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    Cinderella Sims: The Classic Crime Library, #14
    Cinderella Sims: The Classic Crime Library, #14
    Cinderella Sims: The Classic Crime Library, #14
    Ebook206 pages3 hours

    Cinderella Sims: The Classic Crime Library, #14

    By Lawrence Block

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    About this ebook

    There's no glass slipper in this fairytale - just a damsel in distress, a bag of cash, and a whole lot of dead bodies.

    Reporter Ted Lindsay is trying to forget his ex-wife, and New York City's tough streets are just what the doctor ordered. They're also filled with alluring women, but only one catches Ted's eye. Cinderella Sims is not only beautiful, she's on the run and needs Ted's help. She's got a bag full of cash and some very angry people staking out her apartment. Before long Ted's forgotten his heartbreak and is launched into the dark streets of crime with Cindy at his side.

    The author speaks:  
    "Look, this wasn't my idea.

    "Three or four years ago, Bill Schafer suggested that I might give some consideration to republishing a book of mine called $20 Lust, which had originally appeared under a pen name. I recalled the book he meant, but dimly; I had, after all, written it in 1960. But I didn't need to remember it all that vividly to know the answer to his suggestion.

    "No, I told him.

    "A little later I suggested he might want to publish a fancy edition of Mona, the first book under my own name; it had come out as a paperback original in 1961, and we could celebrate its 40th anniversary with a nice limited edition hardcover.

    "Bill was lukewarm to the notion, but had an alternative proposal; how about issuing a double volume, containing Mona and $20 Lust? Once again, I didn't have to do a lot of soul-searching to come up with a response.

    "No, I told him.

    "Time passed. Then Ed Gorman, the Sage of Cedar Rapids, used an ancient private eye novelette of mine in a pulp anthology. When it came out he sent me a copy, and, while I didn't read my novelette—I figured it was enough that I wrote the damned thing—I did read his introduction, which I found to be thoughtful and incisive and generous. I e-mailed him and told him so, and he e-mailed me back and thanked me, adding that my early work was probably better than I thought.

    "'And,' he added, 'I really think you ought to let Bill Schafer publish $20 Lust.'

    "I felt as though I'd been sucker-punched. Where the hell did that come from?

    "So I got in touch with Bill. 'I suppose I could at least read it,' I said, 'except I can't, because I don't have a copy.' Three days later, a battered copy arrived in the mail. I hollered for my wife.

    "'Bill Schafer wants to reprint this,' I said.

    "'Great,' she said.

    "'Not necessarily,' I said, and explained the circumstances. 'I'd like you to read this,' I said, 'or as much of it as you can without gagging, and then tell me it's utter crap and I'd surely destroy what little reputation I have if I consent to its republication.'

    "'Suppose I like it?'

    "'Not to worry,' I said. 'I'll sign the commitment papers, and I'll make sure they take real good care of you.'

    "Well, she liked it. And Bill Schafer published it, and a lot of people liked it, and my agent sold it in France, where even more people liked it. Shows what I know. And it's now my pleasure to include it in the Classic Crime Library.

    "Cinderella Sims was originally intended to be my second crime novel for Gold Medal, to follow Grifter's Game (aka Mona). At some point along the way I lost faith in it, and wrapped it up in a hurry, and sold it to Nightstand Books. Hope y'all enjoy it!"

    LanguageEnglish
    PublisherLawrence Block
    Release dateJan 19, 2016
    ISBN9781524227890
    Cinderella Sims: The Classic Crime Library, #14
    Author

    Lawrence Block

    Lawrence Block is one of the most widely recognized names in the mystery genre. He has been named a Grand Master of the Mystery Writers of America and is a four-time winner of the prestigious Edgar and Shamus Awards, as well as a recipient of prizes in France, Germany, and Japan. He received the Diamond Dagger from the British Crime Writers' Association—only the third American to be given this award. He is a prolific author, having written more than fifty books and numerous short stories, and is a devoted New Yorker and an enthusiastic global traveler.

    Read more from Lawrence Block

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      Book preview

      Cinderella Sims - Lawrence Block

      Chapter 1

      I woke up after nine hours of solid sleep and felt like crawling back under the covers again. My mouth had a nauseous taste to it and my head ached in a most peculiar manner, as though the top of it was about ready to fly off and sail across the room. I felt hung over, and this was out of the question if only because I hadn’t had more than one or two drinks a day in . . . well, three months, at the very least. A cold glass of beer at Green’s over on Columbus Avenue once an afternoon, that was my limit.

      And every afternoon I felt hung over.

      While the shower down the hall was turning me from one of the living undead to one of the living dead again, I thought about the way every morning was another morning after, the way every afternoon was a gentle trip to Limbo with a bearded and gaunt Charon at the helm, too tired to pull on the oars. I thought about three months in New York, three months that were supposed to be therapy and that didn’t seem to be having much in the way of therapeutic value.

      I got out of the shower, tried to get dry with the little postage stamp Mrs. Murdock jokingly called a towel, and finally gave up and padded back to my room. The window was open and the breeze that came through it was as warm as a willing wench. I let it do the job that the towel couldn’t do.

      Therapy. It was half joke and half serious and I never knew just which end was up. If it was doing me any good I couldn’t quite see it. But it was better than going back. Bad as it was, it was one hell of a lot better than going back.

      Back to a reporter’s desk on the Louisville Times. Back to a house on Crescent Drive, a small postwar house that was falling apart a little because they never did learn how to build houses after the war was over. A house that was not only falling apart but that was also quite empty; so empty that you could not only hear a pin drop but the fallen pin would echo hysterically in every room.

      A cheap, crumbly house. But a house where every room smelled of Mona. Her scent was everywhere, and whether I actually smelled her or only imagined it didn’t make much difference at all. She was gone, gone forever, and the little frame house on Crescent Drive still reeked so strongly of her that I would wake up nights with a scream dying on my lips and cold sweat standing up on my forehead.

      Those were bad days. I lasted almost two months in Louisville from the day Mona left me. But they were two very bad months. I lived on liquor and prowled dark streets from dusk to dawn, afraid of the house that was empty now, afraid of the night that covered up the city, afraid most of all of myself. Mona Lindsay was gone, gone with a nameless and faceless man, and Ted Lindsay walked empty streets with liquor in his belly and terror in his eyes.

      I managed the job. It was easy work by then; after three years swinging Police Beat you can do it with your eyes closed, or half-open at best. There were no murders, no colorful outbreaks of juvenile jollity, nothing that required the services of a sober and serious reporter. All I had to do was drop on down to the station once a night, take the more significant details off the blotter, pound out fifty inches of tripe for the first edition and go back home to sleep.

      I did my job and nothing more. The penetrating features, the exciting style, the little insights that had qualified me for Police Beat to begin with—those weren’t there anymore. But I swung my desk competently and nobody was going to fire me. Hanovan occasionally told me that my copy was dull, but Hanovan was always telling somebody that unless you turned out Pulitzer-grade copy every time a cat got caught in a tree. I did my job, earned my salary, and lived alone in my own private section of hell.

      And I remembered. I remembered Mona—long golden hair breaking over creamy shoulders. Eyes like blue ice, cold and hot at once, ice and fire. I remembered all the delicious details of her delicious body. It was worth remembering—big, firm breasts, beautiful legs, skin as soft as feathers.

      So much to remember. How much happens in two years of marriage? How many times had we made love? How many times had I kissed her, touched her, run my hands over that soft smooth skin?

      Too many times. Too many times to just throw in the towel and forget it when some smooth-talking son of a bitch picked her up and carried her off into the night.

      Too many times.

      I would drink without tasting the liquor while it made its way down my throat. Then I would walk all over Louisville and the whole little drama would make its way through my mind. I would try to figure out why it had happened, why it had turned out the way it did. I never did figure it. I’m sure I never will. It happened. Period.

      One day they found me sitting on a bench in the park across from a water fountain. I wasn’t sleeping, wasn’t passed out. I was just sitting with my hands folded neatly in my lap and my eyes focused on nothing special. They talked to me and I didn’t answer. Then they stood me up and led me away and showed me to a doctor.

      Dr. Strom was all right. A decent guy. For about an hour we just sat staring at each other; then I started talking. I don’t remember what I told him and I do not want to remember, but I probably told him damn near everything. He sat through the whole bit without saying a word, just looking at me and nodding now and then.

      Then he told me what the therapy would be.

      Lindsay, he said, I could have you come in three times a week to stretch out on the couch and bitch to me for fifty minutes at a time. You don’t want that. I don’t want it either. Frankly, I don’t think it would do you a hell of a lot of good. You’ve got something on your mind and you’re not going to get rid of it like that.

      I agreed with him. I’d considered analysis—I guess everybody does when he runs up against something that turns out to be a little too big for him. But it never appealed to me.

      I’d like you to try something else, he went on. A rather drastic treatment, perhaps, but one with a much better chance of success.

      I waited for him to go on.

      Your life is empty right now, he said. For the past two years you’ve been living a certain type of life. In that life your wife has played a predominant role. Now you’re attempting to continue living the same life with your wife left out of it. Obviously the life is not going to be a full one. Obviously any life you lead in Louisville now, living in the house where you both lived and seeing the people you both knew—well, such a life is going to be a strain upon you. A tremendous strain.

      What do you suggest?

      You ought to get out of town, Strom said. Sell your house, quit your job, head for another town. Take a job that doesn’t mean anything to you; something very different from newspaper work. Manual labor or office work or selling, something like that. Go to a big city and let yourself get lost in it. Make new friends, see new people, be alone with yourself. Develop a completely new routine. Read new books. See new movies. Try to find yourself.

      I interrupted him. Look, I said. Look, it sounds fine. But I can’t do that. I’ve spent one hell of a long time getting where I am right now. It’s my whole life, damn it. I can’t just pack up and turn into somebody else. I can’t do that. I’d go nuts.

      Nuts?

      I looked at him.

      Nuts? he repeated. Lindsay, I wonder if you know just where you are right now. Do you?

      I shook my head.

      You’re about three steps away from catatonia, he said. Schizophrenic catatonia. Keep on the way you’re going and one of these days you’ll start staring at a wall and you won’t stop. I’m not saying this to scare you, but I wouldn’t be playing it straight with you if I didn’t let you know just how rocky your present situation is. Your present existence is a whirlpool and you’re trying to swim out of it. Did you ever hear of anybody swimming out of a whirlpool?

      I found a few more objections and Strom found a few more answers for them. It was no contest—he knew what he was talking about and I didn’t, and the more we talked the more I started to realize it. When I left his office I headed for the Times Building, found Hanovan and told him I was leaving. He didn’t seem surprised; Strom must have filled him in. He told me he’d have a job for me anytime, shook my hand, and left me alone while I cleaned out my desk.

      Then I found a relatively trustworthy real estate agent named Greg Cabot, listed my house with him, signed a bunch of papers without reading them, and went back to the house.

      Inside it, I smelled her again. It made things just that much more difficult.

      I packed a suitcase. I took along some clothes, a toothbrush, and nothing much else. The suitcase was a small one to begin with and I still couldn’t manage to fill it up.

      So I took her picture along. It was the wrong thing to do, and I realized as I packed it that it was the wrong thing to do, but I couldn’t seem to help myself. I packed it, locked the suitcase, heaved it into the backseat of my car and drove to the railroad station where I checked the suitcase in a locker.

      Then I drove to the nearest used car lot and sold them my car. It broke my heart to do it but I forced myself. I liked that car. It wasn’t much according to the Madison Avenue tastemakers—just a Plymouth convertible five years old with the paint job starting to go. But it was made when they were still trying to make cars that would last instead of playing idiotic games with horsepower and tailfins. The upholstery was good imitation leather and the pickup was impressive. I loved that car. Mona had liked it too—liked to ride in it with the top down and the wind tossing her long yellow hair to hell and gone.

      The dealer gave me a lousy two-fifty for it.

      I hiked back to the station, reclaimed my suitcase and caught the next train for New York. The train took a long time getting there, stopping at various whistle stops to pick up the milk and get rid of the mail. I chain-smoked, ate a half-million tasteless ham-and-Swiss sandwiches, and remembered things that Dr. Strom had told me to forget.

      When the train shuddered to a stop in Penn Station I took a temporary room in a cheap hotel in the Times Square area and unpacked. While I was putting my clothes in the dresser with the cockroaches I found the picture of Mona. I stared at it for an hour, maybe longer.

      It all came back, of course. Dr. Strom would have bawled hell out of me for it and he would have been right, but Dr. Strom was many hundred miles away and I didn’t have him to straighten me out. All I had was the hotel room with its four cold walls, the bed with squeaking springs that reminded me of a motel room where Mona and I had made the walls ring with bed-squeaking. And, of course, I had the picture of Mona. My Mona.

      ∗ ∗ ∗

      God knows how or when the rift started. My work demanded enough of my time and interest so that I probably never saw the gap begin. Then, when it started widening, I found other things to worry about. I attributed the tension to a batch of convenient scapegoats—job pressure, end of a two-year honeymoon, Mona’s desire for a child and our inability thus far to conceive one. More and more often we were staying on our own sides of the big double bed, talking less to each other and, evidently, loving each other less.

      Then one night I came home to her and she was packing a suitcase. I looked at her, unable to think of anything clever to say, and she told me quite calmly that she was leaving me.

      I don’t remember what I said.

      She told me his name, which I have since forgotten, although it turned up in the newspaper articles later. The Times didn’t carry the story out of some obscure loyalty to me but the Courier plastered it all over page one. But that part comes later.

      She was in our bedroom, stuffing the last piece of clothing into her little suitcase and fastening the lid. The big double bed was all neatly made and the unfunny hilarity of that fact struck me—it was just like Mona to make the bed carefully even though she never intended to sleep in it again. She was a meticulous housekeeper, a better-than-average cook, a tigress in bed with the lights out.

      Now she was leaving me.

      She was saying something but I wasn’t listening anymore. I was looking at her. I can still remember how she was dressed—stockings and high heels, a very plain brown skirt the color of good chocolate, a canary yellow sweater that buttoned up the back. Her hair was falling free and it looked longer and yellower than ever.

      She was a big woman. I’m somewhat better than six feet tall and when she wore heels her nose was level with my mouth. And she had the shape to take care of her height.

      She went on talking but I still wasn’t listening.

      I grabbed her. She tried to twist away from me but I didn’t let go of her. I wasn’t thinking anymore, just acting in a combination of instinct and self-preservation.

      I slapped her and she loosened up. I ripped her sweater and all those buttons popped down the back of it like a row of dud firecrackers. I broke the catch on the chocolate brown skirt and tore it off of her. I got rid of the bra and panties. I let her keep the stockings because they didn’t get in my way.

      I shoved her right down on top of that perfectly made bed and got my own clothes off and tumbled on top of her. She wasn’t struggling any more. I think that stopped the minute I ripped her sweater. She was just lying on her back with no expression whatsoever on her beautiful face, lying prone like a sack of flour, a broken doll, a corpse.

      I raped her. Coldly and furiously, quickly and savagely. It was not good for me and, of course, it was not at all good for her. It had a beginning and a middle and an ending and then all at once it was over and I had a sickening taste in my mouth.

      I rolled away from her, unable to look at her, unable to think about anything at all. I tried to stand up but I didn’t make it and I had to sit back down on the bed again. She stood up and began dressing once again. She put on fresh clothes and put the ones I had torn off back into her suitcase. For a long time she didn’t say anything.

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