Origin and history of antsy

c. 1500 shortening of Middle English ampte (late 14c.), from Old English æmette "ant," from West Germanic *emaitjon (source also of Old High German ameiza, German Ameise) from a compound of Germanic *e-, *ai- "off, away" + *mai- "cut," from PIE root *mai- (1) "to cut" (see maim). Thus the insect's name is, etymologically, "the biter-off."

As þycke as ameten crepeþ in an amete hulle [chronicle of Robert of Gloucester, 1297]

Emmet survived into 20c. as an alternative form. By a similar contraction, aunt "a parent's sister" is from Latin amita. White ant "termite" is from 1729. To have ants in one's pants "be nervous and fidgety" is from 1934, made current by a popular song; antsy embodies the same notion.

very common adjective suffix, "full of, covered with, or characterized by" the thing expressed by the noun, Middle English -i, from Old English -ig, from Proto-Germanic *-iga-, from PIE -(i)ko-, adjectival suffix, cognate with elements in Greek -ikos, Latin -icus (see -ic). Germanic cognates include Dutch, Danish, German -ig, Gothic -egs.

It was used from 13c. with verbs (drowsy, clingy), and by 15c. with other adjectives (crispy). Chiefly with monosyllables; with more than two the effect tends to become comedic.

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Variant forms in -y for short, common adjectives (vasty, hugy) helped poets after the loss of grammatically empty but metrically useful -e in late Middle English. Verse-writers adapted to -y forms, often artfully, as in Sackville's "The wide waste places, and the hugy plain." (and the huge plain would have been a metrical balk).

After Coleridge's criticism of it as archaic artifice, poets gave up stilly (Moore probably was last to make it work, with "Oft in the Stilly Night"), paly (which Keats and Coleridge himself had used) and the rest.

Jespersen ("Modern English Grammar," 1954) also lists bleaky (Dryden), bluey, greeny, and other color words, lanky, plumpy, stouty, and the slang rummy. Vasty survives, he writes, only in imitation of Shakespeare; cooly and moisty (Chaucer, hence Spenser) he regards as fully obsolete. But in a few cases he notes (haughty, dusky) they seem to have supplanted shorter forms.