Silent In The Grave
4/5
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About this ebook
“Let the wicked be ashamed, and let them be silent in the grave. ”
London, 1886
For Lady Julia Grey, her husband’s sudden death at a dinner party is extremely inconvenient, not to mention an unpardonable social gaffe. Once the shock has passed, however, things take rather a turn for the worse. Her eccentric relations descend en masse (and her odious Aunt Ursula clearly intends to stay until another relative expires elsewhere), and Julia is forced to drape the mirrors in crepe and herself in endless widow’s black.
But when swarthy, inscrutable private investigator Nicholas Brisbane tells her that her husband’s death may not have been due to natural causes, Lady Julia finds herself thrust into surroundings she could never have imagined, from the elegant home of a renowned courtesan, to a volatile boxing match in a gypsy camp.
As the truth begins to emerge, Julia discovers that she has much to learn; about her husband, herself and the infuriating, mysterious and very attractive, Mr Brisbane…
Set in the extravagant surroundings of upper-class Victorian England, and introducing the compelling, charismatic Lady Julia Grey this is a must read!
Deanna Raybourn
New York Times bestselling author Deanna Raybourn graduated from the University of Texas at San Antonio with a double major in English and history and an emphasis on Shakespearean studies. She taught high school English for three years in San Antonio before leaving education to pursue a career as a novelist. Deanna makes her home in Virginia, where she lives with her husband and daughter and is hard at work on her next novel.
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Reviews for Silent In The Grave
77 ratings86 reviews
- Rating: 4 out of 5 stars4/5Rather enjoyed this! I often go into romance somewhat unwillingly because very few authors hit the right combination for me so that the cringe-factor will be held at a minimum. So far, those books by Georgette Heyer I've read have been enjoyable. I like spunky heroines who defy convention, and I guess that's pretty much the going thing nowadays. This first story in the series focuses almost exclusively on the mystery, which is finding out who could have been out to murder Lady Julia's murder, and in the process having to work with someone rather inconvenient. Blessedly, all bodices stayed intact. I'm actually looking forward to the next book and don't even feel weird about it. The quality of writing and story in Harlequin romances sure has improved since the 80s...
- Rating: 3 out of 5 stars3/5A very enjoyable read. Lady Julia Grey comes from a large family of eccentric aristocrats in late 19th Century England. Her marriage leaves a lot to be wished for and she yearns for a larger life and a greater love. The death of her husband under mysterious circumstances draws her into the orbit of the fascinating investigator Nicolas Brisbane and a sleuthing role in the discovery of the solution of the mystery.
- Rating: 3 out of 5 stars3/5I'm hesitant giving this book three stars. While it was an interesting read,(and I liked the main characters), it drrrrrrrraaaaaagggggggeeeddd on and on, at various points. What was worst, it wouls happen, just as something relevant to the mystery was discovered.
Hopefully, now that A LOT of ground work was laid in the first book, the series will get better. - Rating: 4 out of 5 stars4/5Enjoyable read. Dialogue is witty. Writing fits the period. Looking forward to the rest of the series.
- Rating: 3 out of 5 stars3/5Interesting historical mystery. Held my interest most of the time.
- Rating: 4 out of 5 stars4/5A light hearted Victoriana mystery. Bit slow at first but picks up the pace. Definitely structured to be the first in the series reather than a free standing novel but all good!
- Rating: 4 out of 5 stars4/5At a dinner party Sir Edward Grey collapses and is soon dead. Everyone believes it was from his family's curse of heart problems, but dinner guest Nicholas Brisbane has the audacity to suggest foul play to Edward's wife Julia. It is some time later that Lady Julia finds a threatening note in Edward's study and realizes that Brisbane was right. She hires him to investigate the murder, but insists on being partners in the investigation.
I enjoyed everything about this book: the writing, the characters, the murder mystery. (Even though I figured it out fairly early, it didn't spoil the story.) I also loved the tension between Brisbane and Julia. Very entertaining, and I'm looking forward to reading the rest of the series. - Rating: 5 out of 5 stars5/5A wonderful story with more to follow
- Rating: 4 out of 5 stars4/5Julia Grey's husband Edward dies suddenly. With the help of the dashing and broody Nicholas Brisbane she sets out to find who may have killed her husband. This book instantly appealed to me because of the setting of victorain England and also it featured gypsies with the hero Brisbane being half gypsy. I felt that I was in the victorian period as a lot of detail went into to the story. I was also drawn into to the story very quickly snd enjoyed the narrative of Julia.What I didn't enjoy was the fact that the book was overlong and at times there wasnt a lot happening. It had taken me a good two weeks to plough through this book st a snail's pace. At times I felt like giving up but then something woukd happen to gain my interest back.Eventually finished the book was overall not too bad just overlong. I loved Nicholas Brisbane and his gypsy connections. I feel if I could have got stuck into the book more I would have perhaps enjoyed it better.
- Rating: 4 out of 5 stars4/5So I enjoyed this book.
I feel like it should be a guilty pleasure, but I like the period and I like mysteries.
The characters could be considered contrived and taken from any number well known stories. Lady Julia may be too progressive for the age. Brisbane may be too pouty.
The writing is good, flows nicely, and I want to keep reading.
There are a couple instances where Raybourn implies an action, but isn't truly successful in the imagery.
All said, it is enjoyable and sometimes that is all one needs in a book. - Rating: 4 out of 5 stars4/5I really like Victorian mysteries and couldn't put this one down. A week after Lady Julia Grey's husband's death, Nicholas Brisbane approaches her and tells her that her husband had hired him to look into who would want to murder him. He had received threatening letters but she doesn't believe him and sends him away. A year later while Julia was going through her husband's things she finds a letter and wants Brisbane to investigate. He's reluctant because too much time has passed but agrees when he sees how determined she is to look into the matter herself not realizing the danger. This is the start of their relationship as she learns what her husband's secrets were and what Brisbane's secrets are.
- Rating: 2 out of 5 stars2/5The book opens thusly: "To say that I met Nicholas Brisbane over my husband's dead body is not entirely accurate. Edward, it should be noted, was still twitching upon the floor."
An excellent beginning! It is, unfortunately, all downhill from there. Lady Julia Grey, the narrator and heroine, is a sensible, good hearted gentlewoman far ahead of her time. She's a very readable character, although a bit too anachronistic. I would like to read a book in which she simply goes through life. Unfortunately, the author is determined to write mysterious romances. To solve her husband's murder, Julia engages the gentleman detective Nicholas Brisbane. He is swarthy and sarcastic and secretly excellent at fighting and music and can speak every language ever and etc--a horrible, hodgepodge collection of stereotypes that makes him well-nigh unreadable. The mystery is not any better: fifty pages from the end, the author remembers that this is a mystery novel and suddenly all sorts of clues start falling into place.
I was disappointed with this book. Raybourn obviously did some research into the Victorian era, and the March family (of which Julia is a member) is an interesting one. But the sloppiness of the mystery and the trite hero decreased my enjoyment considerably. - Rating: 5 out of 5 stars5/5All i can say is why cant I find a Nicholas Brisbane for myself!! Hot, hot, hot!!! Im so glad I found another series that I love! It was a great story, all of the little side stories intertwined perfectly, the character development i thought was fantastic. Raybourne even makes Ravens loveable & cute!! Im thinking where can i get a pet Raven from?? Lol Anyways, this series is must-read, put all other books aside!!!
- Rating: 3 out of 5 stars3/5Raybourn's writing reminds me of C S Harris, the time and manner of the mystery of very similar, so far, I have not decided which I like better. The characters and setting are vivid, but Raybourn does not bring as much actual English history into the story as does Harris. This is a lengthy novel, but interesting throughout. I had decided on two possible characters as the murderer, and I guessed correctly. I would recommend this novel or series to any reader of historic fiction.
- Rating: 5 out of 5 stars5/5I guessed the twist at the end, but I didn't care, because I was enjoying the experience so much. Lady Julia strikes a good balance between liberal sensibilities (for her time) and conventionality. As with the Milan books I've been enjoying so much lately, there's an eye cast over the parts of Victorian society that were usually overlooked, including a mention of Victoria, herself.
Honestly, I think I would have enjoyed it even more without the special talent of Brisbane's. This was mournful, in the best possible way. I look forward to the rest of the series.
Library copy - Rating: 5 out of 5 stars5/5I honestly can't say enough good things about this book. In less capable hands the characters and the mystery could have been boring, predictable, and offensive. Reading Silent in the Grave was nothing less than a pleasure and I look forward to beginning the second book in the series as soon as I can.
- Rating: 4 out of 5 stars4/5A historical mystery novel about the death of Lady Julia Greys husband and her subsequent attempts to solve the mystery of his murder. Helped by broody, dark hero Nicholas Brisbane. Highly entertaining and enjoyable. The foreshadowing was possibly laid on a little too thick for my liking, hence the 4 stars. Well worth a read though and I'm looking forward to reading the 2nd book in the series.
- Rating: 1 out of 5 stars1/5I'm about 100 pages into this, and I just can't bring myself to go any further. This isn't something that happens often, and I was actually very much looking forward to this one. I just don't care what happens next.
The characters are coming across as flat to me, and I don't particularly like any of them. But mostly, it's the historical incorrectness that bothers me - sure, the setting and the clothes are right, but the way the characters behave is definitely not. It just keeps pulling me out of the story to roll my eyes and say "Yeah, right." I don't mind a woman in a historical novel with somewhat modern sensibilities, but the characters in this one act and think like it could be 2011. I'm just not that impressed, and there are far too many books to read and enjoy - I even gave it longer than the "50 page test," so I feel okay about putting this one down. - Rating: 3 out of 5 stars3/5This was a fairly enjoyable read, although I found it dragged in places, and it was one of those novels where the characters go to great lengths never to have a frank conversation with one another. I enjoyed the humorous tone, and I liked Julia and Nicholas, but I don't think I'll continue with this series.
- Rating: 3 out of 5 stars3/5I enjoyed this book. It started well and ended well but the middle dragged on a bit. I think the author could easily have shaved about a hundred pages off it. Will I read other books in this series? Yes, possibly.
- Rating: 4 out of 5 stars4/5Silent in the Grave
4 Stars
Lady Julia Grey is not surprised when her ailing husband dies until private inquiry agent, Nicholas Brisbane, approaches her with the claim that her husband was murdered. Disbelieving at first, Julia soon comes to realize that there is more to Edward Grey’s death than meets the eye and something sinister is afoot right under her very nose.
A well written historical mystery with an intriguing if rather unoriginal plot, compelling characters and detailed historical background focusing on the social mores and customs of Victorian England.
The whodunit develops slowly, but there are sufficient red-herrings to keep you guessing, and the villain and motivation are quite interesting especially considering the time period.
Like the mystery, Julia and Brisbane's romance is slow to build. Their love/hate relationship has definite potential and their chemistry simmers just beneath the surface, but nothing actually comes of it and this is disappointing.
Julia and Nicolas fare better as individuals. She is sensible and pragmatic albeit a little snooty at times, and he very enigmatic with his dark and brooding mien and secretive nature. A comparison with Sherlock Holmes is inevitable (expert violinist, absinth addiction, chemical experiments and mood swings), but this is not a drawback for me. The one thing that does grate is the inclusion of his psychic ability, which adds nothing to his characterization.
Julia’s quirky family is not consistent with the Victorian setting although they are very endearing and add an entertaining comic relief to the story.
Ellen Archer’s narration is good with the appropriate accents and inflection. If there were one thing I would change it would be the first person perspective, which is limiting for a mystery and prevents the reader from accessing Brisbane’s POV.
Overall, an enjoyable story and I'm looking forward to the next installment. - Rating: 2 out of 5 stars2/5Alas, I should have checked the publisher before downloading this from audible. If I’d seen the Harlequin name there I would have saved myself some trouble. This is not my thing. Too much romance and breathy innuendo and too little mystery. Too many character cliches. Too many modern ideas. Really, Lady Julia, enough with your cross-class do-gooder motif. I know there had to be some women who thought a bit like she did, but it didn’t ring true and that axe just kept getting ground. I don’t think there’s any left. I figured who had to have done it pretty early and so the culprit wasn’t a surprise. Overall disappointing. Lady Julia’s bosom will just have to go on heaving without me.
- Rating: 2 out of 5 stars2/5I gave this a good long chance -- got about half-way through -- and when I was in the right mood for it, it was okay. I found Brisbane interesting, as a character, even if I didn't like him, though I couldn't get fond of Julia as a narrator. She's just too... bland. Her family sound amazing, and if she were more like them, maybe. But all her focus on how not-attractive she finds Brisbane wore on me. I wish she'd been more active, and cleverer.
So, note that my rating can take no account of the ending, because I haven't finished it. Maybe if I find out it has a beautiful structure and a wonderful reveal at the end... maybe I'll try it again. - Rating: 4 out of 5 stars4/5The Julia Grey books are hybrid mystery-romances set in the Victorian period, best suited to readers who enjoy both genres. Mystery is the dominant element in each book, but the romance between Julia Grey and Nicholas Brisbane is the backbone to the trilogy. The slow, methodical development of the mysteries is nicely counterbalanced by the tempestuous relationship that develops between Julia and Brisbane. The writing is elegant and rich, very immersive.
SILENT IN THE GRAVE introduces us to our heroine, Lady Julia Grey, and begins with her husband's murder. As the winning first line of the novel tells us: "To say that I met Nicholas Brisbane over my husband's dead body is not entirely accurate. Edward, it should be noted, was still twitching upon the floor." Julia had been quiet, obedient, and dull all her life - widowhood is the making of her. Her bold, warm nature flourishes as she embraces her independence.
When Julia realizes her husband was murdered, more than a year after he died, she is determined to find the killer - no matter how cold the trail. To succeed, she needs the help of Nicholas Brisbane, the private investigator her late husband hired before his death to investigate a series of ominous threats. Brisbane is the kind of dark, dangerous hero who's as abrasive as he is seductive. I occasionally found him difficult to like - while helplessly turning pages, anxious to find out what he'd say or do next.
I devoured the whole trilogy. The atmosphere of each book is wonderfully distinct and Raybourn does a wonderful job setting the scene - it's full of rich period detail, and everyone has a story to tell. The whole cast of characters is magnificent, including every single member of Julia Grey's rather large family - she's one of ten children. Although I sometimes solved the whodunit a little early in the story, there were plenty of details I couldn't guess and had to read on to discover.
I started the trilogy expecting something along the lines of Dorothy Sayers, but the homage was really towards the Bronte sisters, Gothic mysteries, and maybe a dash of Sherlock Holmes. All in all, highly recommended. - Rating: 4 out of 5 stars4/5Really a very well-written book overall, and perhaps it was just the right thing at the right time, but it was surprisingly entertaining too - I found myself reading a good hundred pages per day almost without realizing it. Enjoyed the fact that it's over 500 pages, since a lot of what I've read lately is less.
When I was three-fourths done I had planned to give it an enthusiastic five stars, but for me the ending didn't live up to the expectations that the rest of the novel set. I suppose it's mostly because a lot of what happened in the final two chapters seemed so *typical* to me, and I'd grown to hope for something stunningly original. One of the blurbs on the back complemented a particularly unexpected twist at the end, which I didn't see at all. Okay, so I *didn't* expect it, but the twist didn't seem all that brilliant, and I feel like I knew where the author was going before she intended the reader to know. Based on the ending alone I'd give it three stars.
Then there were a few passages of dialogue that didn't seem at all up to the standard set by the rest of the book. I wish another six months had been spent on editing to make Silent In The Grave every bit as good as it could have been.
Still, it was a very good book - the fact that I began to expect more doesn't change that fact. I'm definitely looking forward to reading the sequel. - Rating: 5 out of 5 stars5/5When I reached the last word of this story, I immediately wanted to turn back to the first page and read it all over again. Silent in the Grave is perfectly executed in every way. The mystery is complex and unpredictable with exciting, sometimes chilling twists and subtle clues sprinkled throughout. Moreover, the characters are engaging and nuanced - no one is what they seem - and Lady Julia is a dynamic, likable heroine whose narration brings suspense, humor, and emotion to the story. Overall, an outstanding debut.
- Rating: 1 out of 5 stars1/5This is the second and the final try of reading this series. I couldn't push through more than 52% of the book. To me, it has three main problems. 1. It's written by a decidedly modern American author. The style, dialogues and the endless small conflicts in the story feel forced and fake. It gets in the way of enjoying the actual story.2. The actual story moves very slow. It's a murder mystery as far as I can tell, I'm 50% into the book and only three signifant things have happened, the rest is the mundane daily life of the rather colourless protagonist and her largely pointless musings. 3. I'm not entirey sure, this could even be one of those "supernatural murder mystery/romance" stories that are all the rage nowadays. If so, the opening has been dragged out for so long I'm not even interested in whatever the hell is going on with the male protagonist any more. There is usually a few months time between me buying books for whatever reason and reading them because I enjoy diving into a story not knowing what it's about. But if this book is marketed as "paranormal romance/mystery", the readers who read it for that reason must be quite frustrated halfway into it. My sympathies to them. I'm not soldiering on any longer.
- Rating: 4 out of 5 stars4/5A bit romancy for me, and a bit obvious with regard to a few parts, but a pleasant read nonetheless. Interesting characters well drawn.
- Rating: 4 out of 5 stars4/5Silent in the Grave is billed as a murder mystery, but it is more about style and relationships than about solving a crime. Julia's husband dies after a seizure at a party the couple were hosting. Her reaction is surprising until we learn how little passion there was in their union. Her relationship with a detective, Nicholas Brisbane, is a different story, which is evident as they start to work together to determine if her husband was murdered and, if so, by whom. The detective work in the plot seems weak. Suspects are dismissed on intuition and clues are found through luck, but the way Julia learns more and more about Nicholas makes the book worth reading. They are drawn to each other's strengths, but fearful as they learn their flaws.
Raybourn's language is wonderful and pulls the reader into the eloquence of the wealthy class in 19th century England. Here is a description of Julia listening to Nicholas play a violin.
His eyes remained closed as his fingers flew over the strings, spilling forth surely more notes than were possible from a single violin. For one mad moment I actually thought there were more of them, an entire orchestra of violins spilling out of this one instrument. I had never heard anything like it--it was poetry and seduction and light and shadow and every other contradiction I could think of. It seemed impossible to breathe while listening to that music, and yet all I was doing was breathing, quite heavily. The music itself had become as palpable a presence in that room as another person would have been--and its presence was something out of myth.
This book is the first in a series. I would like to read more. - Rating: 3 out of 5 stars3/5Originally posted at The Wandering Fangirl.
I enjoyed Silent in the Grave, but I'm still not sure why. There were many things that should have stopped me from reading very early on: the writing was decent, but not very strong; the plot didn't really seem to matter because our protagonist kept doing other things; there was the most random acceptance of feminism and homosexuality for the time period; the lead male and possible romantic aspect was waaaay too Interesting and Different and Perfect. But I still read on. I STILL READ ON. Maybe it was Lady Julia herself, maybe it was the fact that she didn't just blunder into clues and when she did do something stupid, she got called out on it. I don't know. I just know that I still read and was interested in every single chapter despite my problems with it.
Book preview
Silent In The Grave - Deanna Raybourn
THE FIRST CHAPTER
London, 1886
Other sins only speak; murder shrieks out.
—John Webster
The Duchess of Malfi
To say that I met Nicholas Brisbane over my husband’s dead body is not entirely accurate. Edward, it should be noted, was still twitching upon the floor.
I stared at him, not quite taking in the fact that he had just collapsed at my feet. He lay, curled like a question mark, his evening suit ink-black against the white marble of the floor. He was writhing, his fingers knotted.
I leaned as close to him as my corset would permit.
Edward, we have guests. Do get up. If this is some sort of silly prank—
He is not jesting, my lady. He is convulsing.
An impatient figure in black pushed past me to kneel at Edward’s side. He busied himself for a few brisk moments, palpating and pulse-taking, while I bobbed a bit, trying to see over his shoulder. Behind me the guests were murmuring, buzzing, pushing closer to get a look of their own. There was a little thrill of excitement in the air. After all, it was not every evening that a baronet collapsed senseless in his own music room. And Edward was proving rather better entertainment than the soprano we had engaged.
Through the press, Aquinas, our butler, managed to squeeze in next to my elbow.
My lady?
I looked at him, grateful to have an excuse to turn away from the spectacle on the floor.
Aquinas, Sir Edward has had an attack.
And would be better served in his own bed,
said the gentleman from the floor. He rose, lifting Edward into his arms with a good deal of care and very little effort, it seemed. But Edward had grown thin in the past months. I doubted he weighed much more than I.
Follow me,
I instructed, although Aquinas actually led the way out of the music room. People moved slowly out of our path, as though they regretted the little drama ending so quickly. There were some polite murmurs, some mournful clucking. I heard snatches as I passed through them.
The curse of the Greys, it is—
So young. But of course his father never saw thirty-five.
Never make old bones—
Feeble heart. Pity, he was always such a pleasant fellow.
I moved faster, staring straight ahead so that I did not have to meet their eyes. I kept my gaze fixed on Aquinas’ broad, black-wool back, but all the time I was conscious of those voices and the sound of footsteps behind me, the footsteps of the gentleman who was carrying my husband. Edward groaned softly as we reached the stairs and I turned. The gentleman’s face was grim.
Aquinas, help the gentleman—
I have him,
he interrupted, brushing past me. Aquinas obediently led him to Edward’s bedchamber. Together they settled Edward onto the bed, and the gentleman began to loosen his clothes. He flicked a glance toward Aquinas.
Has he a doctor?
Yes, sir. Doctor Griggs, Golden Square.
Send for him. Although I dare say it will be too late.
Aquinas turned to me where I stood, hovering on the threshold. I never went into Edward’s room. I did not like to do so now. It felt like an intrusion, a trespass on his privacy.
Shall I send for Lord March as well, my lady?
I blinked at Aquinas. Why should Father come? He is no doctor.
But Aquinas was quicker than I. I had thought the gentleman meant that Edward would have recovered from his attack by the time Doctor Griggs arrived. Aquinas, who had seen more of the world than I, knew better.
He looked at me, his eyes carefully correct, and then I understood why he wanted to send for Father. As head of the family he would have certain responsibilities.
I nodded slowly. Yes, send for him.
I moved into the room on reluctant legs. I knew I should be there, doing whatever little bit that I could for Edward. But I stopped at the side of the bed. I did not touch him.
And Lord Bellmont?
Aquinas queried.
I thought for a moment. No, it is Friday. Parliament is sitting late.
That much was a mercy. Father I could cope with. But not my eldest brother as well. And I suppose you ought to call for the carriages. Send everyone home. Make my apologies.
He left us alone then, the stranger and I. We stood on opposite sides of the bed, Edward convulsing between us. He stopped after a moment and the gentleman placed a finger at his throat.
His pulse is very weak,
he said finally. You should prepare yourself.
I did not look at him. I kept my eyes fixed on Edward’s pale face. It shone with sweat, its surface etched with lines of pain. This was not how I wanted to remember him.
I have known him for more than twenty years,
I said finally, my voice tight and strange. We were children together. We used to play pirates and knights of the Round Table. Even then, I knew his heart was not sound. He used to go quite blue sometimes when he was overtired. This is not unexpected.
I looked up then to find the stranger’s eyes on me. They were the darkest eyes I had ever seen, witch-black and watchful. His gaze was not friendly. He was regarding me coldly, as a merchant will appraise a piece of goods to determine its worth. I dropped my eyes at once.
Thank you for your concern for my husband’s health, sir. You have been most helpful. Are you a friend of Edward’s?
He did not reply at once. Edward made a noise in the back of his throat and the stranger moved swiftly, rolling him onto his side and thrusting a basin beneath his mouth. Edward retched, horribly, groaning. When he finished, the gentleman put the basin to the side and wiped his mouth with his handkerchief. Edward gave a little whimper and began to shiver. The gentleman watched him closely.
Not a friend, no. A business associate,
he said finally. My name is Nicholas Brisbane.
I am—
I know who you are, my lady.
Startled at his rudeness, I looked up, only to find those eyes again, fixed on me with naked hostility. I opened my mouth to reproach him, but Aquinas appeared then. I turned to him, relieved.
Aquinas?
The carriages are being brought round now, my lady. I have sent Henry for Doctor Griggs and Desmond for his lordship. Lady Otterbourne and Mr. Phillips both asked me to convey their concern and their willingness to help should you have need of them.
Lady Otterbourne is a meddlesome old gossip and Mr. Phillips would be no use whatsoever. Send them home.
I was conscious of Mr. Brisbane behind me, listening to every word. I did not care. For some unaccountable reason, the man thought ill of me already. I did not mind if he thought worse.
Aquinas left again, but I did not resume my post by the bed. I took a chair next to the door and remained there, saying nothing and wondering what was going to happen to all of the food. We had ordered far too much in any event. Edward never liked to run short. I could always tell Cook to serve it in the servants’ hall, but after a few days even the staff would tire of it. Before I could decide what to do with the lobster patties and salad molds, Aquinas entered again, leading Doctor Griggs. The elderly man was perspiring freely, patting his ruddy face with a handkerchief and gasping. He had taken the stairs too quickly. I rose and he took my hand.
I was afraid of this,
he murmured. The curse of the Greys, it is. All snatched before their time. My poor girl.
I smiled feebly at him. Doctor Griggs had attended my mother at my birth, as well as her nine other confinements. We had known each other too long to stand on ceremony. He patted my hand and moved to the bed. He felt for Edward’s pulse, shaking his head as he did so. Edward vomited again, and Doctor Griggs watched him carefully, examining the contents of the basin. I turned away.
I tried not to hear the sounds coming from the bed, the groans and the rattling breaths. I would have stopped my ears with my hands, but I knew it would look childish and cowardly. Griggs continued his examination, but before he finished Aquinas stepped into the room.
Lord March, my lady.
He moved aside and Father entered.
Julia,
he said, opening his arms. I went into them, burying my face against his waistcoat. He smelled of tobacco and book leather. He kept one arm tucked firmly around me as he looked over my head.
Griggs, you damned fool. Julia should have been sent away.
The doctor made some reply, but I did not hear it. My father was pushing me gently out the door. I tried to look past him, to see what they were doing to Edward, but Father moved his body and prevented me. He gave me a sad, gentle smile. Anyone else might have mistaken that smile, but I did not. I knew he expected obedience. I nodded.
I shall wait in my room.
That would be best. I will come when there is something to tell.
My maid, Morag, was waiting for me. She helped me out of my silk gown and into something more suitable. She offered me warm milk or brandy, but I knew I would never be able to hold anything down. I only wanted to sit, watching the clock on the mantel as it ticked away the minutes left.
Morag continued to fuss, poking at the fire and muttering complaints about the work to come. She was right about that. There would be much work for her when I put on widow’s weeds. It was unlucky to keep crepe in the house, I reminded myself. It would have to be sent for after Edward passed. I thought about such things—crepe for the mirrors, black plumes for the horses—because then I did not have to think about what was happening in Edward’s room. It was rather like waiting for a birth, these long, tense minutes of sitting, straining one’s ears on tiptoe for the slightest sound. I expected to hear something, but the walls were thick and I heard nothing. Even when the clock struck midnight, the little voice on my mantel chiming twelve times, I could not hear the tall case clock in the hall. I started to mention the peculiarity of it to Morag, because one could always hear the case clock from any room in the house, when I realized what it meant.
Morag, the clocks have stopped.
She looked at me, her lips parted to speak, but she said nothing. Instead she bowed her head and began to pray. A moment later, the door opened. It was Father. He said nothing. I went to him and his hand cradled my head like a benediction. He held me for a very long time, as he had not done since I was a child.
It is all right, my dear,
he said finally, sounding older and more tired than I had ever heard him. It is over.
But of course, he was entirely wrong. It was only the beginning.
THE SECOND CHAPTER
He heaps up riches, and he heaps up sorrow, It’s his today, but who’s his heir tomorrow?
—Anne Bradstreet
The Vanity of All Worldly Things
The days leading up to the funeral were dire, as such days almost always are. Too many people, saying too many pointless things—the same pointless things that everyone always says. Such a tragedy, so unexpected, so very, very dreadful. And no matter how much you would like to scream at them to go away and leave you alone, you cannot, even if they are your family.
Especially if they are your family. In the week following Edward’s death, I was inundated with March relations. They flocked from the four corners of the kingdom, as mindful of the pleasures of London as their family duty. As etiquette did not permit me to be seen in public, they came to me at Grey House. The men—uncles, brothers, cousins—briefly paid their respects to Edward, laid out with awful irony in the music room, then spent the rest of their time arguing politics and arranging for amusements that would get them out of the house. My only consolation was the fact that, like locusts, they managed to finish off all of the leftover food from the night Edward died.
The women were little better. Under Aunt Hermia’s direction, the funeral was planned, the burial arranged, and my household turned entirely on its head. She carried around with her a notebook filled with endless lists that she was forever consulting with a frown or ticking off with a satisfied smile. There was the crepe to be ordered, mourning wreaths, funeral cards, black-bordered writing paper to be purchased, the announcement for the Times, and of course my wardrobe.
Unrelieved black,
she informed me, her brow furrowed as she struggled to make out her own handwriting. There must be no sheen to the fabric and no white or grey,
she reminded me.
I know.
I tried not to think of the new gowns, delivered only the day before Edward’s death. They were pale, soft colours, the shades of new flowers in spring. I should have to give them to Morag to sell at the secondhand stalls now. They would never dye dark enough to pass for mourning.
No jewels, except hair jewelry,
Aunt Hermia was saying. I repressed a shudder. I had never warmed to the notion of wearing a dead person’s hair braided around my wrist or knotted at my ears. After a year and a day, you will be permitted black fabric with a sheen, and deep purple or grey with a black stripe. If you choose to wear black after that time, you may relieve it with touches of white. Although,
she added with a conspiratorial look, I think a year is quite enough, and you must do what you like after that.
I glanced at my sister Portia, who was busy feeding her ancient pug some rather costly crab fritters laced with caviar. She looked up and wrinkled her nose at me over Puggy’s head.
Don’t fret, dearest. You have always looked striking in black.
I grimaced at her and turned back to Aunt Hermia, who was deliberately ignoring Portia’s flippancy. As children, we had been quite certain that Aunt Hermia was partially deaf. It was only much later when we realized that there was absolutely nothing wrong with her hearing. The trick of hearing only what she wanted had enabled her to raise her widowed brother’s ten children with some measure of sanity.
Black stockings of course,
she was saying, and we shall have to order some new handkerchiefs edged in black.
I am working on them now,
said my sister Bee from the corner. Industrious as her namesake, she kept her head bowed over her work, her needle whipping through the fine lawn with its load of thin black silk.
Very good, Beatrice. That will save time having them made up, and I simply could not bear to purchase ready-made for Julia.
Aunt Hermia paused, her pencil poised. You know, the queen has hers embroidered with black tears for Prince Albert. What do you think of that?
Bee lifted her head and smiled. I think perhaps plain is best. I mean to get through all of her handkerchiefs before I have to return to Cornwall, and I shall be lucky just to finish the borders.
Of course, dear,
Aunt Hermia said. She returned to her list, but I kept my eyes on Bee. She had not looked at me, and I fancied that her preoccupation with my handkerchiefs was a means of keeping herself too busy to do so. I wondered then how much she knew, how much any of them knew. Marriage is a private thing between a man and his wife, but blood calls to blood, or so my father always said. Was it possible for them to know? I had said nothing, and yet still, I wondered ….
And we should tell Aquinas to prepare the China Room for Aunt Ursula.
I swung round to face Aunt Hermia. The room had gone quite productively silent. Bee was busy with her needlework, Portia and Nerissa were writing out the funeral cards. Olivia immediately picked up a book of hymns to peruse.
Aunt Ursula? The Ghoul is coming?
Really, darling, I wish you children would not call her that,
Aunt Hermia said, frowning. She is a good and decent soul. She only wishes to offer comfort in your bereavement.
Portia smothered a snort. We all knew better than that. The Ghoul’s purpose in life was not to give comfort, it was to haunt the bereaved. She appeared at every deathbed, every funeral, with her trunks of mourning clothes and memorial jewelry, reading dreary poems and tippling the sherry when no one was looking. She kept a sort of scrapbook of the funerals she had attended, rating them by number of mourners, desirability of the gravesite and quality of the food. The worst part of it was that she never left. Instead, she stayed on, offering her own wretched brand of comfort until the next family tragedy. We had been quite fortunate in London, though. A spate of ill luck had carried off three of our elderly uncles in Scotland in as many years. We had not seen her for ages.
Julia?
Aunt Hermia’s voice was edged only slightly with impatience, and I realized she must have been trying to get my attention for some time.
I am sorry, Aunt. I was woolgathering.
She patted my hand. Never mind, dear. I hear Uncle Leonato’s wife is suffering again from her old lung complaint. Perhaps she won’t last much longer.
That was a small consolation. Uncle Leonato’s wife usually hovered on the brink of death until he presented her with whatever piece of jewelry or lavish trinket she had been pining for, then she made a full recovery quickly enough. Still, there was a pack of hunting-mad cousins in Yorkshire who were always highly unlucky. Perhaps this season one of them might be mistaken for a stag ….
Aunt Hermia coughed gently and I looked up. Olivia was asking about the gravesite. She said there is a very nice spot just beyond the Circle of Lebanon.
The Circle of Lebanon in Highgate Cemetery, perhaps the most fashionable address for the dead in all of London. That would have appealed to Edward.
That sounds fine. Whatever you think best.
She ticked off another item in her notebook. Now, what about music?
What followed was a spirited debate in which I took no part. I tried to appear too grief-stricken to decide, but the truth was, I could not bring myself to care. Edward was gone, there seemed little point in arguing over what the choirboys sang. In the end, my eldest sister, Olivia, prevailed by sheer strength of personality. It did not matter. I never heard the boys sing at all. In the same fashion, I saw the lilies, but I did not smell them. I knew it was cold the day of Edward’s funeral because they bundled me into a black astrakhan coat, but I felt nothing. I was entirely numb, as though every nerve, every sense, every cell had simply stopped functioning.
Perhaps it was best that way. I had begun to get snappish and fretful. I had slept poorly since Edward’s death, and having no peace, no privacy in my own home was beginning to tell. All I wanted was to bury Edward and send my family home. I loved them, but from a distance. Their quirks and eccentricities, for which we Marches were justly famous, were magnified within the walls of Grey House.
Mercifully, most of them stayed with Father, but a few elected to comfort me in my grief and had moved in, lock, stock and barrel. The least offensive of these was my brother Valerius. A quiet, somewhat sulky youth, he was six years my junior, and I think he found my company marginally less repressive than Father’s. Edward’s first cousin and heir also gave me little trouble. Simon was sickly and bedridden, afflicted with the same heart complaint that had taken all of his kinsmen. Like Edward he would not make old bones, but it was my lot to care for him until he passed.
The last of my new houseguests was the Ghoul, who had arrived with the expected trunks and a lady’s maid half as old as God. Aquinas had installed them in the China Room, which elicited a flurry of complaints. The room was too cold, the exposure too bright—the litany went on and on. I waved my hand, leaving Aquinas to manage, which he did with his customary efficiency. A small heater was installed, the heavy draperies were drawn, and a fresh bottle of gin was placed on the dressing table, sherry having apparently been given up in favor of something more potent. Since then, I had heard nothing from her whatsoever, and I made a note to instruct Aquinas to add a weekly bottle to the household expenses.
But as much as I complained about them, I was glad to have my family around me as I moved through that awful day. I felt like a sleepwalker, being shifted and guided and turned this way and that, but feeling nothing. They told me later that the sermon was lovely. I was glad of that. I had not listened, and I much suspected that the vicar could not possibly have anything comforting to say. He probably quoted Job, that absurd passage about flowers being cut down. They always quote that. And he probably made some innocuous observations about Edward, observations from a man who had not known him. Edward had not been a great believer, nor was I for that matter. We had been brought up to attend when absolutely necessary, and to observe the conventions, but my family was populated with free-thinking Radicals and Edward’s was simply lazy.
The end result was, I was certain, a eulogy that could have been spoken over the body of any rich, youngish dead man. I did not like to think of that. I did not like to know that Edward, the boy I had loved and married, was already being lost. He was anonymous to the vicar, to the grave digger, to anyone who passed his grave. No one would remember his charm, his beautiful gilt hair, his sweetly serious smile, his ability to tell jokes, his utter incompetence with wine. I would be the only one to remember him as he truly was, and I did not want to remember him at all.
I tried to imagine, as I stood over his open grave, what I would have carved onto the stone. Nothing seemed appropriate. I ran Bible verses and bits of poetry through my mind as the vicar droned on about ashes and death, but nothing fit. I had a few months yet before they would put the stone in place. They would wait until the ground settled before they brought it. I knew that I had to think of something, some brief commentary on his life, some scrap of wit to sum him up, but that was impossible. Words are simple, Edward had not been.
As I struggled to remember a snippet of Coleridge, a cloud passed over, obscuring the sun and throwing the graveyard into chill shadow. A few of the mourners shivered and Father put his arm about my shoulders. The vicar quickened his pace, cracking through the last prayer. The others bowed their heads, but I looked up, studying the graveyard through the thick black web of my veil. Beyond the grave, where the Circle of Lebanon sheltered its dead, there was a figure, or an impression of one, for all I saw was the dead white of a shirtfront against a tall black form.
I dropped my eyes, telling myself it was a trick of the light, of the veil, that I had seen no one. But of course I had. When I raised my eyes again I saw the figure slipping away through the marble gravestones. No one else had seen him, and he had vanished, silent as a wraith. I might have imagined him, except for the question that burned in my mind.
What had brought Nicholas Brisbane to Highgate Cemetery?
Somehow, I knew I should not like the answer at all.
THE THIRD CHAPTER
And then again, I have been told Love wounds with heat, as Death with cold.
—Ben Jonson
Though I Am Young and Cannot Tell
After the funeral, everyone repaired to March House where Aunt Hermia had conspired with Father’s butler, Hoots, to provide an impressive cold buffet and quite a lot of liquor. My relations seemed very pleased with both. And so was I. The more they ate and drank, the less they spoke to me, although I still found myself repeatedly cornered by well-meaning aunts and faintly lecherous cousins. The former doled out advice over shrimp-paste sandwiches while the latter made me dubious proposals of marriage. I thanked the aunts and rebuffed the cousins, but gently. They were an intemperate lot, especially with the amount of spirits Aunt Hermia had offered, and if I offered one of them an insult I had little doubt there would be a duel in the garden by sunrise.
It was a relief when Father finally fetched me to his study.
Time for the will,
he said tersely. You haven’t accepted your cousin Ferdinand, have you?
He glanced over my shoulder to where Ferdinand was still tipsily proposing marriage to a marble statue of Artemis and her stag, completely unaware of the fact that I had excused myself.
No, I don’t think so.
I am glad to hear it. He is a famous imbecile. They all are. Marry one of them and I will cut off your allowance.
I shouldn’t marry one of them if you doubled it.
He nodded. Good girl. I never understood why we Marches always married our cousins in the first place. Bad breeding principle, if you ask me. Concentrates the blood, and God knows we don’t need that.
That much was true. Father had been the first to marry out of the March bloodlines and had ten healthy children to show for it, all only mildly eccentric. Most of our relations who had married each other had children who were barking mad. He had strongly encouraged us to marry outside the family, with the result that his grandchildren were the most conventional Marches for three hundred years.
In the study, the solicitor, Mr. Teasdale, was busy perusing a sheaf of papers while my eldest brother, Lord Bellmont, viscount, MP and heir to the family earldom, browsed the bookshelves. He was fingering a particularly fine edition of Plutarch when Father spied him.
It isn’t a lending library,
Father snapped. Buy your own.
Bellmont bowed from the neck to acknowledge he heard Father, nodded once at me, then took a chair near the fire. His manners were usually impeccable, but he hated being barked at by Father. Mr. Teasdale put aside his papers and rose. I offered him my hand.
My lady, please accept my condolences on your bereavement. I have asked Lord March, as head of the family, and Lord Bellmont, as his heir, to be present while I explain the terms of Sir Edward’s will.
I took a seat next to Bellmont and Father took the sofa. He snapped his fingers for his mastiff, Crab, who came lumbering over to lie at his feet, her head on his knee. Mr. Teasdale opened a morocco portfolio and extracted a fresh set of papers, these bound with tape.
I have here the last will and testament of your late husband, Sir Edward Grey,
he began pompously.
My eyes flickered to Father, who gave an impatient sigh.
English, man, plain English. We want none of your lawyering here.
Mr. Teasdale bowed and cleared his throat. Of course, your lordship. The disposition of Sir Edward’s estate is as follows: the baronetcy and the estate of Greymoor in Sussex are entailed and so devolve to his heir, Simon Grey, now Sir Simon. There are a few small bequests to servants and charities, fairly modest sums that I shall disburse in due course. The residue of the estate, including Grey House and all its contents—furnishings, artworks and equipages, the farms in Devon, the mines in Cornwall and Wales, the railway shares, and all other properties, monies and investments belong to your ladyship.
I stared at him. I had expected a sizable jointure, that much had been in the marriage contract. But the house? The money? The shares? All of these should have rightfully gone with the estate, to Simon.
I licked my lips. Mr. Teasdale, when you say all other monies—
He named a sum that made me gasp. The gasp turned into a coughing fit, and by the time Mr. Teasdale had poured me a small, entirely medicinal brandy, I was almost recovered.
That is not possible. Edward was comfortable, wealthy even, but that much—
I understand Sir Edward made some very shrewd investments. His style of living was comparatively moderate for a gentleman who moved in society,
Mr. Teasdale began.
Comparatively moderate? I should say so! Do you know how little he gave me for pin money?
I was beyond furious. Edward had never been niggardly with money. Each quarter he had given me a sum that I had viewed as rather generous. Generous until I realized he could have easily given me ten times as much and never missed it.
Father’s hand stilled on Crab’s head. Do you mean to say that he kept you short? Why did you not come to me?
His voice was neutral, but I knew he was angry. He was famous for his modern views about women. He favored suffrage, and had even given a rather stirring speech on the subject in the Lords. He made a point of giving each of his daughters an allowance completely independent of his sons-in-law to offer at least a measure of financial emancipation. The very idea that one of his daughters might have been kept on a short lead would gall him.
I shook my head. No, not really. My pin money was rather a lot, in fact. But there were times, when I wanted to travel or buy something expensive, that I had to ask Edward for the money. I always felt rather like Marie Antoinette in front of the mob when I did, all frivolity and extravagance in the face of sober responsibility. It’s just lowering to know that he could have thrown that much to a beggar in the street and never missed it.
Father’s hand began to move on Crab’s ears once more. She snuffled at his knee, drooling a little. Bellmont stirred beside me.
Mines in Cornwall. Surely those have played out by now,
he said to Teasdale.
Mr. Teasdale smiled. They are still profitable, I assure you, my lord. Sir Edward would not have kept them were they not. He was entirely unsentimental about investments. He kept nothing that did not keep itself.
He turned to me, his manner brisk. I swear he could smell the money in the air. Now, if your ladyship would care to leave the management of the estate in capable hands, I am sure that their lordships would be only too happy to make the necessary decisions.
I do not think so,
I said slowly.
Beside me, Bellmont stiffened like an offended pointer. Don’t be daft, of course you do. You do not know the first thing about managing an estate of this size. You will want advice.
Father said nothing, but I knew he agreed with me. He would not say so, not now, because he wanted to see if I would stand my ground with Bellmont. Few people ever did. As the eldest son and heir, Bellmont had been entitled since birth, in every sense of the word. Mother had not died until he was almost grown, so he had felt the full force of her far more conventional ideals. It was not until her death, when the raising of the younger children had been left to Father and Aunt Hermia, that the experiments had begun. Bellmont had been sent to Eton and Cambridge. The rest of us had been educated at home by a succession of Radical tutors with highly unorthodox philosophies. Bellmont had never gotten accustomed to thinking of his sisters or his younger brothers as his equals, and of course he had the whole of the English legal, judicial and social systems to back him. He paid lip service to Father’s Radical leanings, but when the time came for him to run for Parliament, he had done so as a Tory. Father had refused to speak to him for nearly four years after that, and their relationship still bumped along rockily.
I swallowed hard. Of course I shall want advice, Bellmont, and I know that you are quite well-informed in such matters,
I began carefully. But I am an independent lady now. I should like very much to make my own decisions.
Bellmont muttered something under his breath. I could not hear it, but I had a strong suspicion Aunt Hermia would not have approved. In spite of Bellmont’s elegant demeanor, he was always the one who had contributed the most to the family swear box. The box had been established by Aunt Hermia shortly after she came to live with us. We had fallen into the habit of cursing after a visit by Father’s youngest brother, our uncle Troilus, a naval man with a particularly spicy vocabulary. He had taught us any number of new and interesting words and Father had made little effort to curb our fluency, believing that the charm of such words would dissipate with time. It did not. If anything, we grew worse, and by the time Aunt Hermia came to live with us, it was not at all uncommon to hear damns
and bloodys
flying thick and fast at the tea table or over the cricket pitch. It only took a day for Aunt Hermia to devise the swear box, which she presented to us at breakfast her second morning at Bellmont Abbey. The rule was that a shilling went into the box every time one of us cursed, with the proceeds counted up once a year and shared among the family. For the most part it worked. We learned that while we could speak more freely in front of Father, Aunt Hermia’s sensibilities were more refined, and we curbed our swearing in public almost entirely. Except for Bellmont. The year that he was courting Adelaide we all had a nice seaside holiday at Bexhill on the proceeds.
Now he turned to Father. You must speak to her. She cannot play with such a sum. If she speculates, she could lose everything. Make her see reason.
Father’s hand continued to stroke lazily at Crab’s ears. He shrugged. She has as much common sense as the rest of you. If she wishes to manage her own affairs, under the law, she may.
Bellmont turned to Mr. Teasdale, who shrugged. He had been retained by the family for more than thirty years. He knew better than to involve himself in a family quarrel. He busied himself with papers and tapes, keeping his head down and his eyes firmly fixed on the task at hand.
I put a hand to Bellmont’s sleeve. Monty, I appreciate your concern. I know that you want what is best for me. But I am not entirely stupid, you know. I read the same newspapers that you do. I understand that to purchase a share at a high price and sell it at a low one is unprofitable. I further understand that railways give a better return than canals and that gold mines are risky ventures. Besides,
I finished with a smile, having just acquired a fortune, do you think I am so eager to lose it?
Bellmont would not be mollified. He shook off my hand, his face stony. You are a fool, Julia. You know less than nothing about business, and less still about investments. You are not even thirty years old, and yet you think you know as much as your elders.
Don’t you mean my betters?
I asked acidly. He flinched a little. He was always sensitive to criticism that he was playing the lordling.
I wash my hands of it,
he said, his voice clipped. When you have thrown this money away with both hands and are leading a pauper’s life, do not come to me for help.
Father leveled his clear green gaze at Bellmont. No, I daresay she will come to me if she has need, and I will help her, as I have always helped all of my children.
Bellmont flushed deeply and I winced. It was unkind of Father to needle him so. Bellmont had called upon Father’s famous indulgence himself once or twice, but applying for a favor rankled him twice as deeply as it did the rest of us. He felt that, as the eldest and the heir, he should be entirely self-sufficient, which was ludicrous, really. He should and did take his livelihood from the March estate. He oversaw many of the family holdings on Father’s behalf, and his future was so deeply entwined with the future of the family that it was impossible to separate them. Even his title was on loan, a courtesy title devolved from Father’s estate at Bellmont Abbey. He had nothing to call his own except dead men’s shoes, and I think the highly Oedipal flavor of his existence sometimes proved too much for him.
As it did now. His complexion still burnished from his humiliation, he rose, offered us the most perfunctory of courtesies and took his leave, closing the door softly behind him. Bellmont would never create a scene, never slam a door. He was too controlled for that, although I sometimes wondered if a little explosion now and again mightn’t be just what he needed. He longed so much for normalcy, for a regular, unremarkable life. We were alike in that respect, both of