanding of what she was doing
in writing such a text and offering it to the gods of the underworld. Conceivably, the heart shape likewise had some symbolic significance.42
The other two Cordoban examples are simply lists of names. One is more
or less circular and was found folded and ritually pierced by a large 20 cm
iron nail. It lists eight members of the gens Numisia (and some others), most
of whom have Greek names and were therefore probably freedpersons while
39 Silencing the other party in a dispute that has led to some sort of hearing is the usual aim
of Greek and Latin judicial curses, and is attested in Oscan too: De Tord 2018, 188: nep
fatíum nep deíkum pútians (Murano 2013, 22–23 Def. 1 l.8, cf. p. 26 [Capua]).
40 They were transferred to the Museo Arqueológico Nacional de Madrid in 1955.
41 CIL 22/7, 250 with Sánchez Natalías 2014, 278 = AE 2014: 648. The form Salpina, which
looks like a nominative or ablative, is taken as an archaic dative, paralleled in other early
Hispanic texts.
42 In one of the defixiones from the joint temple of the Magna Mater and Isis in Mainz (AE
2005: 1125 = DTM no. 4), the target, Tib. Claudius Adiutor, is offered to Magna Mater
and Attis as the victim of a sacrifice, and there seems to be a reference to cutting out the
victim´s heart and liver (ll.8–9, c(a)edat), the two main internal organs examined for
omens in Roman sacrificial ritual (Veale 2017, 288).
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388 Francisco Marco Simón
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others are clearly still slaves. Again, the date seems to lie between the middle
of the first century bce and the early first century ce.43 The third item in
this group from the necropolis, of similar date, bears the names of five men
and two women as victims, with the names being inscribed on both faces.44
A text from ‘Los Chorrilos’, Mengíbar (prov. Jaén), shows some similarities to that of Dionisia in Corduba.45 It is written on a strip of lead 30 cm
long, with the letters carefully separated by interpuncts, and can again be
dated to the second half of the first century bce.46
Dis ·imferis · vos · rogo · uteì · recipiates · nomen / Luxsia · A(uli) · Antesti · filia · caput·· cor ·
co(n)s[i]lio(m) · valetudine(m) / vita(m) · membra · omnia · accedat · morbo(s) · cotid(i)ea
· et / sei · faciatis · votum · quod · faccio · solva(m) · vostris · meritis.
To the gods of the underworld: I request that you consent to hear the case against Luxsia, daughter of Aulus Antestius. May illness afflict her head, heart, thoughts, health,
vitality, her entire body day after day. And if you attend to the request that I make, I will
reward you for your help.
The anonymous defigens asks the gods of the underworld to make Luxsia
suffer a cruel illness that will lead to her death, and lists, as is typical of some
of these texts, the parts of the body and mind to be targeted, summed up by
‘the entire body’. No less significant is the evident familiarity with legal language – nomen recipere is a standard term for a magistrate agreeing to hear
a (criminal) case.47 We should also note, as in the case of Dionisia above,
the (loose) reference to the procedures involved in the formal utterance of a
vow and the repaying of its eventual fulfilment by offering a sacrifice to the
gods, a sequence that is usually summarised retrospectively in inscriptions
in the abbreviated formula VSLM, votum solvit libens merito, ‘acquits him/
herself (of the vow) gladly and with good reason’. Although the use of facere
for the gods’ positive response (sei faciatis votum, ‘if you bring about what I
request’) is not technical, the expression di faciant was evidently in common
use for wishes.48 It is at any rate clear that the defigens chose to represent his
43 Díaz Ariño 2008, 218 = CIL 22/7, 251.
44 Díaz Ariño 2008, 220 = CIL 22/7, 252.
45 It was originally supposed to have been discovered in 1990 around Carmona/Carmo
(Seville), but Stylow (2012, 154) pointed out that it in fact came from 200 km higher up
the Guadalquivir river. It is now in a private collection.
46 Díaz Ariño 2008, 213 = AE 1993: 1008.
47 E. g., Cic. Verr. 2.94; Seneca maior, Controv. 3 praef. 17: postulavi ut praetor nomen eius
reciperet lege inscripti maleficii; cf. nomen deferre, ‘prosecute’ in Lex repetundarum l.5 [late
second century bce] (Crawford 1996, 1: 65 with p. 96). The usual term later was inter reos
recipere: e. g., Dig. 48.5.16.7 and 40.2.
48 E. g., Cic. Verr. 3.81: di immortales faxint, ne sit alter!; Propert. 3.16.25: di faciant, mea ne
terra locet ossa frequenti …! Another reason for writing faciatis was the writer’s anticipa-
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5 (2019)
Early Hispanic Curse Tablets 389
or her action in writing a curse as part of a votive-sequence that he or she
might in due course need to repay.49
Roughly contemporary is a tablet from Peñaflor/Celti (prov. Sevilla),
which was found 5 m away from two tile-graves on the site of a large Roman
(and early Christian) necropolis:
Marcel(l)us Valerius mutus tacitus siet / adversus C. Licinio Gallo. Qu<em>admodum /
rana sene (!) lingua muta tacita est, sic Mar/cellus mutus tacitus debilitatus siet /
adv<e>rsus L[i]cinio Gallo.
May Valerius Marcellus fall silent and unable to speak against C. Licinius Gallus. Just as
a frog without a tongue is mute and silent, so may Marcellus be mute, silent, enfeebled
against Licinius Gallus.50
The archaic form siet instead of sit is an important detail for dating the text,
the palaeography of which in any case points to the second half of the first
century bce. The expression mutus tacitus, which expresses the aim of preventing Valerius Marcellus from being able to give evidence or state his case
before the judge (‘as a frog without a tongue is silent and mute’),51 recalls
two other curse texts that mention the deity Muta Tacita, the goddess of
silence and death. These curses were found almost at the other extreme of
the Latin-speaking Empire, the first at Cambodunum/Kempten in Raetia/
Allgäu and the second at Siscia/Sisak in Upper Pannonia/Croatia, but are
several decades later than our text.52 The connection may, in fact, be merely
coincidental, for there are a surprising number of passages in Latin literature
in which the two words appear in close combination, which suggests that
the usage was something of a catch-phrase if not thoroughly hackneyed.53
49
50
51
52
53
tion of the phrase votum quod facio, which is found already, for example, in Cato Agr. 83:
votum pro bubus, uti valeant, ita facito, ‘perform a vow for the health of the oxen as follows’.
Maltomini 1995, 298.
Stylow 2012, 150 = AE 2012: 740. Note the inversion of the usual order of nomen and cognomen in the case of the victim, whereas Gallus’ own name is in the correct sequence and
includes the praenomen. Reversals of this kind are not infrequent, e. g., among the graffiti
at Pompeii.
Stylow notes that the invocation of a frog in a persuasive analogy in such a context is
unique. The unbearable noise made by frogs is a frequent topos in ancient literature (e. g.,
Martial 3.93.8). As a little boy, Octavian/Augustus is supposed to have told some noisy frogs
to stop croaking, which they did (Suet. Aug. 94.7).
Kempten: AE 1958: 150 = Pfahl 2012 no. 593 (mid-first century ce); Sisak: AE 2008: 1080
with Marco Simón and Rodà de Llanza 2008, 116–117 (perhaps Trajanic); more fully on
Muta Tacita: Marco Simón 2010a.
E. g., Plaut. Curc. 20–21; Poen. 876; Ter. Eunuch. 571–572; Lucr. Rer.nat. 2.625; Cic. In Cat.
3.26; Red. in Sen. 6; Propert. 1.16.26; Manil. Astr. 1.251–252; Sen. HF 302–303; Luc. Bell. civ.
1.247, 5.104–107 etc.
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390 Francisco Marco Simón
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To these examples we may perhaps add a lead sheet found among the
grave-goods of a second or first century tomb at Cabeza del Obispo (Alcaudete, prov. Jaén), which was interpreted by the excavators as a possible curse.54
3.2 Emporiae/Ampurias
The earliest surviving curse texts in Latin from Ampurias were written
some two hundred years later than the second Greek example cited in
§ 2a above.55 The better preserved example is dated to the middle of the
first century bce and evidently relates once again to a court case, since it is
directed against several people, both men and women, of different legal statuses and ethnic provenance, all opponents (omnes quei inimeici) of a man
named Seneca.56 While the latter name is clearly of Celtic origin, the victims
bear Greek and Latin names, such as Philargyrus and Veranio, and there is
even an apparently semitic name included, Zodiana (a version of Susanna/
Šošan).57 Such social diversity nicely reflects the cosmopolitanism of the
city of Emporion/Emporiae. The second text, unfortunately fragmentary,
was discovered in a private house and is a datable to the end of the first century bce or the beginning of the following century. According to the most
recent editors, the obverse carries a curse formula consigning the victims to
Pluto (… nequ[e---a]beant Plu[tone---], ‘may they not escape Pluto’), while
the names of the victims appear on the reverse: Min(icius?) Feli[x] and
Itali[cus?].58 At least this text, despite being so badly damaged, shows signs
of the existence of what one might call a developed curse culture in the town,
most likely sometime around the Augustan period.
3.3 The bilingual text from Barchín del Hoyo (prov. Cuenca)
A tablet found at Barchín del Hoyo (fig. 5), which can likewise be dated
between the first century bce and the first century ce, is the only bilingual
text in Greek and Latin so far found in Hispania. It was written spirally
54 Jiménez Higueras 2005.
55 The important group of three linked curses in reversed writing against the Roman gover-
nor and his consilium from the Roman cemetery of Ballesta (Fabre, Mayer and Rodá 1991,
159–160 nos. 172–174 = HEp 4 (1994) no. 446 = AE 2005: 881–883, cf. 2010: 108) are dated
to c. 75–78 ce (reign of Vespasian) and cannot be included here. See Marco Simón 2010b.
56 Díaz Ariño 2008, 171–172 = HEp 4 (1994) no. 447.
57 On the onomastics, see Curbera 1996.
58 Fabre, Mayer and Rodà 1991, 165 no. 177 = HEp 4 (1994) no. 448.
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Early Hispanic Curse Tablets
391
Fig. 5: Bilingual text from Barchín del Hoyo, Cuenca (after Curbera, Sierra and
Velázquez, 1999).
(working from the outer rim) on both faces of a circular lead disk against
two persons with Greek names, N(e)ikias and T(e)imē:59
Side A: ὑπὲρ ἐμοῦ κα[ὶ] ὑπὲρ τῶν ἐμῶν τοῖς κατὰ ᾍδην δίδω/μι, παραδίδωμι Νεικίαν
καὶ Τειμὴν /καὶ τοὺς ἄ[λ̣]λ̣ους οἷς δικ/αίως κατηρασά̣/μην.
On behalf of myself and my next of kin, I give, I hand over, to those in the underworld,
Nikias and Timē and the others whom I have justly cursed.
Side B: pro me pro meis devotos defixos inferis,/devotos defixos inferis, Timen et Nici/
am et ceteros quos merito/devovi supr[a. pro] me,/pro mei[s],/ Timen, /Nician,/Nicia[n].
On behalf of myself, on behalf of my family, those cursed and consigned to the powers
below, Timē(s) and Nicias and the others whom I have justly cursed above, on my own
behalf, on behalf of my family, Timē(s)! Nicias! Nicias!60
The find spot of this tablet in a rural area of central Hispania can be related
to the nearby city of Segobriga (Cabeza del Griego) and local exploitation
of seams of mica, i. e., sheet silicate (Latin: lapis specularis).61 As the first
editors suggested, the defigens, a native speaker of Greek who was also fairly
fluent in Latin, might have chosen that language here so as to communi59 The first editors, and Fraser and Matthews 1997, s. v., take the name to be feminine, Τιμή
(Curbera is a specialist in onomastics, cf. n. 57). However, this would be the sole occurrence of the feminine form in Sicily, which is anyway only attested twice elsewhere in the
entire Greek-speaking world, whereas the masculine name, Τιμής, is fairly common in the
Aegean islands (x28) and on the Asia Minor littoral (x10), with a handful of cases in Attica
(x6). Versnel (2010, 291) understands the name to be masculine.
60 Curbera, Sierra and Velázquez 1999, 270–283 (= AE 1999: 954 a, b), tr. of the Greek by
Versnel 2010, 290–291. The supr[a in l.4 of the Latin version is a deliberate reference to the
Greek on the other face, which was therefore written first (Arbabzadah 2009, 193).
61 Plin. NH 36, 160–162.
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392 Francisco Marco Simón
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cate more effectively with the local, implicitly Latin-speaking, forces of the
underworld.62
To sum up, the early date (mid- to late-Republican and Augustan) at
which curse tablets began to be written in Latin in the Iberian Peninsula
is remarkable when compared with the overall chronological distribution
of such texts in the long Roman Empire – Italy alone, with 16 Republican/Augustan texts, exceeds the Hispanic total. In Africa, by contrast, just
two Punic curse tablets have been dated to this period, with no Latin or
Greek texts known to date.63 Such a state of affairs would be in keeping
with the recent argument that the emergence of an epigraphic culture in
the western Mediterranean, primarily but not exclusively in Latin, was part
of a wider phenomenon,64 made possible by the gradual establishment of
a multilingual Roman imperium incorporating the entire Mediterranean
basin between the end of the first Punic War (241 bce) and the Augustan
period (27 bce -14 ce).65 This phenomenon is characterised by an increase
in connectivity between its various polities and cultures.66 The relatively
early emergence of Hispanic curse texts in Latin can be understood within
this framework of globalisation powered by Roman imperialism.67
4 Conclusion
The earliest known curse tablets from the Iberian Peninsula are in Greek
and – possibly, as I argue here – in Iberian as well. Both Greek texts come
from Emporion/Ampurias at the extreme north-western tip of Hispania,
and manifest cultural contacts with the Greek colony of Massalia/Marseille.
The practice of writing letters and contracts on lead, evidenced in the same
area since the Archaic period, suggests that the Iberian practice of writing
documents of different kinds on lead-sheet may have been taken over from
these Greek colonists of Emporion.68 This, however, does not necessarily
Curbera, Sierra and Velázquez 1999, 283.
Sánchez Natalías 2020.
De Hoz 2006; Prag 2013.
Estarán Tolosa 2019.
Herring (2007, 17) has argued that this process was inevitably accompanied by the growth
of anxieties about threats to cultural integrity and stimulated resort to new forms of documentation, including epigraphic practice.
67 See, e. g., Jennings 2011; Pitts and Versluys 2015; Van Alten 2017.
68 Gaulish curse tablets, which are much later and written in Latin characters, mainly come
from outside the territory influenced by the Massalian Greeks (Marco Simón 2013; De
Tord 2018, 197).
62
63
64
65
66
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mean that the influence of Emporion/Ampurias is the only contributory factor to be considered in accounting for the emergence of the possible Iberian
resort to writing curse tablets. We cannot exclude the possibility of a Sicilian connection as a secondary and alternative influence here, especially with
regard to the area of south-eastern Hispania. The earliest Latin curse tablets,
on the other hand, notably in the Bay of Cadiz and around Cordoba, appear
to be attributable to the influx of Romano-Italic settlers and their slaves in
the Guadalquivir valley rather than to a continuous, albeit subterranean,
‘tradition’ transmitted across the centuries. These inferences serve to make
the point that awareness of a weakly institutionalised, informal measure,
such as private cursing on lead, aiming at individual self-protection or the
furtherance of one’s own interests in an extreme situation, might easily be
lost within a given community or cultural area as individuals died or circumstances or attitudes changed.
The Hispanic curse tablets, if we include, for the sake of argument, the
Iberian texts listed here, are important for other reasons as well. First,
because the possible transmission to the Iberians suggests the potential for
yet another parallel to the Oscan and Etruscan appropriation of private cursing on lead, and, as in those cases, on a very limited scale, which has implications for the type of situations in which the practice was understood in
each case to be effective. Secondly, the early date of the Latin texts from the
Guadalquivir valley illustrates how the movement of individuals from Italy,
with their slaves and hangers-on, gave rise to a social situation in which the
local adaptation and appropriation of a genre once again appeared opportune, a genre which anyway now occupied a niche in the ‘Hellenistic koinē’
that spread through the western Mediterranean world thanks to Roman
imperialism.
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Religion in the
Roman Empire
Volume 5 (2019), No. 3
Editors
Jan Dochhorn (Durham), Maren Niehoff (Jerusalem), Rubina Raja
(Aarhus), Christoph Riedweg (Zürich), Jörg Rüpke (Erfurt),
Christopher Smith (St Andrews), Moulie Vidas (Princeton),
Markus Vinzent (London) and Annette Weissenrieder (Halle)
Religion in the Roman Empire (RRE) is bold in the sense that it intends
to further and document new and integrative perspectives on religion
in the Ancient World combining multidisciplinary methodologies.
Starting from the notion of ‘lived religion’ it will offer a space to take up
recent, but still incipient research to modify and cross the disciplinary
boundaries of ‘History of Religion’, ‘Anthropology’, ‘Classics’, ‘Ancient
History’, ‘Ancient Judaism’, ‘Early Christianity’, ‘New Testament’,
‘Patristic Studies’, ‘Coptic Studies’, ‘Gnostic and Manichaean Studies’,
‘Archaeology’ and ‘Oriental Languages’. It is the purpose of the journal
to stimulate the development of an approach which can comprise the
local and global trajectories of the multi-dimensional pluralistic religions
of antiquity.
Associate Editors
Nicole Belayche (Paris), Kimberly Bowes (Rome), John Curran (Belfast),
Richard L. Gordon (Erfurt), Gesine Manuwald (London), Volker Menze
(Budapest), Blossom Stefaniw (Halle), Greg Woolf (London)
Mohr Siebeck
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