Origin and history of knotty

Old English cnotta "intertwining of ropes, cords, etc.," from Proto-Germanic *knuttan- (source also of Low German knütte, Old Frisian knotta "knot," Dutch knot, Old High German knoto, German Knoten, perhaps also Old Norse knutr "knot, knob"). For pronunciation, see kn-.

Figurative sense of "difficult problem, a perplexity" was in Old English (compare Gordian knot). Symbolic of the bond of wedlock from early 13c. As an ornament of dress, first attested c. 1400. Meaning "thickened part or protuberance on tissue of a plant" is from late 14c. As "small group or cluster of persons" late 14c.

The nautical unit of measure of speed (1630s) is from the practice of attaching knotted string to the log line at equal distances (see log (n.2)). The ship's speed can be measured by the number of knots that play out while the sand glass is running.

The distance between the knots on the log-line should contain 1/120 of a mile, supposing the glass to run exactly half a minute. [Jorge Juan and Antonio de Ulloa, "A Voyage to South America" 1760]

Hence the word knot came also to be used as the equivalent of a nautical mile (in pre-World War II use in U.S. and Britain, about 6,080 feet). A speed of 10 knots will cover ten nautical miles in an hour (equivalent to a land speed of about 11.5 mph).

very common adjective suffix, "full of, covered with, or characterized by" the thing expressed by the noun, Middle English -i, from Old English -ig, from Proto-Germanic *-iga-, from PIE -(i)ko-, adjectival suffix, cognate with elements in Greek -ikos, Latin -icus (see -ic). Germanic cognates include Dutch, Danish, German -ig, Gothic -egs.

It was used from 13c. with verbs (drowsy, clingy), and by 15c. with other adjectives (crispy). Chiefly with monosyllables; with more than two the effect tends to become comedic.

*

Variant forms in -y for short, common adjectives (vasty, hugy) helped poets after the loss of grammatically empty but metrically useful -e in late Middle English. Verse-writers adapted to -y forms, often artfully, as in Sackville's "The wide waste places, and the hugy plain." (and the huge plain would have been a metrical balk).

After Coleridge's criticism of it as archaic artifice, poets gave up stilly (Moore probably was last to make it work, with "Oft in the Stilly Night"), paly (which Keats and Coleridge himself had used) and the rest.

Jespersen ("Modern English Grammar," 1954) also lists bleaky (Dryden), bluey, greeny, and other color words, lanky, plumpy, stouty, and the slang rummy. Vasty survives, he writes, only in imitation of Shakespeare; cooly and moisty (Chaucer, hence Spenser) he regards as fully obsolete. But in a few cases he notes (haughty, dusky) they seem to have supplanted shorter forms.