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System and Population
System and Population
System and Population
Ebook116 pages48 minutes

System and Population

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Christopher Sindt’s System and Population returns to the primary theme of Sindt’s earlier collection, The Bodies: the impact of human desire on the natural world. System and Population focuses on the proposed damming of the American River canyon in northern California—working with source texts such as geologic studies, government documents, and the diaries of gold miners—to study the intersections of personal experience, scientific study, and the politics of rivers and dams. It is a personal eco-poetics that embraces the tradition of the lyric, experimenting with collage and the explicit inclusion of historic and scientific data. System and Population meditates on human experiences, such as parenthood and loss, and also studies the dissociative effects of environmental damage and disaster
LanguageEnglish
Release dateNov 1, 2016
ISBN9781602358881
System and Population
Author

Christopher Sindt

CHRISTOPHER SINDT is an Associate Professor of English at Saint Mary's College of California, where he teaches in the MFA Program in Creative Writing and serves as the Vice Provost for Graduate and Professional Studies. He is the author of The Bodies (Parlor Press, 2012) and the chapbook, The Land of Give and Take (Momotombo Press, 2002).

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    Book preview

    System and Population - Christopher Sindt

    Headwater

    briefly

    during floods

    streambed

    assembling thunder

    impacts

    of the unnecessary

    "Let it be my faith

    too. That there is

    an order"

    bright and peopled—

    weddings,

    parties, systems

    to be

    studied—

    dry dam captures

    the freshet,

    rising,

    mock-orange

    appearing as

    weaponry,

    tiny tabernacles

    System and Population

    Seal the river at its mouth

    take the water prisoner

    fill the sky with screams and cries

    bathe in fiery answers

    —Townes Van Zandt, Lungs

    1.

    Graph of the water table

    This morning’s children

    At the confluence

    Among whitewater

    "Weaving of a figure

    Unweaving, an art of

    Unsaying"

    Weave in torrent,

    An outpouring

    Bitter cup

    Figured wind

    On Christmas day

    In tumult

    2.

    The undertow of these glances, arms entangling, embracing the rose of morning.

    The world is not common here: a welcoming shiver, appliances dumped in the river and the rusting of this or that love—

    My sisters and I are fishing, and I am practicing the day-glo smear of fish-eggs.

    She says my care was a form of carelessness (there on the open bridge).

    And the winding and unwinding: water moving through subsurface material or what flows beneath the surface on its own path.

    This might be a letter to the drowned ones—Charlie, Monica, Joseph, James—a tribute or tributary, elegy or testament.

    Never posted, possibly never conceived.

    Or, an article in the Sunday Journal with the headline: underflow as tribute to injury catching on in westerns states.

    They were leaning over the tackle box, niggling over worms. Barbed hooks.

    Flyline, leaders, tippets, fisheggs and nymphs. Two days after Christmas, sheet-metal sky and shivery girls.

    I stepped on a rusty stove lying under water, lost the ability to think, blood gushing as I pulled my foot from the river.

    Past, past, past tense, river was full of garbage and rust, river was unprotected.

    We confirm the value of the Pinus sabniana: 40-90 feet, broad, heavy cones, 3 needles in a bundle, grey.

    John Muir: No other tree of my acquaintance is so substantial in body and yet in foliage so thin and pervious to light.

    Miwoks boiled twigs, bark, and needles into a strong tea. Foothill, Grey, or Digger.

    To review:

                 a) the grey pine keeps its powers inside

                 b) I discovered the hospital and the rigging of my big toe.

    Time and memory. Work in the present a type of sifting made fictional through missteps and definitions.

    An affluent flows into a larger river or lake, as do the lines of mind and grammar.

    One could also imagine gas and dust expanding away from a particular point in time and space, seeming to lighten its value,

    and the poem too a kind of expansion.

    An acquaintance that announces itself speaking its substantial body to the mountaineer.

    An acquaintance that listens. That it might be overheard making an acquaintance: haggard, broad-bodied pine.

    That the tree might not listen to the man beside the flowing affluent in the canyon above the river.

    But here in the poem the pine might disappear along with the Miwok and the interpretation.

    A river without water but retaining its words and definitions. The boy has never cut his toe and the bridge has never been built.

    We could begin our story again as headwaters continually begin: I see myself nine years old now lying on the rock as two teenage girls examine and bandage the injury,

    a ripped headscarf as a tourniquet, codes of behavior learned from television.

    Now it begins to mist slightly through the canyon, the pines shifting in medium wind.

    It was morning, two days after Christmas.

    time, time. It’s time.

    This eye is painting today in its socket. Running water, grey pine, sheet-metal sky.

    3.

    Engaged in direction,

    ashamed by

    entering, like others:

    beneath

    the ripples

    (far apart, they put us):

    beneath the afternoon:

    abyss-mal, the gap

    beneath swallows

    and dragonflies:

    winter:

    an issuing

    from the earth

    (dampening prayer):

    and so, this is

    an authority

    of the river.

    4.

    It is keenly beside us, the river, spreading

    fine mist through the evening, freshwater

    on your upper lip, breads and cheeses, blankets,

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