Plot Synopsis (continued)
Finally,
Ferraj and blue-eyed Lawrence (in his Bedouin robe) reach the Suez
Canal, where they first realize that they have arrived when a ship
looms up in front of them on the narrow canal - an unforgettable
image. They signal a motorcyclist (director David Lean in a brief
cameo) on the other bank who cries back:
"Who are you?"
Lawrence's
reply is silence - a mute answer to his paradoxical identity as both
a Britishman and a 'native' Arab, and as an individual driven by
both ambition and sadomasochism.
The two are delivered into the heart of Cairo, where
despite resistance, Lawrence - still in his Arab garb - marches into
the Officer's Club and at the bar orders drinks for himself and his
Arab servant: "We want two large glasses of lemonade." When
he is just on the verge of being thrown out and ostracized due to
racist attitudes, Col. Brighton appears and asks Lawrence to explain
himself. Lawrence proudly announces his military success:
Lawrence: We've taken Aqaba.
Brighton: Taken Aqaba? Who has?
Lawrence: We have. Our side in this war has. The wogs have. We have...
Brighton: You mean the Turks have gone?
Lawrence: No, they're still there but they've no boots. Prisoners,
sir. We took them prisoners, the entire garrison. No that's not true.
We killed some, too many really. I'll manage it better next time.
There's been a lot of killing, one way or another. Cross my heart
and hope to die, it's all perfectly true.
Brighton: It isn't possible.
Lawrence: Yes it is. I did it.
In preparation to see General Allenby, Brighton agrees
with Lawrence that he needs a shave and adds: "You'd better
get into some trousers too."
Before General Lord Allenby, Mr. Dryden of the Arab
Bureau, and Col. Brighton, Lawrence first listens to a description
of his background from his file, and then is questioned about the
strategic take-over of Aqaba:
Allenby: Undisciplined, unpunctual, untidy. Several
languages. Knowledge of Music, Literature, knowledge of, knowledge
of ...You're an interesting man. There's no doubt about it. Who
told you to take Aqaba?
Lawrence: Nobody.
Allenby: Sir.
Lawrence: Sir.
Allenby: Then why did you?
Lawrence: Aqaba's important.
Allenby: Why is it important?
Lawrence: It's the Turkish route to the canal.
Allenby: Not any more. They're coming through Beersheba.
Lawrence: I know. But we've gone forward to Gaza.
Allenby: So?
Lawrence: So that left Aqaba behind your right.
Allenby: True.
Lawrence: And it will be further behind your right when you go for
Jerusalem.
Allenby: Am I going for Jerusalem?
Lawrence: Yes.
With his idealistic motivations, Lawrence has ultimately
prepared the way for later imperialists to take over territory. Although
accused of "acting without orders," Lawrence asks a rhetorical
question: "Shouldn't officers use their initiative at all times?" Allenby
answers that independent actions may be too dangerous, but then promptly
promotes Lawrence to the position of Major, wishing him to return
to the desert. However, the self-doubting and disturbed Lawrence
believes that he is "unfit" and should be relieved of further
duty - he knows that the war has been progressively corrupting him.
In addition, he makes the frightening confession that he enjoys bloodshed:
Allenby: I want you to go back and carry on the good
work.
Lawrence: No thank you, sir.
Allenby: Why not?
Lawrence: Well, I, it's, uh, let me see, I killed two people, I mean
two Arabs. One was a boy. That was yesterday. I led him into a quicksand.
The other was a man. That was before Aqaba anyway. I had to execute
him with my pistol. There was something about it I didn't like.
Allenby: Well, naturally.
Lawrence: No, something else.
Allenby: I see. Well that's all right. Let it be a warning.
Lawrence: No, something else.
Allenby: What then?
Lawrence: I enjoyed it.
Allenby: Rubbish...What do you mean by coming here dressed like that?
Amateur theatricals?
Lawrence: Oh yes, entirely.
Allenby: Let me see that, uh, that hat thing or whatever it is. Fascinating
gear that they wear. How do you think I would look in this, Harry?
Brighton: Downright ridiculous, sir.
Allenby (to Lawrence): Here, you keep it.
Lawrence: What I'm trying to say is I don't think I'm fit for it.
Allenby: Really! What do you think, Dryden?
Dryden: Before he did it, sir, I'd have said it couldn't be done.
Allenby: Brighton?
Lawrence: I know what he thinks.
Brighton: I think you should recommend a decoration, sir. I don't
think it matters what his motives were. It was a brilliant bit of
soldiering.
"I know a good thing when I see one," says
a "clever" Allenby, who cannot afford to let the heroic
Lawrence go. The intense young hero is ceremonially marched down
the stairs and to the officers' club where it is publically announced
that he is now a Major. With a change of heart, Lawrence enthusiastically
describes how his small desert Arab force of a thousand men could
hold down the entire Turkish army and continue to inflict destruction
with guerrilla warfare:
Lawrence: A thousand Arabs means a thousand knives,
delivered anywhere day or night. It means a thousand camels. That
means a thousand packs of high explosives and a thousand crack
rifles. We can cross Arabia while jolly Turkey is still turning
round, and smash his railways. And while he's mending them, I'll
smash them somewhere else. In thirteen weeks, I can have Arabia
in chaos.
Allenby: You are going back then?
Lawrence (smiling): Yes. Of course I'm going back.
Lawrence wishes to fulfill his promises to unite the
Arab tribes when he continues his work in the desert with British
support of arms, money, and training:
Lawrence: Arabia is for the Arabs now. That's what
I've told them anyway. That's what they think. That's why they're
fighting.
Allenby: Oh surely.
Lawrence: They've only one suspicion. We let them drive the Turks
out and then move in ourselves. I've told them that that's false,
that we've no ambitions in Arabia. Have we?
Allenby: I'm not a politician, thank god. Have we any ambition in
Arabia, Dryden?
Dryden: Difficult question sir.
Lawrence: I want to know sir, if I can tell them, in your name, that
we've no ambitions in Arabia.
Allenby: Certainly.
Lawrence: Two thousand small arms, not enough. I need five.
Allenby: Right.
Lawrence: Money. It'll have to be sovereigns. They don't like paper.
Allenby: Right.
Lawrence: Instructors for the Lewis guns.
Allenby: Right.
Lawrence: More money.
Allenby: How much more?
Lawrence: Twenty-five thousand now. A lot more later.
Allenby: Dryden?
Dryden: It can be done, sir.
Lawrence: A couple of armored cars.
Allenby: Right.
Lawrence: Field artillery.
Allenby: Right. I know to give you every blessed thing I can, Major
Lawrence, because I know you'll use it. Congratulations and thank
you.
Separated from his fellow officers who stand inside
the club behind a window pane, the non-conformist Lawrence is in
the courtyard, garbed in his white Arabian robes. But he is congratulated,
although embarrassed by the attention, when he steps inside. With
Lawrence not present, Allenby ruthlessly and manipulatively agrees
with Dryden that the Arabs must not be made entirely independent:
Dryden: You give them artillery and you've made them
independent.
Allenby: Then I can't give them artillery, can I?
Dryden: For you to say, sir.
Allenby: No, it's not. I've got orders to obey, thank god. Not like
that poor devil. He's riding the whirlwind.
Dryden: Let's hope we're not.
Intermission:
A syndicated American journalist from the Chicago
Courier, Jackson Bentley (Arthur Kennedy), is introduced to
Prince Feisal. Bentley, who wishes to record Lawrence's exploits
as a public figure, wants to know where to find Lawrence. The cynical
reporter knows that the Arabs lack artillery and therefore are "handicapped" and "restricted
to small things." He offers an unsolicited opinion about the
character of General Allenby:
Bentley: Watch out for Allenby. He's a slim customer.
Feisal: Excuse me?
Bentley: A clever man.
Feisal: 'Slim customer.' It's very good. I will certainly watch out
for him. You are being very sympathetic, Mr. Bentley.
Bentley: Your Highness. We Americans were once a colonial people,
and we naturally feel sympathetic to any people anywhere who are
struggling for their freedom.
Feisal: Very gratifying.
Bentley: Also, my interests are the same as yours. You want your
story told. I badly want a story to tell.
Feisal: Ah, now you are talking Turkey, are you not?
After offering his cooperation and guidance during
the interview, Feisal remarks: "You know, of course, that we
are destroying the Turkish railways."
He then describes the barbaric nature of their warfare, led in part
by tribal leader Lawrence, against their savage Turkish enemy:
Bentley: Major Lawrence is in charge of all this,
is he?
Feisal: My army is made up of tribes. The tribes are led by the tribal
leaders.
Bentley: Well, your people do think very highly of Major Lawrence
though?
Feisal: Oh yes...In this country, the man who gives victory in battle
is prized beyond every other man. One figure I can give you from
my head because it never leaves my head. Since starting this campaign
four months ago, we have lost 37 wounded, 156 dead. Do you remark
at this proportion between our dead and wounded?
Bentley: Yeah. Four times as many.
Feisal: That's because those too badly wounded to bring away we ourselves
kill. We leave no wounded for the Turks.
Bentley: You mean...
Feisal: I mean we leave no wounded for the Turks. In their eyes,
we are not soldiers, but rebels. And rebels wounded or whole, are
not protected by the Geneva Code and are treated harshly.
Bentley: How harshly?
Feisal: More harshly than I hope you can imagine.
Bentley: I see.
Feisal: Our own prisoners, Mr. Bentley, are taken care of, 'til the
British can relieve us of them, according to the Code. I should like
you to notice that.
Bentley: Yes, sir. Is that the influence of Major Lawrence?
Feisal: Why should you suppose so?
Bentley: Well, it's just that I heard in Cairo that Major Lawrence
has a horror of bloodshed.
Feisal: That is exactly so. With Major Lawrence, mercy is a passion.
With me, it is merely good manners. You may judge which motive is
the more reliable.
As Bentley prepares to leave, he describes the nature
of his interest in Feisal's people and "hero" Major Lawrence:
Bentley: It's very simple sir. I'm looking for a
hero...certain influential men back home believe that the time
has come for America to lend her weight to the patriotic struggle
against Germany, uh and Turkey. Now I've been sent to find material
which will show our people that this war is, uh...
Feisal: Enjoyable?
Bentley: Oh hardly that, sir. But to show them its more adventurous
aspects.
Feisal: And you are looking for a figure who will draw your country
towards war.
Bentley: All right. Yes.
Feisal: Lawrence is your man.
The camera cuts immediately to Lawrence, positioned
on a sand dune ridge in one of the film's most memorable sequences
- he pushes a plunger to detonate dynamite laid on the tracks of
a Turkish train. The band of Arab guerrillas open fire with British
machine guns on the derailed and sabotaged train, while the ambush
is photographed by Bentley. Lawrence calls for his men to stop, then
rises in his flowing white robes and runs in front of the line of
fire, shooting flares to get his men's attention. Then, with one
sweeping hand, he leads the bloody desert assault down the sand dune
hillside:
Come on, men!
The men loot the train for treasures - Auda laughingly
sports a trophy of war from the train, a battered black umbrella.
Memorably, one finely-dressed, mortally-wounded train passenger staggers
away from the wreck in a daze. Lawrence parades atop the wrecked
train like a god, where he is shot in the right upper arm by a wounded
Turkish officer. He faces and watches as the Turkish man unsteadily
empties his 'broom-handle' Mauser automatic pistol directly at him.
After Auda swiftly dispatches the man with his raised sword, Bentley
comments:
Bentley: Never seen a man killed with a sword before.
Lawrence: Why don't you take a picture?
Bentley: Wish I had.
Auda: How is it with thee, Lawrence? Ho! (Seizing Bentley's camera)
Am I in this?
Bentley: Huh?
Lawrence (translating for Bentley): Did you take his picture?
Bentley: Yeah. (Auda smashes the camera to pieces)
Auda (to Lawrence): You are using up your nine lives very quickly.
Bentley: Charming company you keep.
Lawrence: Auda? He's a bit old-fashioned. He thinks these things
will steal his virtue. He thinks you're a kind of thief.
Bentley: Is it all right if I take your picture?
Lawrence: All right?
Bentley photographs Lawrence in front of his hero-worshipping
followers. His arm bloodied, he climbs back aboard the top of the
train, casting a giant shadow on the ground that the Arabs follow.
In his flamboyant white robes, he is framed against the bright sun
with his arms outstretched, as his men enthusiastically chant: "Aurens,
Aurens." Ali considers the looting as "customary"
"payment" for the men's services. Colonel Brighton thinks
Lawrence's tribal army is solely composed of thieves who will carry
off the loot to their homes - never to return, but Lawrence disagrees: "They'll
come back." Asked if he is physically wounded by Brighton, Lawrence
vainly and recklessly believes in his own legendary invincibility:
Not hurt at all. Didn't you know? They can only kill
me with a golden bullet.
Later, Bentley asks two questions "straight" of
Lawrence before he returns to Western "fleshpots":
Bentley: One: What, in your opinion, do these people
hope to gain from this war?
Lawrence: They hope to gain their freedom. Freedom.
Bentley: They hope to gain their freedom. There's one born every
minute.
Lawrence: They're gonna get it, Mr. Bentley. I'm going to give it
to them. Second question?
Bentley: Oh! Well, I was gonna ask, um, what is it Major Lawrence,
that attracts you personally to the desert?
Lawrence: It's clean.
Bentley: Well now, that's a very illuminating answer.
Another Turkish train carrying wagonloads of horses
is successfully attacked by Auda's tribe. Having taken an "honorable" loot
this time, Auda prepares to go home, but he is called a "deserter" by
Brighton.
Auda: When Aurens has got what he wants, he will
go home. When you have got what you want, you will go home.
Brighton: Oh no I shan't, Auda.
Auda: Then you are a fool.
Brighton: Maybe. I am not a deserter.
Auda: Give thanks to God, Brighton, that when he made you a fool,
he gave you a fool's face.
Brighton: You are an impudent rascal.
Auda (to Lawrence): I must go Aurens, before I soil myself with a
fool's blood.
Brighton: Talking to a brick wall. (To Lawrence) So, what will you
do now? What can you do?
Lawrence: I'll go north. That's what Allenby wants.
Brighton: Allenby wanted the Arab army behind Deraa.
Lawrence: Tell Allenby to hurry up. Or we'll be in Deraa before he's
in Jerusalem.
On their way north to the Turkish-held town of Deraa,
Lawrence and about fifty of Ali's tribe prepare to ambush a third
Turkish train. As the train approaches, Ferraj is seriously injured
in a freak accident with detonated explosives. To prevent his torture
by the Turks if left behind, Lawrence executes his adored Arab servant/friend
in a mercy killing at the scene of the aborted attack. Before the
sacrifice, he tells Ferraj: "Salute him [Daud] for me."
Recognized as a serious Turkish threat, the Turks offer
twenty thousand pounds for Lawrence's capture. During the winter
when the fighting abates, Allenby doubts whether Lawrence will live
long enough to rise again and rally the Arabs to him:
Allenby: What about next year? Will they still come
back?
Brighton: I wouldn't be surprised. They think he's a kind of prophet.
Allenby: They do or he does?
Even Ali, his loyal desert leader, notes the decline
of Lawrence's attraction by the men and the derailed efforts at Arab
nationalism. But Lawrence persists in believing in his own mythological
invulnerability:
Ali: Aurens, one more failure, and you will find
yourself alone. I do not include myself.
Lawrence: I do not include the others.
Ali: So say they love you. The more reason to be thrifty with them.
Give them something to do that can be done. But you? No! No! They
must move mountains for you. They must walk on water.
Lawrence: That's right! That's right! Who are you to know what can
be done? If we'd done what you thought could be done, we'd be back
at Yembo now and nowhere. Whatever I ask them to do can be done.
That's all. They know that if you don't. Do you think I'm just anybody
Ali? Do you? (To the men) My friends, who will walk on water with
me? Who will come with me into Deraa?
One of the men: Deraa is garrisoned. Will you take twenty against
two thousand?
Lawrence: I'll go by myself if I have to...Because I told the English
generals, the Arab Revolt will be in Deraa when they would be in
Jerusalem.
One of the men: Or perhaps you are here for the English generals?
Lawrence: Who says this?
Ali: Rumor. (Lawrence spits in disgust to the ground)
One of the men: That is not an argument.
Lawrence: Oh, an argument. This afternoon, I will take the Arab Revolt
into Deraa while the Arabs argue.
One of the men: Aurens? Can you pass for an Arab in an Arab town?
Lawrence (sarcastically): Yes, if one of you would lend me some dirty
clothes.
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