Stephen Volk
screenwriter and author
UK
Voted for
Film | Year | Director |
---|---|---|
Don't Look Now | 1973 | Nicolas Roeg |
The Innocents | 1961 | Jack Clayton |
Taxi Driver | 1976 | Martin Scorsese |
The Devils | 1971 | Ken Russell |
Macbeth | 1971 | Roman Polanski |
Picnic at Hanging Rock | 1975 | Peter Weir |
Apocalypse Now | 1979 | Francis Ford Coppola |
Requiem for a Dream | 2000 | Darren Aronofsky |
The Night of the Hunter | 1955 | Charles Laughton |
Dracula | 1958 | Terence Fisher |
Comments
Don't Look Now
This film had a profound and visceral effect on me and has been embedded in my psyche ever since. A masterpiece of every aspect of cinematic art.
The Innocents
The most effective and precise rendition of a ghost story in cinema, with an unforgettable central performance.
Taxi Driver
The first film where I found myself experiencing an abnormal mind from the inside. Rewards endless rewatching.
The Devils
A physical onslaught of a film which changed my idea about organised religion, and history, forever. I have never been the same since. The fact the film has not been released in its intended form is a travesty.
Macbeth
Polanski achieved at a stroke what my English teachers never had: he made Shakespeare not only intelligible but compelling.
Picnic at Hanging Rock
A film that is not just a mystery, but about the nature of mystery and the inability of human beings to accept the inexplicable. Masterful and eternally resonant.
Apocalypse Now
Far more than a war film or mythic quest, it throws of the shackles off its genre to become a meditation on madness and horror. Unforgettable.
Requiem for a Dream
Simply unrelenting and unapologetic. Funny, disturbing, extreme, challenging - all I ever want from cinema. The fact that some people find it unbearably grim only makes me love it all the more.
The Night of the Hunter
This nightmarish horror with children at the centre, full of classic imagery and a blood and thunder perforamance from Mitchum, always had to be on my list.
Dracula
There had to be one Hammer here, and it's this. There is no better scene in the history of horror than the climactic confrontation between Peter Cushing and Christopher Lee. Etched into my mind and absolutely treasured. It never gets old and never fails to get the blood pumping.
Further remarks
I have chosen these films with two strict criteria: That they had to have had a profound effect on me on first viewing. Secondly, that their lasting legacy had to have stayed with me and imbued my own creative life. All the films on the list have done, some directly and massively influencing my writing, while others have provided constant inspiration by their greatness. Thanks for the opportunity to share them.