Peter Greenaway
Filmmaker
UK
Voted for
Film | Year | Director |
---|---|---|
Last Year at Marienbad | 1961 | Alain Resnais |
8½ | 1963 | Federico Fellini |
Citizen Kane | 1941 | Orson Welles |
The Seventh Seal | 1957 | Ingmar Bergman |
Ivan the Terrible | 1945 | Sergei M. Eisenstein |
Throne of Blood | 1957 | Akira Kurosawa |
À bout de souffle | 1960 | Jean-Luc Godard |
Blade Runner | 1982 | Ridley Scott |
Gladiator | 2000 | Ridley Scott |
Jules et Jim | 1962 | François Truffaut |
Comments
Last Year at Marienbad
The most “abstract" of all films that I know - contemplating memory which is all we have to steer by.
8½
Easily the best film about the joys and desperations of film-making.
Citizen Kane
This used to be the best film of all time - extraordinary for its persistent non-stop cinematic inventiveness - still holds up.
The Seventh Seal
The ideal film for the getting of wisdom for any young person setting out to discover himself or herself - history, myth, superstition, and the lottery and gamble of annihilating Death which will never leave us alone.
Ivan the Terrible
Joyous, grand, heroic film-making.
Throne of Blood
Exotic beyond compare.
À bout de souffle
Extraordinary breath of fresh air that launched - tens of thousands - thousands of thousands - of film imaginations - suddenly made cinema available for anyone with a mind to make some - certainly mine.
Blade Runner
Legitimised cinema sci-fi.
Gladiator
A stereotypical public Hollywood box-office film that probably satisfied cinematic expectations more than most others - a successful very satisfying revenge movie that indeed seemed morally valid - though entirely fictional, but what does that matter?
Jules et Jim
Great fun, joy and sorrow and great impossible longings, beautifully self-reflective and important for me - cinema is only cinema after all.
Further remarks
Here are my ‘best” 10 films - a dubious and very subjective ambition as you readily admit - undoubtedly for me mainly relevant to my intense film-going years when films were really significant on my agenda, when these films set the pace of my interests, told me that cinema was valid as an art form, that I should take a keen interest, and legitised any attempt to try and make a contribution - so it's mainly Nouvelle Vague and the Italian cinema of the seventies and eighties. These are the films that for me set up the standards and created the measuring bar.
All these movies have downsides but I am not going to itemise them here. Nonetheless they set me off exploring. And since you are hoping to establish the best film ever - then it’s LAST YEAR AT MARIENBAD - a film that nowhere disappoints.
And this sort of crazy list-making made me think of the best literature ever and the best paintings ever to make me think if the same qualificating characteristics still apply. And I think they might.