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Origin and history of poky

poky(adj.)

also pokey, 1828, of places, "confined, cramped, shabby," later (1856), of persons, "slow, dull;" from varied senses of poke (v.) + -y (2). Also see poke (n.3), which perhaps influenced it. Related: Pokily; pokiness.

Entries linking to poky

"to push or thrust against, to prod," especially with something long or pointed, c. 1300, puken, poken "to poke, nudge," a word of obscure origin, perhaps from or related to Middle Dutch poken "to poke" (Dutch beuken), or Middle Low German poken "to stick with a knife" (compare German pochen "to knock, rap"), implying a Proto-Germanic root *puk-, perhaps imitative. Related: Poked; poking.

To poke around "search" is from 1809; to poke along "advance lazily; walk at a leisurely pace" is from 1833. The sense evolution there might be via the notion of "grope, search, feel, or push one's way in or as in the dark;" poke meaning "work in a desultory, ineffective way" is attested from 1796, and poking "pottering" is by 1769. To poke fun "tease" is attested by 1811.

When I told her I had drawn the ten thousand dollar prize in the lottery, she said I wanted to poke fun into her, which you see was no such thing. [Boston Review, February 1811, quoting from a humorous pamphlet on the U.S. Bank by "Abimelech Coody, Esq., ladies' shoemaker"]

very common adjective suffix, "full of, covered with, or characterized by" the thing expressed by the noun, Middle English -i, from Old English -ig, from Proto-Germanic *-iga-, from PIE -(i)ko-, adjectival suffix, cognate with elements in Greek -ikos, Latin -icus (see -ic). Germanic cognates include Dutch, Danish, German -ig, Gothic -egs.

It was used from 13c. with verbs (drowsy, clingy), and by 15c. with other adjectives (crispy). Chiefly with monosyllables; with more than two the effect tends to become comedic.

*

Variant forms in -y for short, common adjectives (vasty, hugy) helped poets after the loss of grammatically empty but metrically useful -e in late Middle English. Verse-writers adapted to -y forms, often artfully, as in Sackville's "The wide waste places, and the hugy plain." (and the huge plain would have been a metrical balk).

After Coleridge's criticism of it as archaic artifice, poets gave up stilly (Moore probably was last to make it work, with "Oft in the Stilly Night"), paly (which Keats and Coleridge himself had used) and the rest.

Jespersen ("Modern English Grammar," 1954) also lists bleaky (Dryden), bluey, greeny, and other color words, lanky, plumpy, stouty, and the slang rummy. Vasty survives, he writes, only in imitation of Shakespeare; cooly and moisty (Chaucer, hence Spenser) he regards as fully obsolete. But in a few cases he notes (haughty, dusky) they seem to have supplanted shorter forms.

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    Trends of poky

    adapted from books.google.com/ngrams/ with a 7-year moving average; ngrams are probably unreliable.

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