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Origin and history of pearly

pearly(adj.)

mid-15c., perli, "resembling a pearl or mother-of-pearl," from pearl + -y (2). Related: Pearliness. The pearly gates of Heaven (or the New Jerusalem) are attested by 1708, from Revelation xxi.21.

Entries linking to pearly

"nacreous mass formed in the shell of a bivalve mollusk as a result of irritation caused by some foreign body," early 14c., perle (mid-13c. as a surname), from Old French perle (13c.) and directly from Medieval Latin perla (mid-13c.), which is of unknown origin. Perhaps from Vulgar Latin *pernula, diminutive of Latin perna, which in Sicily meant "pearl," earlier "sea-mussel," literally "ham, haunch, gammon," so called for the shape of the mollusk shells.

Other theories connect it with the root of pear, also somehow based on shape, or Latin pilula "globule," with dissimilation. The usual Latin word for "pearl" was margarita (see margarite).

Used from 14c. of anything valuable or of the finest kind; from mid-15c. of something small, round, and glistening white. For pearls before swine, see swine. Pearl Harbor translates Hawaiian Wai Momi, literally "pearl waters," so named for the pearl oysters found there; transferred sense of "effective sudden attack" is attested from 1942 (in reference to Dec. 7, 1941).

very common adjective suffix, "full of, covered with, or characterized by" the thing expressed by the noun, Middle English -i, from Old English -ig, from Proto-Germanic *-iga-, from PIE -(i)ko-, adjectival suffix, cognate with elements in Greek -ikos, Latin -icus (see -ic). Germanic cognates include Dutch, Danish, German -ig, Gothic -egs.

It was used from 13c. with verbs (drowsy, clingy), and by 15c. with other adjectives (crispy). Chiefly with monosyllables; with more than two the effect tends to become comedic.

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Variant forms in -y for short, common adjectives (vasty, hugy) helped poets after the loss of grammatically empty but metrically useful -e in late Middle English. Verse-writers adapted to -y forms, often artfully, as in Sackville's "The wide waste places, and the hugy plain." (and the huge plain would have been a metrical balk).

After Coleridge's criticism of it as archaic artifice, poets gave up stilly (Moore probably was last to make it work, with "Oft in the Stilly Night"), paly (which Keats and Coleridge himself had used) and the rest.

Jespersen ("Modern English Grammar," 1954) also lists bleaky (Dryden), bluey, greeny, and other color words, lanky, plumpy, stouty, and the slang rummy. Vasty survives, he writes, only in imitation of Shakespeare; cooly and moisty (Chaucer, hence Spenser) he regards as fully obsolete. But in a few cases he notes (haughty, dusky) they seem to have supplanted shorter forms.

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    Trends of pearly

    adapted from books.google.com/ngrams/ with a 7-year moving average; ngrams are probably unreliable.

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