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Origin and history of dusty

dusty(adj.)

early 13c., "filled, covered, or sprinkled with dust," from Old English dustig; see dust (n.) + -y (2). As "of the hue of dust; cloudy" from 1670s. Related: Dustiness.

also from early 13c.

Entries linking to dusty

dust(n.)

"fine, dry particles of earth or other matter so light that they can be raised and carried by the wind," Old English dust, from Proto-Germanic *dunstaz (source also of Old High German tunst "storm, breath," German Dunst "mist, vapor," Danish dyst "milldust," Dutch duist), from PIE *dheu- (1) "dust, smoke, vapor" (source also of Sanskrit dhu- "shake," Latin fumus "smoke").

Meaning "elementary substance of the human body, that to which living matter decays" was in Old English, hence, figuratively, "mortal life." Sense of "a collection of powdered matter in the air" is from 1570s. Dust-cover "protective covering to keep dust off" is by 1852; dust-jacket "detachable paper cover of a book" is from 1927.

To kick up the (or a) dust "cause an uproar" is from 1753, but the figurative use of dust in reference to "confusion, disturbance" is from 1560s, and compare Middle English make powder fly "cause a disturbance or uproar" (mid-15c.). For bite the dust see bite (v.).

-y(2)

very common adjective suffix, "full of, covered with, or characterized by" the thing expressed by the noun, Middle English -i, from Old English -ig, from Proto-Germanic *-iga-, from PIE -(i)ko-, adjectival suffix, cognate with elements in Greek -ikos, Latin -icus (see -ic). Germanic cognates include Dutch, Danish, German -ig, Gothic -egs.

It was used from 13c. with verbs (drowsy, clingy), and by 15c. with other adjectives (crispy). Chiefly with monosyllables; with more than two the effect tends to become comedic.

Variant forms in -y for short, common adjectives (vasty, hugy) helped poets after the loss of grammatically empty but metrically useful -e in late Middle English. Verse-writers adapted to -y forms, often artfully, as in Sackville's "The wide waste places, and the hugy plain." (and the huge plain would have been a metrical balk).

After Coleridge's criticism of it as archaic artifice, poets gave up stilly (Moore probably was last to make it work, with "Oft in the Stilly Night"), paly (which Keats and Coleridge himself had used) and the rest.

Jespersen ("Modern English Grammar," 1954) also lists bleaky (Dryden), bluey, greeny, and other color words, lanky, plumpy, stouty, and the slang rummy. Vasty survives, he writes, only in imitation of Shakespeare; cooly and moisty (Chaucer, hence Spenser) he regards as fully obsolete. But in a few cases he notes (haughty, dusky) they seem to have supplanted shorter forms.