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    Romance Your Brand: Publishing How To, #1
    Romance Your Brand: Publishing How To, #1
    Romance Your Brand: Publishing How To, #1
    Ebook124 pages1 hour

    Romance Your Brand: Publishing How To, #1

    By Zoe York

    4.5/5

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    About this ebook

    "Genre fiction series are the bread and butter of mid-list writers. For many, they make the difference between a writing dream and a writing career." Zoe York/Ainsley Booth, USA Today and New York Times bestselling author

    For the first time ever in print, Zoe York breaks down how she plans a series—something she has done ten times over. Romance Your Brand is an adaptation of an intensive four-week course, now available to authors everywhere. This book covers:

    • high-concept pitches

    • taglines and blurbs

    • world building and casts of characters

    • writing the first book in a series

    • finding comparable series and covers

    • how to write towards future marketing

    • and why ALL OF THE ABOVE should be considered before you write a single word

    LanguageEnglish
    PublisherZoe York
    Release dateDec 24, 2019
    ISBN9781926527888
    Romance Your Brand: Publishing How To, #1
    Author

    Zoe York

    Zoe York lives in London, Ontario with her young family. She has an English degree and works at a university, so it was probably a foregone conclusion that she’d write a romance novel one day. What Once Was Perfect is her debut novel.  

    Read more from Zoe York

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    • 4/5
      Wonderful book on planning a series. I’ll have to review it later to catch more.
    • 5/5
      Great read about writing a series - for romance authors!

    Book preview

    Romance Your Brand - Zoe York

    Romance Your Brand

    Romance Your Brand

    Building a Marketable Genre Fiction Series

    Zoe York

    Contents

    Epigraph

    About This Book

    About the Author

    Acknowledgements

    Foreword

    1. Building a Marketable Series

    2. Ebook Publishing

    3. The Sales Pitch for Writing Series

    4. Comparison is the Thief of Joy

    5. What is a Series, Anyway?

    6. Metadata

    7. World-building and Casting

    8. The Pitch

    9. Blurbs in the Digital Age

    10. The First Book in a Series

    11. Put Your Series Idea in an Array of Comparables

    12. Midpoint Review

    13. Excerpt Writing

    14. Media Kits

    15. Enthusiasm: The Undervalued Factor

    16. Wait! Let’s Make a Quick World and Cast Checklist

    17. Tips and Tricks for Show Running a Series

    18. Sketching Your Next Series

    19. Planning Out A Series of Standalone Romances

    20. But Zoe, I’m Going to Write a Long Running Series about a Single Protagonist

    21. Series 2.0

    22. It’s the End of the Book As We Know it…

    Zoe’s Non-Fiction How To Write Reading and Reference List

    Online resources

    Also by Zoe York

    Also by Ainsley Booth

    Copyright © 2019 by Zoe York

    All rights reserved. This book or any portion thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review.

    ZoYo Press

    London, Ontario, CANADA

    www.ZoeYork.com

    www.romanceyourbrand.com

    Dedication

    In memory of my beloved Baba, once a two-year-old migrant child, and for everyone who actively works to make this world a better place for children.

    Borders are bullshit and all human beings should have a right to live free and safe.

    The very first print copy of this book was raffled off to support The Young Center, and won by a fellow author, Kelly Maher.

    I matched her winning bid with my own donation.

    Epigraph

    Genre fiction series are the bread and butter of mid-list writers. For many they make the difference between a writing dream and a writing career.

    Zoe York/Ainsley Booth, USA Today & New York Times bestselling author

    About This Book

    For the first time ever in print, Zoe York breaks down how she plans a series—something she has done ten times over. Romance Your Brand is an adaptation of an intensive four-week course, now available to authors everywhere. This book covers:

    high-concept pitches

    taglines and blurbs

    world building and casts of characters

    writing the first book in a series

    finding comparable series and covers

    how to write towards future marketing

    and why ALL OF THE ABOVE should be considered before you write a single word

    About the Author

    Zoe York is a thirteen-time USA Today bestselling author of contemporary romance, often with military heroes, and always with scorching heat on the page. Between her two pen names (she also writes erotic romance as Ainsley Booth), she has published more than fifty books since her 2013 debut, What Once Was Perfect. Notable career highlights include Prime Minister (USA Today bestseller twice, in 2016 and 2017), the SEALs of Summer anthologies (New York Times bestsellers in 2014 and 2015), and the fan favourite Canadian small town series, Pine Harbour and Wardham. She is a mouthy and proud member of Romance Writers of America and Toronto Romance Writers.

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    Acknowledgements

    I’m grateful to Nikki Haverstock and Rosemary Rey for their thoughts on early drafts of this material. I need to also acknowledge the fifty guinea pig colleagues from RomanceDivas.com who took my one-time-only class in 2016. Their questions and thoughtful participation was invaluable feedback as I developed my thoughts on what makes a successful genre fiction series.

    Thank you as well to Kim Cannon for her fast proofreading. Any remaining ellipses errors and all superfluous So… are my own error and/or ridiculous editorial choice.

    Foreword

    For years, I’ve said I don’t want to write a non-fiction book. Obviously, I’m a liar.

    I love to talk about writing and publishing. I love speaking to others, in groups large and small. Workshops? Yes please—as an attendee or as the presenter, I’m not picky. And then there’s Twitter, and Facebook, and my every-so-often threads on the state of publishing as I see it.

    But deep down, I know those thoughts are transient. There’s a lot of moving parts in publishing. A lot of advice that is old before the ink fades.

    And yet…

    A few years ago, I gave the following text as a luncheon address in the suburbs of Boston, at the annual conference of the New England Chapter of Romance Writers of America. It’s about watching my mother do desktop publishing from our kitchen table in the 1980s.

    There is some advice which stands the test of time. This book is my offering in that regard. Time will tell if it’s solid or not. I hope some of it is useful to you, and you take that and do something great with it. The rest, feel free to discard. Most of the time, I’m flying by the seat of my pants anyway.

    Three things I want you to know right off the top.

    I’m nervous, and that’s okay. Joanna Bourne reminded me that this is a good thing—it’s my body preparing me for the hordes to advance with pitchforks.

    Should that happen, I’ll just turn it into my next Vikings in Space adventure, so that’s all good, too.

    Everything I know, I learned from those who came before me. I would be lost without this community. And when I remind myself of that, I’m not nervous anymore.

    It’s an honour to be asked to give this lunch talk, and I was thrilled to be asked. The committee has truly done an outstanding job organizing this conference. The quality of the workshops has blown me away. So like, no pressure, Zoe. But this is my first keynote-type address! And I want to get it right.

    Just like when you sit down to start a new writing project, the possibilities are endless but also overwhelming—do I share something poignant? Go for the funny? Be motivational?

    The thing is, when you’re handed a microphone, and you’re a bit of a maverick like I am, you start to think…is this the only time I’ll ever get to do this? I have to say all the things!

    I still feel like my eight-year-old self, that eager little girl who has discovered a love of novels. I was raised by a single mom, and we didn’t have a lot of money. I got to buy two new books at the Scholastic Book Fair each year, and the rest of the time we bought books by the bag-full at yard sales. I went to the library every week and signed out ten books at a time, and when I returned them, I stood at the counter and talked the librarian’s ear off about my favourites. That is still who I am in so many ways.

    My mother taught me a lot—about readers and publishing, about money and running a small business. She was a journalist, and

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