About this ebook
Many women indulge in lingerie to please men. Yet, since antiquity, women have always kept lingerie hidden away under outer garments. Thus, lingerie must be more than erotic bait.
Authors Muriel Barbier and Shazia Boucher have researched iconography to explore the relationship of lingerie to society, revealing the economy and corridors of intimacy. They correlate lingerie with emancipation, querying whether it asserts newfound freedoms or simply adjusts to changing social values. This Mega Square book contains pictures of lingerie from the 17th to the 21st century.
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Reviews for Lingerie
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- Rating: 2 out of 5 stars2/5A complete history of lingerie without being sexy.
Book preview
Lingerie - Klaus Carl
Foreword
Know, first, who you are, and then adorn yourself accordingly.
— Epictetus
Lingerie is directly and very strongly related to a woman’s intimacy. For centuries, men have always believed that lingerie was created with the aim of seducing them. This desire to seduce undeniably exists.
However, in choosing to wear pretty and seductive underwear, women behave and carry themselves in a slightly egoistic and indeed narcissistic way. Furthermore, lingerie can help a woman feel good about her body, helping her thus to like and accept it, and in doing this, affirming a real sense of self-confidence. The reason behind it is simple. Surprisingly, although no-one can see our underwear, it contributes effectively in enhancing our silhouette and sometimes even shaping it to our personal preferences.
All too often, lingerie has been treated as an object of seduction. Men themselves have created this phenomenon: to see a woman only in her underwear is infinitely more sensual and sexual than seeing a woman entirely naked. One could associate lingerie with high heels for the latter effect, the way in which a woman walks, making her more seductive, charming and provocative.
Associated with stockings, high heels have a power, an obvious fetishist virtue, for both men and women. The perception and judgement of the female body has gone through changes over the years, if one compares for example, our time, the beginning of the 21st century, to the years between 1960 and 1970.
In the 1960s, when a woman married, and moreover when she became a mother, her body could no longer be considered seductive. Today, this outlook is completely old-fashioned and obsolete. Women feel the need to be attractive, whatever their age, whether it be prior to marriage or after, and even years later.
As proof, a grandmother today can still be a beautiful woman and feel it by dressing herself in some appealing underwear, which enables her to make her body more beautiful. This evolution (or revolution?) of morals concerning lingerie is directly related to the innovations and technical contingencies in the creation of underwear, and the subjection to historical events. The history of lingerie deserves to be put in the spotlight. Lingerie, in contrast with the world of fashion, is a state of mind. One can love lingerie and envy looking after one’s body whether one is 15 or 75! The world of prêt-à-porter is a completely different universe from that of the world of underwear.
Clothes always target a particular age group: the fashion of a teenage 15 year-old is different from that of a 30 year-old woman.
This is why lingerie is more a question of mentality and of human nature. A plump woman can feel good in her body, accept who she is and have a desire to emphasize that beauty by wearing gorgeous underwear. Lingerie should respond to all these aspirations and suit every kind of woman. A designer’s work should be orientated towards this fulfilment.
To create lingerie that satisfies different women's styles, one should observe those women who surround you: daughters, assistants, even women in the street! Poses, which one notices in films, can also help to inspire. Besides those who surround, who play an important role in suggesting new designs, the material is also a source of inspiration.
The fabrics are essential. Lingerie is the type of clothing worn closest to the female body and is in contact with its intimacy, the fabrics and lace have to