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Origin and history of sketchy
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1660s, scetch, "rough drawing intended to serve as the basis for a finished picture," from Dutch schets or Low German skizze, both apparently being 17c. artists' borrowings from Italian schizzo "sketch, drawing."
This is commonly said to be from Latin *schedius (OED compares schedia "raft," schedium "an extemporaneous poem"), which is from or related to Greek skhedios "temporary, extemporaneous, done or made off-hand," related to skhema "form, shape, appearance" (see scheme (n.)). But according to Barnhart Italian schizzo is a special use of schizzo "a splash, squirt," from schizzare "to splash or squirt," a word of uncertain origin. German Skizze, French esquisse, Spanish esquicio are said to be likewise from Italian schizzo.
The extended sense of "brief account" is from 1660s. The meaning "short and slightly constructed play or performance, usually comic" is from 1789; in music, "short composition of a single movement," 1840. Sketch-book "book with blank leaves of drawing paper" is recorded from 1820; it also was used of printed books composed of literary sketches.
In old slang, a hot sketch (simple sketch for short) was "amusing, ridiculous person" (1909). It turns up first in descriptions of stage entertainment, and a theatrical help-wanted ad from 1906 seeks "a good hot sketch team" for "all circus and vaudeville lines."
Miss Cora Martini, the Cuban dancer, might be termed a hot sketch. When Girard announced her, the crowd asked her age. Girard said he didn't know as he never liked to ask ladies personal questions. The house told him it was just as well, seeing she wouldn't tell him anyhow. ["Amateur Night at the Gotham," Brooklyn Weekly Chat, Nov. 30, 1907]
very common adjective suffix, "full of, covered with, or characterized by" the thing expressed by the noun, Middle English -i, from Old English -ig, from Proto-Germanic *-iga-, from PIE -(i)ko-, adjectival suffix, cognate with elements in Greek -ikos, Latin -icus (see -ic). Germanic cognates include Dutch, Danish, German -ig, Gothic -egs.
It was used from 13c. with verbs (drowsy, clingy), and by 15c. with other adjectives (crispy). Chiefly with monosyllables; with more than two the effect tends to become comedic.
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Variant forms in -y for short, common adjectives (vasty, hugy) helped poets after the loss of grammatically empty but metrically useful -e in late Middle English. Verse-writers adapted to -y forms, often artfully, as in Sackville's "The wide waste places, and the hugy plain." (and the huge plain would have been a metrical balk).
After Coleridge's criticism of it as archaic artifice, poets gave up stilly (Moore probably was last to make it work, with "Oft in the Stilly Night"), paly (which Keats and Coleridge himself had used) and the rest.
Jespersen ("Modern English Grammar," 1954) also lists bleaky (Dryden), bluey, greeny, and other color words, lanky, plumpy, stouty, and the slang rummy. Vasty survives, he writes, only in imitation of Shakespeare; cooly and moisty (Chaucer, hence Spenser) he regards as fully obsolete. But in a few cases he notes (haughty, dusky) they seem to have supplanted shorter forms.
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