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Origin and history of an-

an-(1)

privative prefix, from Greek an-, "not, without" (from PIE root *ne- "not"). The Greek prefix is a fuller form of the one represented in English by a- (3).

an-(2)

a later form of Latin ad "to" before -n- (see ad-), as in annex, announce, annihilate.

Entries linking to an-

"not conformed or conforming to rule, deviating from a type or standard, contrary to system or law, irregular, unnatural," 1835, a refashioning of anormal (q.v.) under influence of Latin abnormalis "deviating from a fixed rule, irregular," from ab "off, away from" (see ab-) + norma "rule" (see norm).

The older form was from French anormal (13c.), from Medieval Latin anormalus, an altered (by association with norma) borrowing of Greek anomalos "uneven, irregular," from an- "not" (see an- (1)) + homalos "even," from homos "same" (from PIE root *sem- (1) "one; as one, together with"). Compare anomaly. "Few words show such a series of pseudo-etymological perversions" [Weekley]. Another adjective was abnormous (1742) "irregular, misshapen," from Latin abnormis. Related: Abnormally.

"want of grammatical sequence; changing constructions in mid-clause," whether arbitrary or intentional, 1706, from Latinized form of Greek anakoluthon, neuter of anakolouthos "inconsequent," from an- "not" (see an- (1)) + akolouthos "following," from copulative prefix a- expressing union or likeness (see a- (3)) + keleuthos "way, road, track, path, course, journey," which is of unknown etymology. "As a figure of speech it has propriety and force only so far as it suggests that the emotion of the speaker is so great as to make him forget how he began his sentence" [Century Dictionary]. Related: Anacoluthic.

Anacoluthon, though a grammatical defect, is a rhetorical beauty, if naturally produced or imitated; as, "If thou art he—but oh ! how fallen!" "He who hath seen life in all its shapes, and fully knows its good and evil—No ! there is nothing on earth which can make a wise man desire a greater length of days than heaven appoints." These are instances in which the break down is the effect of emotion. [James R. Boyd, "Elements of English Composition," 1874]
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